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Oh and add some verb to the bass i'd probably send both mid and hi to a send but have an eq filtering out anything below 400hzish before it reaches the reverb i.e. eq then verb in the send channel. But if your wanting it a little thin or "airy" id hi pass up to 1khz.

Chewie wrote:Oh and add some verb to the bass i'd probably send both mid and hi to a send but have an eq filtering out anything below 400hzish before it reaches the reverb i.e. eq then verb in the send channel. But if your wanting it a little thin or "airy" id hi pass up to 1khz.

word!

Thanks Chewie! This sounds truly wicked. I learned a thing or two about Massive as well

nice one man, will give a it a go. what i know about massive i can write legibly on my own arse with a muddy football.



cheers

Paradigm X wrote:nice one man, will give a it a go. what i know about massive i can write legibly on my own arse with a muddy football.



cheers

Really good tute, more pls!

right here's a little demo i just bashed out quickly, it uses 3 different versions of the same patch doing various things. Did it using the laptop speakers so god knows what it sounds like

fucking hell.mp3 - 0.69MB

not sure if u did this in ur own patches but in those pictures u have the filter mix all the way on filter 2 so ur only using that filter

Fucking sick tutorial dude!!

Nice one

Chewie you rule man!!!

i thought i knew ALOT about Massive. But was looking for new ways to use it. And this opened a whoile new door, it opened my eyes in different ways. Thank you so much, the first tune i make by combining this technique with my own i will name Chewie. You'll get the 320

slyman wrote:not sure if u did this in ur own patches but in those pictures u have the filter mix all the way on filter 2 so ur only using that filter

The filters are in series
i.e the sound/feedback circuit goes from filter 1 then to filter 2. That is why i have the fader down to have only filter 2

Yunomi Donchu wrote:Chewie you rule man!!!

i thought i knew ALOT about Massive. But was looking for new ways to use it. And this opened a whoile new door, it opened my eyes in different ways. Thank you so much, the first tune i make by combining this technique with my own i will name Chewie. You'll get the 320

Look forward to hearing it!
Prizes go to anyone who can make a wookie sound from this patch

when it was first posted, this thread helped me move from beginner in massive to advanced in a matter of days. respect.

Nice one man! I was thinking of posting up some more tuts seeing futures has started a NI massive thread. Anyone have any particular things they want to learn? I was thinking of maybe going into the more unusual things you can get out of the scream filter and how the freq shifter effect can do some interesting things, maybe something on making beats in massive aswell idk.

To be honest any Massive tut's would be greatly appreciated... I want to know this synth inside out! Still learning the whole synthesis thing, so it's a constant work in progress, sometimes I hear things in tracks that get me thinking 'how can I do that in Massive' but I don't quite have the technical prowess yet to create what I am hearing...

I dunno man, any tips, tricks and cool things that may not be immediately apparent would be welcome, also things that Massive may not be a 'go to' for, like the drums you mentioned, maybe FX, pads etc?

Also, how do I make Datsik bass

chewie wrote:Nice one man! I was thinking of posting up some more tuts seeing futures has started a NI massive thread. Anyone have any particular things they want to learn? I was thinking of maybe going into the more unusual things you can get out of the scream filter and how the freq shifter effect can do some interesting things, maybe something on making beats in massive aswell idk.

I'd probs leave it up to you since I wouldn't have known to ask for a tut on noise/comb basslines until after I followed yours. Thanks for doing it, helped me a great deal. One question tho, I didn't notice much difference in sound when adding the side chain LFOS, mebbe i did something wrong ? Still made a few filthy bass patches tho regardless.

Could be 1 of 2 things. Either the LFO range in green is not ranged out on the comb's damp parameter or the little "-" underneath the mod box has not been changed to an up or down arrow (I can't remember which direction , one sounds crap the other sounds sick) and the SC highlighted.

chewie wrote:Could be 1 of 2 things. Either the LFO range in green is not ranged out on the comb's damp parameter or the little "-" underneath the mod box has not been changed to an up or down arrow (I can't remember which direction , one sounds crap the other sounds sick) and the SC highlighted.

TY I'll have another look at the presets I saved and try this

chewie wrote:I was thinking of maybe going into the more unusual things you can get out of the scream filter and how the freq shifter effect can do some interesting things

yes, please.

i keep noticing something everytime i fiddle with ridiculous amounts of feedback... at some point u dont need the noise anymore!?!?!?!

i mean it has its purpose whenever feedback is off..

but when its set to full... u could turn it of... does massive have a noise itself ahahha?