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difference wrote:

Hashkey wrote:There you go -> LOEFAH.
Soundcloud

When I click on the track says it's not available. Strange

the sub sound has verb on it as well i believe but this is a good attempt. also the vocal sample needs to be more wet w/reverb and not as long.

Thanks for the good attempt .

dubunked wrote:nice dude, nerve gas?

you should post a little tutorial or a screenshot or something. would love to see how you made it!

Ok. Here we go:



It's really easy to fuck up this kind of sounds. Sometimes even the slightest movement of a knob can vary the result of the sound.
Trying tons Of time I understood that a great part of the effect these guys have is by saturation and distortion. Good things happen when you chain a sine shaper and a brainer tube/tele Tube.
What out not to give it too much or will fuck the sound.
This patch should give you the an almost ready sound.
Apply some EQ to remove the Sub and to place it in the right spot in the mix at the begin will sound mote subby and low mid range but when you cut the sub and boost the higher mid range the sound will come up in the speakers. it's a midrange bass after all. Add some more saturation to taste, some slight chorus and reverb.
Hope You like it
Btw I added some new stuff to the 16 Bar Loop.
Got a new Low Mid Range bass under the belt any suggestions?
Soundcloud

Hashkey wrote:

difference wrote:

Hashkey wrote:There you go -> LOEFAH.
Soundcloud

When I click on the track says it's not available. Strange

the sub sound has verb on it as well i believe but this is a good attempt. also the vocal sample needs to be more wet w/reverb and not as long.

Thanks for the good attempt .

dubunked wrote:nice dude, nerve gas?

you should post a little tutorial or a screenshot or something. would love to see how you made it!

Ok. Here we go:



It's really easy to fuck up this kind of sounds. Sometimes even the slightest movement of a knob can vary the result of the sound.
Trying tons Of time I understood that a great part of the effect these guys have is by saturation and distortion. Good things happen when you chain a sine shaper and a brainer tube/tele Tube.
What out not to give it too much or will fuck the sound.
This patch should give you the an almost ready sound.
Apply some EQ to remove the Sub and to place it in the right spot in the mix at the begin will sound mote subby and low mid range but when you cut the sub and boost the higher mid range the sound will come up in the speakers. it's a midrange bass after all. Add some more saturation to taste, some slight chorus and reverb.
Hope You like it
Btw I added some new stuff to the 16 Bar Loop.
Got a new Low Mid Range bass under the belt any suggestions?
Soundcloud

Oh man...Oh lord...Oh man! Please teach me how to do it!!

Which sound?

Hashkey wrote:Which sound?

The reese one, the 2nd.one...please D:

Hashkey wrote: Got a new Low Mid Range bass under the belt any suggestions?
Soundcloud

Wow. Dude.
These are the types of sounds that I think would improve my productions if I could master.
All the sounds in there are great, but especially the "WAH" sound in the beginning is really really nice.
How did you make it?

that massive screen shot is literally the sound you're looking for. read the thread.

dubunked wrote:that massive screen shot is literally the sound you're looking for. read the thread.

I did. Thought that was another sound, sorry.

No, I'm not retarded, why?

Thanks though. Nice!

No worries dude!

I made that sound in Massive based on Hashkey's screenshot, but as I was making it, I saved the patch several times along the way. By slightly altering certain knobs or by turning off some of the effects, you can turn that into lots of cool sounds. For example turn down the distortion and phase mod and now you've got a nice subby/lowmid patch with good movement. Move the filter, change the LFO rate, change the pitch decay, change the wavetable, etc. All of those things will result in cool sounds. Do different combinations of these and you could easily get dozens of different sounds out of that screenshot. That's what this thread is for!

I don't know if I'm in the good topic, but I'm trying to recreate this bass sound, it sounds simple but I just can't get the sound..

Soundcloud

Right thread!

it sounds layered to me. i would take an unaltered sine in one synth and use that for the sub. then for the more middy part of the sound, i would take a saw wave. lowpass filter it, but not too much, leave a good amount of room for those mids to come through. pretty basic patch really. maybe do some detuning, chorus, bit of distortion but not a lot, etc. and then to get the rhythmic aspect of that bass, take an LFO and apply it to volume mainly, but also to pitch or filter a little bit. overdoing it on the pitch/filter will sound really obviously bad. you gotta just apply a really subtle amount of LFO for the pitch or filter to get that effect. let us know how you do man.

ofc use the same midi for both sub and mids, and maybe even do the volume LFOing to the sub as well but don't do it with pitch/filter.

nowaysj wrote:Search for these terms with poster name Serox, in production.

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Didn't krome use 3xosc?

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dubunked wrote:Right thread!

it sounds layered to me. i would take an unaltered sine in one synth and use that for the sub. then for the more middy part of the sound, i would take a saw wave. lowpass filter it, but not too much, leave a good amount of room for those mids to come through. pretty basic patch really. maybe do some detuning, chorus, bit of distortion but not a lot, etc. and then to get the rhythmic aspect of that bass, take an LFO and apply it to volume mainly, but also to pitch or filter a little bit. overdoing it on the pitch/filter will sound really obviously bad. you gotta just apply a really subtle amount of LFO for the pitch or filter to get that effect. let us know how you do man.

ofc use the same midi for both sub and mids, and maybe even do the volume LFOing to the sub as well but don't do it with pitch/filter.

First shot

Soundcloud

Dun know if I'm getting close...

Sounds relatively close. You definitely got the rhythm down with the LFOs. I would do a bit more lowpassing and maybe a bit more distortion to change the timbre of the saw wave a bit. Maybe light bitcrushing would work, not sure. Also, and I'm only listening on earbuds right now cause im not home so take this with a grain of salt, but mark pritchard's version sounds like it has more sub. maybe experimenting with the amp envelope for both the sub and the mids would help get the right balance of sub and mids. the sub sounds more punchy (no attack, short decay, no sustain), whereas the mids have a longer decay time.

Yes, this draft isn't very subby, I'm working on it! I'm having trouble trying to get a closer tone..

what daw/synth/plugs you using?

I'm on Reason 5, i've made this sound with a Subtractor

Generally speaking, i'm rather happy with the sub bass i produce. But this, this is on another level altogether...

Soundcloud

Just getting a chance to go through Truth's page now and check all the clips for their forthcoming album (which sounds fucking huge) and i'm just blown away by the low end in every track.

How is this possible?! Teach me!

sounds like pitched 808 kicks to me. try transposing an 808 sample. or if you're synthing your own, make a sub patch and put an envelope on pitch in the negative direction. mess around with the values and notes until you get something you're happy with.

This is one I have been wondering how to make, the one on 1:03 (wahh).
This must count as a mid range sound right?

"uueheh mainstream uheheuhe"
Anyone care to explain how that is done?
https://soundcloud.com/skrillex/fuck-that

I'm not gonna walk thru the whole thing but some key elements:

-reverb
-getting the stabby envelope right
-using the right source (wavetable - metal sounding)
-LFO acheives the "wuh wuh" effect

I would use massive or fm synthesis for that. probably what he used.