Can you make it as a dubstep dj without exclusives / dubs ?
- intoccabile
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Can you make it as a dubstep dj without exclusives / dubs ?
Some opinions plz !
			
			
									
									
						yes especially outside of london.
but i have to say i stopped downloading mixes by people who strictly play stuff thats been released.really listening to those mixes is tiring...the fact that most bigger tunes get rinsed out for ages, is a problem.
but yeah in the states, 99% of the people are oblivious to this sound.
			
			
									
									
						but i have to say i stopped downloading mixes by people who strictly play stuff thats been released.really listening to those mixes is tiring...the fact that most bigger tunes get rinsed out for ages, is a problem.
but yeah in the states, 99% of the people are oblivious to this sound.
- djshiva
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i would venture so far as to say that exclusive tunes are sometimes an excuse for crap mixing.
i would rather hear a damn good dj put tunes together in an interesting way, than a person with a bag full of dubs who can't mix their way out of a paper bag.
but then, i am a snob that way...
			
			
									
									i would rather hear a damn good dj put tunes together in an interesting way, than a person with a bag full of dubs who can't mix their way out of a paper bag.
but then, i am a snob that way...
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True that!sapphic_beats wrote:i would venture so far as to say that exclusive tunes are sometimes an excuse for crap mixing.
i would rather hear a damn good dj put tunes together in an interesting way, than a person with a bag full of dubs who can't mix their way out of a paper bag.
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sapphic_beats wrote:i would venture so far as to say that exclusive tunes are sometimes an excuse for crap mixing.
I'd rather hear new tunes mixed by a dyslexik monkey than perfect mixes of old tunes, still each to their own.
Why wouldnt you bang new bits tho, there aint exactlly a producer drought on
its about followin ur instincts innit . . . if ur feelin it one way, play all xcloos, if ur goin another play abit of both, if its a fresh crowd and u wanna test the waters bang classix all night.
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						- dj $hy
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I'd have to say its new tracks for me BUT this is only because I am so uptodate with my Dubstep.
For JUST a listener I dunno if it matters but again its down to what you know and what you've been exposed to.
I do like to crack out the okld tracks but for my show I'd play nothing but unreleased bizzle cos you have to rep plus if ppl are sending you beats again you have to do the do n play em!
			
			
									
									For JUST a listener I dunno if it matters but again its down to what you know and what you've been exposed to.
I do like to crack out the okld tracks but for my show I'd play nothing but unreleased bizzle cos you have to rep plus if ppl are sending you beats again you have to do the do n play em!
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if you dont have excloose's then you are 'reppin' the scene.
if you do have excloose's and showcase new material all the time then you are 'pushin things fwd'
i reckon you can make it either way still
			
			
									
									if you do have excloose's and showcase new material all the time then you are 'pushin things fwd'
i reckon you can make it either way still
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				forensix (mcr)
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- hate recordings
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dunno about dubstep, but in the dnb scene nowadays, you can't make it as a dj unless you're a producer (or a dmc champion - which is rare).
the moment you get something on wax that has international distro, people jump all on your dick and assume you're a great dj so you get bookings. granted, you definately have dubplates and exclusives and such, but that's another thing. i also know kids who would be tight with lots of producers and get dubs and such and STILL not get booked or get up because they have no releases out on a label. the moment they get a plate out tho, the calls/emails/hype starts rolling in and they get booked.
i've seen some fantastic dnb dj's in my time that get no respect, hangin out hearin em spin or listenin to thier mix cd's. alot of people come out to shows strictly to hear dubs and they don't receive dubplates because they don't contribute anything production-wise to the dnb scene. it's a shame really.
			
			
									
									
						the moment you get something on wax that has international distro, people jump all on your dick and assume you're a great dj so you get bookings. granted, you definately have dubplates and exclusives and such, but that's another thing. i also know kids who would be tight with lots of producers and get dubs and such and STILL not get booked or get up because they have no releases out on a label. the moment they get a plate out tho, the calls/emails/hype starts rolling in and they get booked.
i've seen some fantastic dnb dj's in my time that get no respect, hangin out hearin em spin or listenin to thier mix cd's. alot of people come out to shows strictly to hear dubs and they don't receive dubplates because they don't contribute anything production-wise to the dnb scene. it's a shame really.
whats peoples views on the whole cd deck thing? i been repping it hard with technics, standard, but im looking to sell out and get some cd decks. would this be wise? i hear with serato u can still play normal vinyls too? or am i wrong?
safe
edit: actually fuck it theres a whole thread for this question..
safe
			
			
									
									
						safe
edit: actually fuck it theres a whole thread for this question..
safe
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