positive things the scene needs
- dubluke
- Posts: 12839
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- Location: anyplace that would provide good shelter during a zombie invasion
you guys are very right
baron i can tell that you have fine taste in drinks as well as food, if you are at leeds DMZ we must engage in drinking, actually let me know if you are coming and i'll PM you my number nearer the time so i can find you in the dance, would be good to meet you
baron i can tell that you have fine taste in drinks as well as food, if you are at leeds DMZ we must engage in drinking, actually let me know if you are coming and i'll PM you my number nearer the time so i can find you in the dance, would be good to meet you
"ketchup sounds for ketchup people"gwa wrote:apparently i fell into the fridge and shouted really loudly 'RIGHT, IM OFF TO GO FUCK THE SHIT OUT OF ME LASS NOW MUM, SHUT YER DOOR'
Will do mate, likewisedubluke wrote:you guys are very right
baron i can tell that you have fine taste in drinks as well as food, if you are at leeds DMZ we must engage in drinking, actually let me know if you are coming and i'll PM you my number nearer the time so i can find you in the dance, would be good to meet you
tr0tsky wrote: InI man nuh go to nah rasclot independent ethnic butchers seen.
Selassie-I man shop in Morrisons.
- dubluke
- Posts: 12839
- Joined: Sat Sep 15, 2007 12:15 am
- Location: anyplace that would provide good shelter during a zombie invasion
Baron_von_Carlton wrote:Will do mate, likewisedubluke wrote:you guys are very right
baron i can tell that you have fine taste in drinks as well as food, if you are at leeds DMZ we must engage in drinking, actually let me know if you are coming and i'll PM you my number nearer the time so i can find you in the dance, would be good to meet you. Leeds is the one though cheaper drinks prices. Dragon Stout for £2
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shall be a good one, see you then
"ketchup sounds for ketchup people"gwa wrote:apparently i fell into the fridge and shouted really loudly 'RIGHT, IM OFF TO GO FUCK THE SHIT OUT OF ME LASS NOW MUM, SHUT YER DOOR'
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Re: positive things the scene needs
^^ that and i'd like to say more high quality mp3 mixes. i've got enough dubstep mixes that are full of sickening tunes, but the mp3 is a 128 or 192.Joe C wrote:no negative posts aka "get rid of" etc
I think more good quality studio mixes from interesting artists, focused ones, on their beats, their label, their town..
an all Skull Disco studio mix..
or a Deep Medi..
an all Bristol 08 studio mix...
a lost dubs studio mix..
this is bass heavy music, we want as many of the original frequencies from the mix as possible. there's a juju mix that is a 320, and i've listened to this many times because of this.
i'd also like to see people making more upbeat and 'fast' dubstep.
too many people are making dark, moody, minimal, occasionally boring dubstep just for the sake of it (it seems)
more pacey dubstep like the stuff benga is making please!
Re: positive things the scene needs
its not that straightforward though, because there is a question of how producers feel about their beats getting distributed at 320, even if they are mixed, and as a dj your first concern will usually be the feelings of any producers who have been kind enough to link you beats£10 Bag wrote:^^ that and i'd like to say more high quality mp3 mixes. i've got enough dubstep mixes that are full of sickening tunes, but the mp3 is a 128 or 192.
this is bass heavy music, we want as many of the original frequencies from the mix as possible. there's a juju mix that is a 320, and i've listened to this many times because of this.
as a general point, studio mixes are good as statements, but radio is the lifeblood of the scene and imo a big part of what keeps it vital, so that for me is more important, and what makes things like Sub FM and Streamizm so needed (as well as Rinse and React of course)
Re: positive things the scene needs
They could shove in some continuous background noise. Like the birds on that Skream mix (August 2005? Christ, is it that long ago?).elgato wrote:its not that straightforward though, because there is a question of how producers feel about their beats getting distributed at 320, even if they are mixed, and as a dj your first concern will usually be the feelings of any producers who have been kind enough to link you beats
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low density matter
- Posts: 146
- Joined: Mon Sep 10, 2007 11:50 am
I do respect the fact that the foundations of Dubstep which were set in the Garage movement came at time in which international awareness and input to the scene was minimal,and therefore understand that it is bound to have a lower relevance to those who did not witness its evolution and growth through pirate radio.i understand the 2 step roots, although I dont think they are as relevant as they used to be in the sound, and I think thats a good thing, no good looking back all the time.
All said though... the fact that 2-step holds less relevance at present is niether here nor there...in my mind as a Dj and producer,it is the responsibilty of listeners and artists of any genre to understand its genetics and be able to cross-reference current production in context to its original source,or it runs the risk of becoming diluted from it's true essence...after all what gave "Dubstep" its "step"?
Don't get me wrong im not looking for 2-step to rule the land,but all you have to do is look at what happened to d&b musically in the post Platinum Breaks Vol.1 and Black Secret Technologies era to see how easily such a huge pool of creativity and originality can be narrowed over a relatively short period through a detatchment from its source.
Dubstep to me is a very open book right now full of tallented artists that are dealing with new fusions of ideas and sounds constantly,and this is something which i support whole heartedly...i just like to see it done consciously and with full respect to the underlying values of the sound.
"keep the movement strong..add something new..just don't forget where you came from"
www.myspace.com/raizms
www.myspace.com/helixier
www.myspace.com/octaviour
www.myspace.com/deepsideawx
www.myspace.com/lowdenistymaterial
www.myspace.com/nofixedabodebrudda
- thomas e. griffin
- Posts: 596
- Joined: Fri Mar 23, 2007 12:59 pm
- Location: Chorley / Liverpool / North West
- Contact:
Sailor jerry's is where it's at. A righteous blend.Thomas wrote:^ Dun know
the lable of that rum looks suspect though, id avoid for Mount Gay myself.
And no. We've never met. You're from Liverpool though aren't ya, so I'm sure our paths will cross at some point. Support your hometown scene and get down to a dreadnought!! Ha.
Re: positive things the scene needs
What exactly is the difference between asking for 320 mp3 mixes by certain artists highlighting a certain label, town or artist and just saying you don't want to pay for a mix cd ?elgato wrote:£10 Bag wrote:^^ that and i'd like to say more high quality mp3 mixes. i've got enough dubstep mixes that are full of sickening tunes, but the mp3 is a 128 or 192.
this is bass heavy music, we want as many of the original frequencies from the mix as possible. there's a juju mix that is a 320, and i've listened to this many times because of this.
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Re: positive things the scene needs
i don't buy cds, i don't think they're worth the money.martyn wrote:elgato wrote:What exactly is the difference between asking for 320 mp3 mixes by certain artists highlighting a certain label, town or artist and just saying you don't want to pay for a mix cd ?£10 Bag wrote:^^ that and i'd like to say more high quality mp3 mixes. i've got enough dubstep mixes that are full of sickening tunes, but the mp3 is a 128 or 192.
this is bass heavy music, we want as many of the original frequencies from the mix as possible. there's a juju mix that is a 320, and i've listened to this many times because of this.
vinyl, expensive as it is, costs quite a bit to make so i understand why its pricey.
cds must cost 50p inc sleeve when they're mass produced. i'm not going to spend £11 for a mix cd.
high quality mp3 mixes are a good form of promotion in my opinion.
i bought two of juju's dubstep tunes after hearing his dubstep mix -
i wouldn't have bought those tunes had i not listened to his free mix.
i wouldn't have listened to his mix as many times as i have (making me want the tunes in it) if it wasn't a 320.
still, i'm not a fan of cds at all so i'm probably in the minority
Re: positive things the scene needs
Nah same here. Keep it luddite£10 Bag wrote: still, i'm not a fan of cds at all so i'm probably in the minority
Hmm....


- little boh peep
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Re: positive things the scene needs
This is how I've always seen mixes - good blending of a good selection is an advertisement for the music.£10 Bag wrote:high quality mp3 mixes are a good form of promotion in my opinion.
i bought two of juju's dubstep tunes after hearing his dubstep mix -
i wouldn't have bought those tunes had i not listened to his free mix.
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Re: positive things the scene needs
exactly!Little Boh Peep wrote:This is how I've always seen mixes - good blending of a good selection is an advertisement for the music.£10 Bag wrote:high quality mp3 mixes are a good form of promotion in my opinion.
i bought two of juju's dubstep tunes after hearing his dubstep mix -
i wouldn't have bought those tunes had i not listened to his free mix.
there's always going to be people bootlegging music, no matter what quality the original file is.
the amount of people stealing music from high-quality mixes would be offset by the amount of people actually BUYING tunes from that mix because they can actually hear the bassline properly.
its like online record shops, i'm sure people would buy even more music if they could hear it properly in the preview. 32kbps/64kbps mp3s do not even count as a preview imo.
i think right now, dubstep also needs a bigger variety of producers' tunes being played by the big name djs.
more djs need to take the bunzero approach and mix anything, regardless of where it is from geographically, and how well known the producer is.
skream, benga, dmz et al are all fantastic, but it would be nice to see these people repping other producers and crews than their own.
dubstep seems to be dominated by the london sound - as great as it is - there's also other people making good dubstep.
Re: positive things the scene needs
I've been hunting for dubplates from local producers and friends. Seems to me like that's how this whole thing started, so why not carry it on? Plus, it makes the producers feel awesome when their tune is dropped and everyone asks for a rewind.£10 Bag wrote: more djs need to take the bunzero approach and mix anything, regardless of where it is from geographically, and how well known the producer is.
skream, benga, dmz et al are all fantastic, but it would be nice to see these people repping other producers and crews than their own.
dubstep seems to be dominated by the london sound - as great as it is - there's also other people making good dubstep.
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