I'd try to keep away from bouncing down your tracks, once you've done that you are stuck with all the levels etc that you set, and any subsequent work you do after has to be spot on level wise and I'm not sure it's the best way to do things, if your comp can only handle so much stick to it, sometimes having a bit of a contraint can aid your sound, try filling out your track with more subtle things rather than layering the shit out of one aspect of it.
Love xx
getting *that* sound
Forum rules
By using this "Production" sub-forum, you acknowledge that you have read, understood and agreed with our terms of use for this site. Click HERE to read them. If you do not agree to our terms of use, you must exit this site immediately. We do not accept any responsibility for the content, submissions, information or links contained herein. Users posting content here, do so completely at their own risk.
Quick Link to Feedback Forum
By using this "Production" sub-forum, you acknowledge that you have read, understood and agreed with our terms of use for this site. Click HERE to read them. If you do not agree to our terms of use, you must exit this site immediately. We do not accept any responsibility for the content, submissions, information or links contained herein. Users posting content here, do so completely at their own risk.
Quick Link to Feedback Forum
Who is online
Users browsing this forum: No registered users and 0 guests