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OGLemon wrote:fuck mountain and space cash sound really similar.

No doubt these tunes are sick, but I want commodo to make more tunes like northern soul, surveillance or even gassin ( )

is it just me or the hotline releases are massively overrated?

ultraspatial wrote:is it just me or the hotline releases are massively overrated?

Power of marketing.

So far, all the hype has been justified imo. Great packages, great tunes, all offering something pretty different!

yeah good artwork but the tunes are meh IMO. like with the commodo one, got bored just by listening to the previews tbh

ultraspatial wrote:yeah good artwork but the tunes are meh IMO. like with the commodo one, got bored just by listening to the previews tbh

Here, have a lighter.

ultraspatial wrote:yeah good artwork but the tunes are meh IMO. like with the commodo one, got bored just by listening to the previews tbh

Fair does blud. For me, F_ck Mountain is the first dubstep tune that's caught my attention in ages, possibly at least a year. Backchat/Dubchat was amazing imo, and the Lurka release was well underrated if anything.

i'm with gareth on this, only one i wasn't feeling that much was the rachel one, otherwise the tunes are sick, yeah they market well and i rate how they do things, i even bought the special edition lighter fuck mountain
felt like a bit of a diked looking at the piece of paper and lighter that i'd paid extra for, but didn't change the fact that the tune is fire

ultraspatial wrote:is it just me or the hotline releases are massively overrated?

u wot

I like them. Part of that may be because they're mastered really well too though.

I like them. Part of that may be because they're mastered really well too though.

I particularly like the LUrka one

I enjoy the musics of the lurka

garethom wrote:So far, all the hype has been justified imo. Great packages, great tunes, all offering something pretty different!

great label <3

JUST YOU ULTRASPATIAL BAN

still a case of hype > music imo

oh vinyl only releases cause it's the only proper format - swear it's only guys in the bass music scene that make a big deal out of this, in terms of releases i mean. at least guys like pev or pinch compile that shit on cd/digi after a while

just see a lot of hype around these younger bristol guys but the music's a bit underwhelming. and when i do like something it's some fucking limited nearly obsolete format only thing - like the lily & filter dread tapes

pinch's new Cold label is vinyl only, no digis anywhere
they dont make a fuss out of it, they just put it out - its other people that make the fuss. people should retain the right to release in whatever format they like without accusations of hype mongering imo. each to their own tho

murky21 wrote:pinch's new Cold label is vinyl only, no digis anywhere

http://www.factmag.com/2014/02/26/pinch ... mpilation/

i stand corrected

I agree with ultra tbh, hotline releases aint all that... in terms of all the hype i think another thing that differs between kahn and pinch is i feel kahn sees the vinyl thing as his unique niche, whereas pinch just sees it as a rarer format that he'll release some tunes on. Its a question of how Compa can you get

Then again, you're just assuming that without actually knowing the reality.