What ever happened to the innovation?
Re: What ever happened to the innovation?
Thing is right, the very fact that we're all getting tangled up in this debate sums up why there's a lack of innovation in my opinion. The reason why dubstep was so revolutionary when it was getting rolling is because it was all about music and not talking. I'm not having a go because I could talk about shit like this for fucking days hahaha but I'm just saying that people are thinking and talking too much about making music rather than actually just making what they feel like making.
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Re: What ever happened to the innovation?
Really? Wen's tunes always sounded more like Dubstep than Grime to me..pete bubonic wrote:blackdown wrote:Guys, especially Pete, "130" isn't a genre name - it's a placeholder to allow ideas to ferment & grow. ferment & grow free from existing stagnant paradigms.
Innovation is a haughty claim, it won't happen over night or in a thunderbolt. Iteration is far more achievable, as is trial & error: and that's where we find ourselves now.
I dunno man, it just don't feel that way to me. Wen is making Grime, """"""post grime""""" perhaps but Grime all the same.
He did used to write tunes like this pre-keysound ya know
jrkhnds wrote:- dubstepforum, 2014.and I've never really rated dubstep..
Re: What ever happened to the innovation?
That wen and riko track doesn't sound like grime at all, I swear people pigeonhole him to grime just because of commotion
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Re: What ever happened to the innovation?
140 > 130 still, that's just maths, you can't argue with maths
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Re: What ever happened to the innovation?
Soundcloud
most innovative tune ive heard in a while
most innovative tune ive heard in a while
https://www.mixcloud.com/joseph-jackson/spring-mix-2015/
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Re: What ever happened to the innovation?
sounds kinda like james blake's first couple of eps but less westdjredi2step wrote:Soundcloud
most innovative tune ive heard in a while
not bad tho
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Re: What ever happened to the innovation?
k-lone and facta man
https://www.mixcloud.com/joseph-jackson/spring-mix-2015/
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Re: What ever happened to the innovation?
that new facta and hodge tunedjredi2step wrote:k-lone and facta man
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Re: What ever happened to the innovation?
I've only heard the touted tunes on keysound. And yup that tune sounds like a straight dubstep tune.epochalypso wrote:Really? Wen's tunes always sounded more like Dubstep than Grime to me..pete bubonic wrote:blackdown wrote:Guys, especially Pete, "130" isn't a genre name - it's a placeholder to allow ideas to ferment & grow. ferment & grow free from existing stagnant paradigms.
Innovation is a haughty claim, it won't happen over night or in a thunderbolt. Iteration is far more achievable, as is trial & error: and that's where we find ourselves now.
I dunno man, it just don't feel that way to me. Wen is making Grime, """"""post grime""""" perhaps but Grime all the same.
He did used to write tunes like this pre-keysound ya know
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Re: What ever happened to the innovation?
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Re: What ever happened to the innovation?
taiken are you saying those tunes you just posted are innovative?
They aren't
They aren't
https://www.mixcloud.com/joseph-jackson/spring-mix-2015/
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Re: What ever happened to the innovation?
No, I totally agree with you!djredi2step wrote:taiken are you saying those tunes you just posted are innovative?
They aren't
I don't even see a point of buying both of those releases, they practically just the same...
Just a good example for lack of innovation
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Re: What ever happened to the innovation?
I think a lot of people seem to forget genuine innovation is something that takes years to achieve
Re: What ever happened to the innovation?
going to chime in here because responsibility is one of my favorite tunes of last year. i love it for two reasons, one being the fact that it is hands down the simplest drum beat (initially on the drop) i've ever heard but the delivery of the beat as a whole is SO GOOD that it really becomes irrelevant. it is one of the biggest skankers i have ever heard, i have a hard time not skanking out walking down the street with headphones on listening to it. if i tried to make a drum beat like that no matter what i did to it, it would not sound that fat. it doesn't have a lot of ambience, there isn't that much syncopation going on it just...slaps. there's a reason it was an a-side tempa single, and i don't think it was just because of who made it. it sounds the same because they are both lx-one..a producer who i think has a totally unique take on the minimal sound. it's clear that youngsta did not have that much influence on responsibility, just like destruction another producer (in that case icicle) clearly did a lot of the sound design and advanced mixing parts.
i wouldn't say the sound has gotten stale really, it just seems like everyone moved away from the generic dub-tinged basic wobble stuff to more clinical, super clean mixed technoid minimal stuff i.e. "dungeon" and the "vibes" stuff like smoking sessions/deep heads/chord marauders. but now we're starting to see a resurgence in the dubby roots stuff because there's a distinct lack of it now. and now the dubby roots stuff is even more innovative than it was before (in my opinion, like karma's release or kaiju's lion charge release) because it's incorporating "dungeon" sounds. i can see why people hate that term.
what i'm really stoked for is the outer space vibe that's coming around. tracks like distance's andromeda where the pads are the root of the track instead of a tight snappy reese wobble, or a result of sound which had a very unconventional drum pattern and again, amazing pads that really made the tune. another example is dark tantrums' last release as well as outer limit VIP from kromestar.
i wouldn't say the sound has gotten stale really, it just seems like everyone moved away from the generic dub-tinged basic wobble stuff to more clinical, super clean mixed technoid minimal stuff i.e. "dungeon" and the "vibes" stuff like smoking sessions/deep heads/chord marauders. but now we're starting to see a resurgence in the dubby roots stuff because there's a distinct lack of it now. and now the dubby roots stuff is even more innovative than it was before (in my opinion, like karma's release or kaiju's lion charge release) because it's incorporating "dungeon" sounds. i can see why people hate that term.
what i'm really stoked for is the outer space vibe that's coming around. tracks like distance's andromeda where the pads are the root of the track instead of a tight snappy reese wobble, or a result of sound which had a very unconventional drum pattern and again, amazing pads that really made the tune. another example is dark tantrums' last release as well as outer limit VIP from kromestar.
Re: What ever happened to the innovation?
lx one is sick tho
imo the whole minimal thing peaked with this
and this
honourable mention to this
and other than those 2 j:kenzo bits (you know the ones) the rest of it doesn't do much for me.
love those tunes tho
/imoimoimos
imo the whole minimal thing peaked with this
and this
honourable mention to this
and other than those 2 j:kenzo bits (you know the ones) the rest of it doesn't do much for me.
love those tunes tho
/imoimoimos
jrkhnds wrote:- dubstepforum, 2014.and I've never really rated dubstep..
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Re: What ever happened to the innovation?
don't get me wrong guys, I really like a lot of Lx One's stuff, I got many of those as vinyl at home.
Like Hunted / Oh My Gosh, Down / Judgement, Responsibility / No Cure and a few others.
The example just shows to me how repetitive people can get.
I mean those two tune are practicaly the same, I just don't see the point of releasing both as self-contained releases. (and thats apart from a certain style a producer might have)
Like Hunted / Oh My Gosh, Down / Judgement, Responsibility / No Cure and a few others.
The example just shows to me how repetitive people can get.
I mean those two tune are practicaly the same, I just don't see the point of releasing both as self-contained releases. (and thats apart from a certain style a producer might have)
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Re: What ever happened to the innovation?
How many people are actually genuinely innovative, I can think of maybe 5? 6 possibly in Dubstep as a whole?
Plenty of people making all out grade a tunes.
Plenty of people making all out grade a tunes.
I make music as Forsaken, you can DL all my unreleased (and a couple released) bits here.
Re: What ever happened to the innovation?
Yeah I agree.pete bubonic wrote:How many people are actually genuinely innovative, I can think of maybe 5? 6 possibly in Dubstep as a whole?
Plenty of people making all out grade a tunes.
Also I really don't think it matters too much to be honest. So long as you like the music it doesn't have to constantly ground-breaking. New does not always = better.

soronery wrote:Too easy to sit behind a keyboard with a playlist of dubstep tunes on, arguing about the defintion of a word in relation to a sound.
All that melts away when the lights are down and the bass is up.
Re: What ever happened to the innovation?
^ before trying to judge wether A or B is better, maybe one should define what makes good art good in the first place?
tricky.
tricky.
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Re: What ever happened to the innovation?
Both of the Nomine releases on Tempa were really fucking good IMO
Those tunes were hella slept on
Those tunes were hella slept on
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