Thomas wrote: More, drug sober people.
Yes. Or, learn some interpersonnal skills and know when someone's body-language means fuck off.
"ketchup sounds for ketchup people"gwa wrote:apparently i fell into the fridge and shouted really loudly 'RIGHT, IM OFF TO GO FUCK THE SHIT OUT OF ME LASS NOW MUM, SHUT YER DOOR'
Yep, trying not to break the thread rules......."get rid of drug takers" or whatever.dubluke wrote:by drug sober people do you just mean people who don't do drugs?
<<<Soundcloudthe closest i got was a mix by him on the kiss fm show, its floating around on barefiles somewhere - nice mix and allDubloke wrote:an all Mala mix, I have just recentley started loving all his tunes, there's not one of these floating around?
"ketchup sounds for ketchup people"gwa wrote:apparently i fell into the fridge and shouted really loudly 'RIGHT, IM OFF TO GO FUCK THE SHIT OUT OF ME LASS NOW MUM, SHUT YER DOOR'
Have we ever met?thomas e. griffin wrote:Thomas wrote: More, drug sober people.
Yes. Or, learn some interpersonnal skills and know when someone's body-language means fuck off.
"ketchup sounds for ketchup people"gwa wrote:apparently i fell into the fridge and shouted really loudly 'RIGHT, IM OFF TO GO FUCK THE SHIT OUT OF ME LASS NOW MUM, SHUT YER DOOR'
why?pk- wrote:less use of the word 'scene'
x infinityDubloke wrote:an all Mala mix, I have just recentley started loving all his tunes, there's not one of these floating around?
is that the one that opens with sinners dub? cos if it is that is a sick mix! If it isn't (which I'm pretty sure it is) download that one as welldubluke wrote:the closest i got was a mix by him on the kiss fm show, its floating around on barefiles somewhere - nice mix and allDubloke wrote:an all Mala mix, I have just recentley started loving all his tunes, there's not one of these floating around?
<<<SoundcloudDoes annoy me that taking influence from something is seen as looking back and this always seems to be only used against garage. It's not like downtempo electronica, minimal techno, dub reggae and techstep, which you can hear echoes of in most current dubstep, aren't old musical styles.Joe C wrote:i understand the 2 step roots, although I dont think they are as relevant as they used to be in the sound, and I think thats a good thing, no good looking back all the time.

I think your replying to my post with (understandably) jaded eyes. But I wasn't suggesting some kind of nostalgia trip from said artists at all, infact thats the kinda stuff Im more likely to bop too.Shonky wrote:Does annoy me that taking influence from something is seen as looking back and this always seems to be only used against garage. It's not like downtempo electronica, minimal techno, dub reggae and techstep, which you can hear echoes of in most current dubstep, aren't old musical styles.Joe C wrote:i understand the 2 step roots, although I dont think they are as relevant as they used to be in the sound, and I think thats a good thing, no good looking back all the time.
Burial, TRG, Martyn, Unlikely, Whistla and various others are not doing this off a cosy nostalgia trip, just utilising their loves of those styles in new contexts, and sounding way more unique than the endless clones copying what's about today.
I do agree that it's less relevant, but it's still a part of it, and one that seems to be gaining strength through dissatisfaction with current sounds which, let's face it, is what kicked off dubstep in the first place.
Fair enough, I do understand why the rest of the planet might be in return jaded with the constant Londonocentric legacy, and there's no great reason why you have to appreciate "then" to get to "now". Only when people start arguing that it's an offshoot of dnb (which in part it is becoming) that I think someone's really missed something, and that sort of revisionism I think should be left to various world dictators.Joe C wrote:I just find there is this matter of when someone goes "wheres the sound from" some people tend to go
"GARAGE ITS FROM GARAGE, FROM LONDON, GARAGE GARAGE GARAGE GARAGE"
which to me, defeats the whole point of why dubstep is good (its "best bits of lots of different electic styles make up")

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