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Xrylex - Do the video tutorial man I'm sure a lot of people would want that!

I will be doing one on this sound too but is always good to see other people's techniques!

Alright guys, so I am no where near as knowledgeable as you people here as I read this thread, I never knew about the forman vowel EQs in Ableton till I read this but when I tried using it on my synths/basses it makes them sound muffled, but when I tried raising certain frequencies which I thought was the problem it sort of diminished the vowel, anyone have that problem too/know how to fix that?

HOW EVERY SKRILLEX SOUND IS MADE ...Take massive...load modern talking and some saw waves just mess with the octave pitch, detune one oscilator ..activate modulation oscilator put some phase..and ring mod ,,,(mess around with massive to get a gritty sound)Some Tele Tube ,,DImension Expander,,,,,PARABOLIC SHAPER.....MAYBE FREQ SHIFTER Just experiment. after that load it into the mixer put 2 eqs some distortion (i recommend Ohmcide) and a limiter,,,,on one eq boost the realy high freqs for some brightnes (boost it around 1- 3 db not more.im using fabFilter Pro Eq) and on the other eq boost the middle freqs about 4 dbs and automate the frequency ...thats the base of the sound ,,,after that just mess with the automation,,,and in massive automate everything you can offcourse you can put some lfo for filters use Scream,Low Pass 24 or Bandreject-....and just make as much movement in the sound as you can ,,AFTER YOU MADE YOUR RYTHM AND A MELLODY WITH YOUR SOUND RESAMPLE IT INTO WAVE FILE ,,,,LOAD IT INTO YOUR DAW AGAIN (Its called resampling for you that dont know ) AND MESS WITH IT EVEN MORE;,,,TRY PUTING SOME CHORUS ,FLANGER,,AND JUST TRY EVERY EFFECT YOU HAVE BUT PUT IN LITTLE AMOUNTS,,,BECAUSE THE EFFECT IS JUST TO MAKE IT SOUND MORE BIGGER OR TO MAKE MORE MOVEMENT ..BUT YOU NEED TO KNOW WHAT YOU ARE DOING DONT OVERLOAD THE SOUND,,WHEN YOU PUT EFFECTS....AND WHILE EXPERIMENTING WITH ALL OF THIS...REMEMBRE THAT YOU ARE MAKING A SOUND THAT NEEDS TO BE A LITTLE BIUT MELLODIC YOUR NOT MAKING AN ATMOSPHERE SOUND FX,,,AFTER YOU GOT YOUR SOUND LOAD THE LAST EQ and TAKE OUT THE SUB ,,,BECAUSE AFTER EVERYTHING YOU APPLYED TO YOUR SOUND THE SUB IS REALLY GONNA SOUND UNSTABLE ,,SO JUST OPEN ANOTHER MASSIVE ,, LOAD A SINE WAVE PITCH IT DOWN TWO OCTAVES AND THERE YOU GO ,,,SUB BASS...NOW. I KNOW MY ENGLISH SUCKS...BUT Im JUST TRYING TO HELP PEOPLE THAT REALLY NEED THIS SOUND BECAUSE ,,,,WHEN I STARTED MAKING IT I WAS BANGING MY HEAD INTO THE WALL ,,BUT AFTER HOURS OF EXPERIMENTING I MADE IT,,,ITS THE CLOSEST YOUR GONNA GEt...I HOPE I HELPED

Rezzidex wrote:HOW EVERY SKRILLEX SOUND IS MADE ...Take massive...load modern talking and some saw waves just mess with the octave pitch, detune one oscilator ..activate modulation oscilator put some phase..and ring mod ,,,(mess around with massive to get a gritty sound)Some Tele Tube ,,DImension Expander,,,,,PARABOLIC SHAPER.....MAYBE FREQ SHIFTER Just experiment. after that load it into the mixer put 2 eqs some distortion (i recommend Ohmcide) and a limiter,,,,on one eq boost the realy high freqs for some brightnes (boost it around 1- 3 db not more.im using fabFilter Pro Eq) and on the other eq boost the middle freqs about 4 dbs and automate the frequency ...thats the base of the sound ,,,after that just mess with the automation,,,and in massive automate everything you can offcourse you can put some lfo for filters use Scream,Low Pass 24 or Bandreject-....and just make as much movement in the sound as you can ,,AFTER YOU MADE YOUR RYTHM AND A MELLODY WITH YOUR SOUND RESAMPLE IT INTO WAVE FILE ,,,,LOAD IT INTO YOUR DAW AGAIN (Its called resampling for you that dont know ) AND MESS WITH IT EVEN MORE;,,,TRY PUTING SOME CHORUS ,FLANGER,,AND JUST TRY EVERY EFFECT YOU HAVE BUT PUT IN LITTLE AMOUNTS,,,BECAUSE THE EFFECT IS JUST TO MAKE IT SOUND MORE BIGGER OR TO MAKE MORE MOVEMENT ..BUT YOU NEED TO KNOW WHAT YOU ARE DOING DONT OVERLOAD THE SOUND,,WHEN YOU PUT EFFECTS....AND WHILE EXPERIMENTING WITH ALL OF THIS...REMEMBRE THAT YOU ARE MAKING A SOUND THAT NEEDS TO BE A LITTLE BIUT MELLODIC YOUR NOT MAKING AN ATMOSPHERE SOUND FX,,,AFTER YOU GOT YOUR SOUND LOAD THE LAST EQ and TAKE OUT THE SUB ,,,BECAUSE AFTER EVERYTHING YOU APPLYED TO YOUR SOUND THE SUB IS REALLY GONNA SOUND UNSTABLE ,,SO JUST OPEN ANOTHER MASSIVE ,, LOAD A SINE WAVE PITCH IT DOWN TWO OCTAVES AND THERE YOU GO ,,,SUB BASS...NOW. I KNOW MY ENGLISH SUCKS...BUT Im JUST TRYING TO HELP PEOPLE THAT REALLY NEED THIS SOUND BECAUSE ,,,,WHEN I STARTED MAKING IT I WAS BANGING MY HEAD INTO THE WALL ,,BUT AFTER HOURS OF EXPERIMENTING I MADE IT,,,ITS THE CLOSEST YOUR GONNA GEt...I HOPE I HELPED

You just gave me some ideas...not towards making a skrillex sound, just ideas.

Hey guys, I barely come on this forum, but after reading through most of this thread (lots of great ideas) I thought I would make and share this little video. It's more of a suggestion then anything, at how simple a formant type of bass sound can be, hopefully it gives you some ideas.

Rezzidex wrote:HOW EVERY SKRILLEX SOUND IS MADE ...Take massive...load modern talking and some saw waves just mess with the octave pitch, detune one oscilator ..activate modulation oscilator put some phase..and ring mod ,,,(mess around with massive to get a gritty sound)Some Tele Tube ,,DImension Expander,,,,,PARABOLIC SHAPER.....MAYBE FREQ SHIFTER Just experiment. after that load it into the mixer put 2 eqs some distortion (i recommend Ohmcide) and a limiter,,,,on one eq boost the realy high freqs for some brightnes (boost it around 1- 3 db not more.im using fabFilter Pro Eq) and on the other eq boost the middle freqs about 4 dbs and automate the frequency ...thats the base of the sound ,,,after that just mess with the automation,,,and in massive automate everything you can offcourse you can put some lfo for filters use Scream,Low Pass 24 or Bandreject-....and just make as much movement in the sound as you can ,,AFTER YOU MADE YOUR RYTHM AND A MELLODY WITH YOUR SOUND RESAMPLE IT INTO WAVE FILE ,,,,LOAD IT INTO YOUR DAW AGAIN (Its called resampling for you that dont know ) AND MESS WITH IT EVEN MORE;,,,TRY PUTING SOME CHORUS ,FLANGER,,AND JUST TRY EVERY EFFECT YOU HAVE BUT PUT IN LITTLE AMOUNTS,,,BECAUSE THE EFFECT IS JUST TO MAKE IT SOUND MORE BIGGER OR TO MAKE MORE MOVEMENT ..BUT YOU NEED TO KNOW WHAT YOU ARE DOING DONT OVERLOAD THE SOUND,,WHEN YOU PUT EFFECTS....AND WHILE EXPERIMENTING WITH ALL OF THIS...REMEMBRE THAT YOU ARE MAKING A SOUND THAT NEEDS TO BE A LITTLE BIUT MELLODIC YOUR NOT MAKING AN ATMOSPHERE SOUND FX,,,AFTER YOU GOT YOUR SOUND LOAD THE LAST EQ and TAKE OUT THE SUB ,,,BECAUSE AFTER EVERYTHING YOU APPLYED TO YOUR SOUND THE SUB IS REALLY GONNA SOUND UNSTABLE ,,SO JUST OPEN ANOTHER MASSIVE ,, LOAD A SINE WAVE PITCH IT DOWN TWO OCTAVES AND THERE YOU GO ,,,SUB BASS...NOW. I KNOW MY ENGLISH SUCKS...BUT Im JUST TRYING TO HELP PEOPLE THAT REALLY NEED THIS SOUND BECAUSE ,,,,WHEN I STARTED MAKING IT I WAS BANGING MY HEAD INTO THE WALL ,,BUT AFTER HOURS OF EXPERIMENTING I MADE IT,,,ITS THE CLOSEST YOUR GONNA GEt...I HOPE I HELPED

You know, CAPSLOCK is an acronym for COCKSLAP

BoldEquation wrote: hopefully it gives you some ideas.

I`m not familiar with operator but what you`re saying is have one osc you draw the formants/harmonics in and modulate a sine wave with it? ratio 1:1?
am i getting this right?

Earjax wrote:

Rezzidex wrote:HOW EVERY SKRILLEX SOUND IS MADE ...Take massive...load modern talking and some saw waves just mess with the octave pitch, detune one oscilator ..activate modulation oscilator put some phase..and ring mod ,,,(mess around with massive to get a gritty sound)Some Tele Tube ,,DImension Expander,,,,,PARABOLIC SHAPER.....MAYBE FREQ SHIFTER Just experiment. after that load it into the mixer put 2 eqs some distortion (i recommend Ohmcide) and a limiter,,,,on one eq boost the realy high freqs for some brightnes (boost it around 1- 3 db not more.im using fabFilter Pro Eq) and on the other eq boost the middle freqs about 4 dbs and automate the frequency ...thats the base of the sound ,,,after that just mess with the automation,,,and in massive automate everything you can offcourse you can put some lfo for filters use Scream,Low Pass 24 or Bandreject-....and just make as much movement in the sound as you can ,,AFTER YOU MADE YOUR RYTHM AND A MELLODY WITH YOUR SOUND RESAMPLE IT INTO WAVE FILE ,,,,LOAD IT INTO YOUR DAW AGAIN (Its called resampling for you that dont know ) AND MESS WITH IT EVEN MORE;,,,TRY PUTING SOME CHORUS ,FLANGER,,AND JUST TRY EVERY EFFECT YOU HAVE BUT PUT IN LITTLE AMOUNTS,,,BECAUSE THE EFFECT IS JUST TO MAKE IT SOUND MORE BIGGER OR TO MAKE MORE MOVEMENT ..BUT YOU NEED TO KNOW WHAT YOU ARE DOING DONT OVERLOAD THE SOUND,,WHEN YOU PUT EFFECTS....AND WHILE EXPERIMENTING WITH ALL OF THIS...REMEMBRE THAT YOU ARE MAKING A SOUND THAT NEEDS TO BE A LITTLE BIUT MELLODIC YOUR NOT MAKING AN ATMOSPHERE SOUND FX,,,AFTER YOU GOT YOUR SOUND LOAD THE LAST EQ and TAKE OUT THE SUB ,,,BECAUSE AFTER EVERYTHING YOU APPLYED TO YOUR SOUND THE SUB IS REALLY GONNA SOUND UNSTABLE ,,SO JUST OPEN ANOTHER MASSIVE ,, LOAD A SINE WAVE PITCH IT DOWN TWO OCTAVES AND THERE YOU GO ,,,SUB BASS...NOW. I KNOW MY ENGLISH SUCKS...BUT Im JUST TRYING TO HELP PEOPLE THAT REALLY NEED THIS SOUND BECAUSE ,,,,WHEN I STARTED MAKING IT I WAS BANGING MY HEAD INTO THE WALL ,,BUT AFTER HOURS OF EXPERIMENTING I MADE IT,,,ITS THE CLOSEST YOUR GONNA GEt...I HOPE I HELPED

You know, CAPSLOCK is an acronym for COCKSLAP

i wrote like that so its more noticable..whats the problem you got some arguments say them..but if your gonna bitch about my writing then fuck of

annnnnnnnnnnnnnnd he instantly becomes an english major.

Earjax wrote: You know, CAPSLOCK is an anagram for COCKSLAP

fixed.

BoldEquation wrote:Hey guys, I barely come on this forum, but after reading through most of this thread (lots of great ideas) I thought I would make and share this little video. It's more of a suggestion then anything, at how simple a formant type of bass sound can be, hopefully it gives you some ideas.

thats sick man, im just getting into abletonn and i didnt knoe operator was capable of such sound so easily, could u explaie ho the mod matrix works in operator (or where its even at lol) you said keep the routing straight through, is that meaniing a into b, b into c ? idk if you use fm8 but on there the mod matrix is very straight forward, sytrus is too, i just dont uderstand tat part on operator.

bigups bro

RandoRando wrote:

BoldEquation wrote:Hey guys, I barely come on this forum, but after reading through most of this thread (lots of great ideas) I thought I would make and share this little video. It's more of a suggestion then anything, at how simple a formant type of bass sound can be, hopefully it gives you some ideas.

thats sick man, im just getting into abletonn and i didnt knoe operator was capable of such sound so easily, could u explaie ho the mod matrix works in operator (or where its even at lol) you said keep the routing straight through, is that meaniing a into b, b into c ? idk if you use fm8 but on there the mod matrix is very straight forward, sytrus is too, i just dont uderstand tat part on operator.

bigups bro

super straight forward walkthru of operator...


basic talking wobble in operator...


which IMO is the easiest FM synth to learn, and sounds freakin awesome. the more i use it, the more i love it.

the only thing that is different with this from other FM synths, is that you get to choose various premade options of how the operators effect each other. other than that, is just like any other FM synth.

more operator vids:

Soundcloud

first post here, but a long time reader. =]

here is my version of the growl. there are some variations on the way skrillex does it but thats how we make our own sound right?

enjoy

every1s f*ckin obsessed with this sound, not every1 but jeez. this NOT a hard to make sound, there many ways to do this sound whether your using massive, fm8, granular synthesis.. whatever.
just make a strong harmonic waveform that has a bit of movement and automate a few different filters or just use the EQ points. im guess skrillex never went in full detail because what he said already pretty much tells you how to do it. i made the xKore bass in like 4 minutes in my own synth without any fx just to prove these kind of sounds arent as hard as some might think.

I posted this in the how to sound like skrillex thread, but I'll just post it here aswell.. Made with the 3xOsc and a long ass effects chain. EQ being automated at the end of the chain, and that's it.
Soundcloud
If only getting nominated for a grammy was as easy ...

atticuh wrote:

Earjax wrote: You know, CAPSLOCK is an anagram for COCKSLAP

fixed.

Thanks bud

BoldEquation wrote:Hey guys, I barely come on this forum, but after reading through most of this thread (lots of great ideas) I thought I would make and share this little video. It's more of a suggestion then anything, at how simple a formant type of bass sound can be, hopefully it gives you some ideas.

awesome tutorial man

hey guys i have a question about one of skrillex's synth noises. it's not really a bassline, it's just a pitch bending synth that kinda sounds like YEEWWW.

it first plays at 1:22, and again at 1:26




wondering what kind of wave form that is. thanks