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[quote="dgg"][quote="selector.dub.u"][quote="tone.def"]so who else downloaded the MP3's from boomkat? can anybody else tell me if they hear a high-pitched "weee" (like your ears ringing after a night out) that comes in and out of the tune "Ghost Hardware?" pretty noticeable at the beginning.

wondering if this is a flaw in the file, or if this was intended by the artist? it's kind of annoying and hurts my ears. pisses me off actually. i hope this isn't a new sound burial is layering into his tracks like the hiss & crackle. play this on a loud system and i think it'd hurt people's ears.

amazing tunes otherwise![/quote]
boomkat puts that in there to prevent people from ripping the tunes.[/quote]

no, this is in the downloaded file, with a much higher pitch[/quote]

argh! why'd you do it burial!? i guess i've got really sensitive ears but i cringe a little every time i listen to the track.

tone.def wrote:argh! why'd you do it burial!? i guess i've got really sensitive ears but i cringe a little every time i listen to the track.

Oh dear. Maybe Burial's decided dog's need some pressure too? Dogstep?

tone.def - in light of this your username is slightly ironic.



Anyone report on how the vinyl sounds?

I love this EP. Will be buying the mp3s of this for sure, and also the South London Boroughs EP which I missed out on, I love that tune Nite Train. You can buy that one online here:

http://www.bleep.com/?bleep=HDB001

postlady just delivered this to my front door.

can't say im not impressed!

big ups burial, kode9 and the cats at transition for a solid and beautiful sounding plate.

On my most wanted list....thats for sure!

Wow. got this the first day it came out... was blown away, but only after hearing Ghost Hardware played on MAH's show last night did i realise that it was meant to be played at 45... whoops. Meh i love the way it sounds either way, not gonna complain.

Do people reckon this is still soundforge-stuff? I heard he uses reason these days.

Na man Logic init.

finally got this in the mail today! both sides....donkey business!

just got mine as well! amazing depth and feeling on these tracks...


anyone know when we can expect the next full length?

I got this about a week ago and I've been playing it constantly. I really like Ghost Hardware and Exit Wounds, that fusion of two-step and glacial/space with the samples and fuzz puts a shiver in my spine. Both those tracks still have the 'Pirates' style aesthetic deep in them, especially with the vocal sample on the title track. Its like he's taken something off Chicago FM ten years ago and messed around with it, bringing it into the future. It still has that paranoid, fucked up quality to it, a lot of his tracks remind me of the Photek track 'Hidden Camera' from 1996; but its also really sexy, I think it would work well on a dancefloor as well as my stereo.

I'd love to hear a 2-step set with more of this edge/slant to it, that guy Parson from texas also did one or two tracks similar, that beat still has a lot to be explored and experimented with and Burial's shown how it can be done with calculating effect, hopefully more producers will revisit 2-step.

metalboxproducts wrote:Na man Logic init.

You sure? (just curious)

Slim wrote:Wow. got this the first day it came out... was blown away, but only after hearing Ghost Hardware played on MAH's show last night did i realise that it was meant to be played at 45... whoops. Meh i love the way it sounds either way, not gonna complain.

word! write the rpm on the damn label record companies

dublinstep wrote:I got this about a week ago and I've been playing it constantly. I really like Ghost Hardware and Exit Wounds, that fusion of two-step and glacial/space with the samples and fuzz puts a shiver in my spine. Both those tracks still have the 'Pirates' style aesthetic deep in them, especially with the vocal sample on the title track. Its like he's taken something off Chicago FM ten years ago and messed around with it, bringing it into the future. It still has that paranoid, fucked up quality to it, a lot of his tracks remind me of the Photek track 'Hidden Camera' from 1996; but its also really sexy, I think it would work well on a dancefloor as well as my stereo.

I'd love to hear a 2-step set with more of this edge/slant to it, that guy Parson from texas also did one or two tracks similar, that beat still has a lot to be explored and experimented with and Burial's shown how it can be done with calculating effect, hopefully more producers will revisit 2-step.

There is a couple steppy things on myplayer on mtspace if you wanna chech em.1st and 3rd track.

Number 3 is good. I wonder what she'd think of the sample...

dublinstep wrote: I'd love to hear a 2-step set with more of this edge/slant to it, that guy Parson from texas also did one or two tracks similar, that beat still has a lot to be explored and experimented with and Burial's shown how it can be done with calculating effect, hopefully more producers will revisit 2-step.

i would like to see more people doin this too but i think think burials nailed it so hard no-ones gonna come close. sayin that those parson tracks are siiiick and trg has done some wicked 2step stuff so theres obviously still potential with the style...

sully has got some of the biggest garage beats ever made

dublinstep wrote:Number 3 is good. I wonder what she'd think of the sample...

Glad you like it mate. What do you think of 1? It's still in the 'just spent a few minutes on it' phase atm.

Parson wrote:sully has got some of the biggest garage beats ever made

yeah definitely, love his sound