Dubstepforum.com

http://i46.tinypic.com/11i0l21.jpg

here's the initial patch

http://i49.tinypic.com/2w3b6ad.jpg

here's the bit of automation

http://i50.tinypic.com/2npug2.jpg

I resampled, then added a few little effects and cut the volume a bit so it didn't clip before resampling again

http://i48.tinypic.com/ei6mba.jpg

Then after resampling again i added a few more effects, nothing too crazy tho

Yeah sorry for URLs instead of IMGs uh but it said they were too big nd i didnt really feel like resizing them then reuploading them or whatever.

PillowFight wrote:Yeah sorry for URLs instead of IMGs uh but it said they were too big nd i didnt really feel like resizing them then reuploading them or whatever.

You can use imgur and just paste the link and it will show s an image not a link

medetix wrote:

PillowFight wrote:Yeah sorry for URLs instead of IMGs uh but it said they were too big nd i didnt really feel like resizing them then reuploading them or whatever.

You can use imgur and just paste the link and it will show s an image not a link

I tried to do that to his post, but the 4th image causes some error message with the forum, about the images being too wide.

you have to crop them/resize them

blinkesko wrote:you have to crop them/resize them

Eskimo wrote:

blinkesko wrote:you have to crop them/resize them

brilliant, ahahahaha.

I never tried to make a skrillex growl, and this wasn't an attempt to make one either. But after processing this bass I thought it sounded like a half decent SMANS bass. The patch I made doubles as a neurofunk reese and a skrillex kind of growl
Soundcloud

Not sure if the notes are right. I pretty much winged it by memory of how the song goes.

EDIT: Just listened to the actual tune, seems like the vowels need to be changed around a bit but I think other than that my filtering's pretty good. Not so sure about that screetch between growls, didnt put much work into that.

Well i think ive discovered something neat with the frequency shifter insert in massive...

Soundcloud


In context (Nearly every bass at drop):

Soundcloud

Method wrote:Well i think ive discovered something neat with the frequency shifter insert in massive...

Soundcloud


In context (Nearly every bass at drop):

Soundcloud

Describe plox

tomz wrote:
Describe plox

Well basically you take your average massive bass, be it Carbon, scrapyard, A.I., Chrome, sonic, squelchy, wicked, ect... and you make sound all nice and wet/distorted (sine shaper/c tube). From there, insert 2 is frequency shifter. Turn the voice up to anywhere from 3-8. This final step will be a little tough to explain but hopefully you understand, put frequency shifter on insert 2, dry/wet 50% and pitch 50%, drag a macro knob onto the pitch but make it affect the pitch by the smallest amount that massive/your mouse allows you to, with that you should have a macro that allows you to VERY easily fine tune half of your sounds pitch.

Essentially, whats giving it that worbling out of control monstreous sound, is one half of the sound being VERY FINELY out of tune of the other one, thus coming in and out of phase with the other half creating that reese-like worble.

What I like about this is the amount of control you have on that worbliness. Some multiband dynamics and an imageline vocoder set to pitch the output all the way down also helps.

EDIT: Double post glitch

Method wrote:

tomz wrote:
Describe plox

Well basically you take your average massive bass, be it Carbon, scrapyard, A.I., Chrome, sonic, squelchy, wicked, ect... and you make sound all nice and wet/distorted (sine shaper/c tube). From there, insert 2 is frequency shifter. Turn the voice up to anywhere from 3-8. This final step will be a little tough to explain but hopefully you understand, put frequency shifter on insert 2, dry/wet 50% and pitch 50%, drag a macro knob onto the pitch but make it affect the pitch by the smallest amount that massive/your mouse allows you to, with that you should have a macro that allows you to VERY easily fine tune half of your sounds pitch.

Essentially, whats giving it that worbling out of control monstreous sound, is one half of the sound being VERY FINELY out of tune of the other one, thus coming in and out of phase with the other half creating that reese-like worble.

What I like about this is the amount of control you have on that worbliness. Some multiband dynamics and an imageline vocoder set to pitch the output all the way down also helps.

Posted this technique like months ago, no time to look for my post

mromgwtf wrote:

Method wrote:

tomz wrote:
Describe plox

Well basically you take your average massive bass, be it Carbon, scrapyard, A.I., Chrome, sonic, squelchy, wicked, ect... and you make sound all nice and wet/distorted (sine shaper/c tube). From there, insert 2 is frequency shifter. Turn the voice up to anywhere from 3-8. This final step will be a little tough to explain but hopefully you understand, put frequency shifter on insert 2, dry/wet 50% and pitch 50%, drag a macro knob onto the pitch but make it affect the pitch by the smallest amount that massive/your mouse allows you to, with that you should have a macro that allows you to VERY easily fine tune half of your sounds pitch.

Essentially, whats giving it that worbling out of control monstreous sound, is one half of the sound being VERY FINELY out of tune of the other one, thus coming in and out of phase with the other half creating that reese-like worble.

What I like about this is the amount of control you have on that worbliness. Some multiband dynamics and an imageline vocoder set to pitch the output all the way down also helps.

Posted this technique like months ago, no time to look for my post

This is while this thread is stale, as someone posted before people just keep rehashing the same stuff.

Method wrote: What I like about this is the amount of control you have on that worbliness. Some multiband dynamics and an imageline vocoder set to pitch the output all the way down also helps.

You can also link the macro to detune amount on the voices tab, and then put polyphony to two. I usually do that, and then on the voices' pitch to opposite direction by half the amount.

Roght frequency shifter happens before voicing though so you can get interesting results with frequency shifting amd many voices.
And I dont think rehashing certain interesting tips makes this thread bad necessarily.

i thought u guys might be interested in this Soundcloud

dude has perfect growls

hookjunior wrote:i thought u guys might be interested in this Soundcloud

dude has perfect growls

Sounds like basic WoW filter.

ephyks wrote:

hookjunior wrote:i thought u guys might be interested in this Soundcloud

dude has perfect growls

Sounds like basic WoW filter.

Dude come on, no it doesn't. Popeska is killer and his sound design is great, he has such weighty growls. No way that's WoW filter. Not saying he didn't throw it in there but I can promise you 100% that the core sound has nothing to do with WoW. Pretty sure there's a lot of vocoder in there though.

Calm down ladies.
Soundcloud

Maxxan wrote:

ephyks wrote:

hookjunior wrote:i thought u guys might be interested in this Soundcloud

dude has perfect growls

Sounds like basic WoW filter.

Dude come on, no it doesn't. Popeska is killer and his sound design is great, he has such weighty growls. No way that's WoW filter. Not saying he didn't throw it in there but I can promise you 100% that the core sound has nothing to do with WoW. Pretty sure there's a lot of vocoder in there though.

No. That's indefinitely the WoW filter.