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Doesn't have anything to do with it being commercial, it's just that people like to hear fresh sounds and this isn't. The "dirty" bass sound has been rinsed so much now.DirtyThievingMongrels wrote:
isn't all this squabbling and hatred the reason why drum and bass fell on its arse.....too ashamed to be a man and say...yeah, thats a commercial tune and i like it.....or not my cup of tea but can see why people like it! just outright non-sense talk.....they're all bitches.....sucking on poisonous udders of hate filled titty juice.....wincing as the sour taste of a decade of bad milk flows through the pouros vains of another musical izan!!!!
its like if the tunes doesn't prick up einsteins ears, then the producer should be lined up and shot!!!! man, its like a wobble holocaust!!! LOL
1. What does for a living have to do with it? Money doesn't come into it. We're talking about the track not the financial success it may or may not deliver.DirtyThievingMongrels wrote:
i think nero is true to form as is burial, bar 9, rob sparx, dmz.....everybody....they don't set out to write a smasher, they just naturally do.
every producer has his fan base, audience, and indeed every critic...but having read most of the articulated points i need to wrap this up and gho for a wank.
here are my final salient points.....
1. Out of the people that constructively or abusively criticised the track, who actually writes music for a living?
2. To the DJ's......do you know the difference between dj'ing professionally and being a professional dj?
3. We all know the record was huge and so will the remix, so who's right.....the thousands that will buy it, or the few that have slated? when everyone else is saying its good, and you're one of a few saying its bad, surely you must have the introspective to accept that maybe you got it wrong.
4. The original artist like it, the labels like it, the dj's like it, the crowd like it, and no one has come up with a better idea of a remix, which lest we forget will also serve as a reference point to the golden era some of you are saying this has been stolen from.
5. The total arguement itself is obsolete and pointless, and has served as a distraction away from my normal positively and open minded self.
Peace and fucking folks....been a pleausure.....keep up the hate!
1) Irrelevant.DirtyThievingMongrels wrote:here are my final salient points.....
1. Out of the people that constructively or abusively criticised the track, who actually writes music for a living?
2. To the DJ's......do you know the difference between dj'ing professionally and being a professional dj?
3. We all know the record was huge and so will the remix, so who's right.....the thousands that will buy it, or the few that have slated? when everyone else is saying its good, and you're one of a few saying its bad, surely you must have the introspective to accept that maybe you got it wrong.
we don't want this site coming up in google search results for it, because its a word that gets picked up by the search engine parental control, and then this site gets flagged as "unsuitable", etc. . plus, its some horrible shit anyway.bandshell wrote:does the forum not let you type N A Z I S? why is it reversed?
bjackman wrote:
Ah fair enough, yeah it is some horrible shit, my grandmas friend was born in auschwitzseckle wrote:we don't want this site coming up in google search results for it, because its a word that gets picked up by the search engine parental control, and then this site gets flagged as "unsuitable", etc. . plus, its some horrible shit anyway.bandshell wrote:does the forum not let you type N A Z I S? why is it reversed?
, couldn't resist that peep show quote though DirtyThievingMongrels wrote:combine that with a rhythm only translatable by Miles Davis
I think the point he was making was that it's quite hard to make complicated music that works on the dancefloor. Not sure how this excuses the kind of derivative rubbish that Nero come out with on a regs though.selrahc wrote:DirtyThievingMongrels wrote:combine that with a rhythm only translatable by Miles Davis
i don't even know where to begin.
suffice it to say, none of the dubstep tracks i've heard from nero (and i've bought a fair few of them) have any sort of rhythm even approaching something miles davis might concoct. regardless of whether you think dancefloor bangers are utter shit, or love them to death, you can't honestly be saying that 'kick-hat-snare-hat' is a complex rhythm.
never heard of dirty thieving mongrelsI've never seen someone talk such utter bollocksdubstee wrote:Did someone in this thread compare Nero, Rob Sparx and Bar 9 to Mala and Burial?
Did they?
Really?
Really?
Really?
Rob Sparx wrote:lol if I was gonna create a new username and didn't want ppl to know dont you think I'd pick a different name from Dirty Thieving Mongrels? Your not the sharpest tool in the box are you?hackman wrote:stop being a coward, post with your original username
You do mate, you do.Corpsey wrote:Speak for yourself
Personally I think I come off like a genius
