Re: Nina Kraviz
Posted: Thu Apr 03, 2014 10:01 pm
yh but tbf he was too busy getting pegged to produce his own tunes
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Re: Nina Kraviz
Posted: Thu Apr 03, 2014 10:31 pm
tbh I wouldn't mind too much if the one working with the ghost producer / engineer is open about it.
Re: Nina Kraviz
Posted: Thu Apr 03, 2014 11:53 pm
i'd love to work with a ghost producer tbh cause i got all these ideas but i find the actual process really boring and a bit frustrating
Re: Nina Kraviz
Posted: Fri Apr 04, 2014 12:34 am
If the music has any artistic value it is produced by the artist, not someone paid to do it for him.
That's basically taking music, stripping it down to bullshit and then trying to sell it to people.
The process is the music imo.
That's basically taking music, stripping it down to bullshit and then trying to sell it to people.
The process is the music imo.
Re: Nina Kraviz
Posted: Fri Apr 04, 2014 12:36 am
birmingham's finestm8son wrote:Any of you heard of hannah wants? apparently she gets all her tracks ghost produced by chris lorenzo
Re: Nina Kraviz
Posted: Fri Apr 04, 2014 12:40 am
so what about two mates sitting together, one's got the technical skill, the other one's the musical talent?AxeD wrote:If the music has any artistic value it is produced by the artist, not someone paid to do it for him.
That's basically taking music, stripping it down to bullshit and then trying to sell it to people.
The process is the music imo.
Re: Nina Kraviz
Posted: Fri Apr 04, 2014 1:10 am
yeah i didn't say no input what so ever. and if the person is a mate or someone paid is irrelevant imo
also lol @ "artistic value". maybe i just want bait club bangers
also lol @ "artistic value". maybe i just want bait club bangers
Re: Nina Kraviz
Posted: Fri Apr 04, 2014 1:26 am
Big up the bait club banger mandemultraspatial wrote:yeah i didn't say no input what so ever. and if the person is a mate or someone paid is irrelevant imo
also lol @ "artistic value". maybe i just want bait club bangers
Re: Nina Kraviz
Posted: Fri Apr 04, 2014 6:55 am
Pistons doesn't produce his own tunes?m8son wrote:yh but tbf he was too busy getting pegged to produce his own tunes
Re: Nina Kraviz
Posted: Fri Apr 04, 2014 8:49 am
I was always under the impression that he made the tunes with a mate and has always been quite open about itgarethom wrote:Pistons doesn't produce his own tunes?m8son wrote:yh but tbf he was too busy getting pegged to produce his own tunes
http://hedmuk.blogspot.co.uk/2012/01/fe ... neath.html
I remember there was a bit of controversy on here about it though and somone saying that may not be the full story so idk really"I make the tunes with a friend of mine, we have setups at both of our places. We've both been messing around with music independently since we were young, but we started making a few tunes around 2005/6 when I showed him dubstep. We've been getting a bit more serious over the last 18 months, trying to bring the production up to par and were going to start sticking out some tunes under my alias Pistonsbeneath, sort of the way Goldie and Rob Playford worked: he just likes to sit at the computer making the beats with me and doesn't like to be on the radar, while I'm more the public face and the DJ."
Re: Nina Kraviz
Posted: Fri Apr 04, 2014 9:01 am
looolskimpi wrote:birmingham's finestm8son wrote:Any of you heard of hannah wants? apparently she gets all her tracks ghost produced by chris lorenzo
yh i think pistons just does it with a m8 and that guy on here he seemed to know always called him out on it
Also with the two guys one with technical skill and the other with musical skill scenario. Unless the one with technical skill has a direct link to the other guys brain he will be doing 90% of the work with the other guy going duuh can u ad sum hatz pls
Re: Nina Kraviz
Posted: Fri Apr 04, 2014 10:48 am
I wonder about that too yeah
Like, does Goldie write exactly how the breaks are chopped up? The melodies? Or does he just broadly direct it, like "yeah I want this bit to have a synth stab".
Like, does Goldie write exactly how the breaks are chopped up? The melodies? Or does he just broadly direct it, like "yeah I want this bit to have a synth stab".
Re: Nina Kraviz
Posted: Fri Apr 04, 2014 11:03 am
If you want bait music you might as well listen to some Nina Kraviz music.
Re: Nina Kraviz
Posted: Fri Apr 04, 2014 11:27 am
difference between listening to shit and making shitAxeD wrote:If you want bait music you might as well listen to some Nina Kraviz music.
Re: Nina Kraviz
Posted: Fri Apr 04, 2014 11:30 am
and what's wrong with that?m8son wrote:looolskimpi wrote:birmingham's finestm8son wrote:Any of you heard of hannah wants? apparently she gets all her tracks ghost produced by chris lorenzo
yh i think pistons just does it with a m8 and that guy on here he seemed to know always called him out on it
Also with the two guys one with technical skill and the other with musical skill scenario. Unless the one with technical skill has a direct link to the other guys brain he will be doing 90% of the work with the other guy going duuh can u ad sum hatz pls
then you can focus more on the djing aspect aka showing up drunk with a semi pre mixed set so you can drink some more, do coke and hit on barely legals
that's the ideal career imo tbh
Re: Nina Kraviz
Posted: Fri Apr 04, 2014 2:10 pm
If you were to hear an amazing tune, best tune in the world at a night out. Rinsed it to death, copped it twice on vinyl, etc. Would it then sound less good if you heard 6 months later that it was ghost produced?AxeD wrote:If the music has any artistic value it is produced by the artist, not someone paid to do it for him.
That's basically taking music, stripping it down to bullshit and then trying to sell it to people.
The process is the music imo.
Re: Nina Kraviz
Posted: Fri Apr 04, 2014 2:15 pm
No, but you might have less respect for the guy who put his name to it.
Re: Nina Kraviz
Posted: Fri Apr 04, 2014 2:22 pm
That's not relevant to the sound of the music, though.garethom wrote:No, but you might have less respect for the guy who put his name to it.
Re: Nina Kraviz
Posted: Fri Apr 04, 2014 2:53 pm
Ultraspatial
we could do a comp
you write what the track sounds like and what it has to do
and then critique and decide on the submissions.
we could do a comp
you write what the track sounds like and what it has to do
and then critique and decide on the submissions.
Re: Nina Kraviz
Posted: Fri Apr 04, 2014 2:56 pm
Genevieve wrote:That's not relevant to the sound of the music, though.garethom wrote:No, but you might have less respect for the guy who put his name to it.
Ocfourse it is, to be able to take in stuff, we take it in with our heads. A head is filled with stuff that gets in the way of that.