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Basic A wrote:Massive > scrapyard > towards the screechy, midrange side of the wavetable > insert comb filter, turn feedback/dampening up, tune to increase screechy midrange aspect, after the comb, put a lowpass, ramp lfo too cutoff, dimension expander at the end of the signal.
Insta-cookie.
thanks man. have not tried this yet, but seems promising. are you assigning the lfo to the comb and the lp or just one of them?
who cares man try them both and see which one you like better
not everyone is going to hold your hand all the time, this is how you figure stuff out
Basic A wrote:Massive > scrapyard > towards the screechy, midrange side of the wavetable > insert comb filter, turn feedback/dampening up, tune to increase screechy midrange aspect, after the comb, put a lowpass, ramp lfo too cutoff, dimension expander at the end of the signal.
Insta-cookie.
thanks man. have not tried this yet, but seems promising. are you assigning the lfo to the comb and the lp or just one of them?
who cares man try them both and see which one you like better
not everyone is going to hold your hand all the time, this is how you figure stuff out
Gotta agree with this! I find the best thing about making music is trying stuff out. If its not good well try again until it is!
Soundcloud
"Dont drink and drive, take LSD and teleport" -> some random youtube commenter
+1 for drawing your cutoff envelopes by hand. It's a bit tedious at first, but once you see how much control you have this way you'll have trouble ever going back to ad-hoc lfo automation again. This is especially good for both rising and falling saw ramps. But I have been disappointed with the lack of automation curves in Ableton so far which makes it near impossible to get a smooth sin like lfo by hand. Crossing my fingers they implement this in 9 cause it's really a big oversight by them IMO which other DAWs have easily included.
Why use quotations if you can't use them properly? I said nothing of the sort. I gave a description of the effect and gave an example of where you'd find it. Coki - Tree Trunk is another.
.onelove. wrote:Why use quotations if you can't use them properly? I said nothing of the sort. I gave a description of the effect and gave an example of where you'd find it. Coki - Tree Trunk is another.
I see no example in your post, and I can use quotes just fine, I just dont like the looks of haivng more then one box per post.
Tree trunk is all sine lfo's, that might be your first problem.
.onelove. wrote:Why use quotations if you can't use them properly? I said nothing of the sort. I gave a description of the effect and gave an example of where you'd find it. Coki - Tree Trunk is another.
I see no example in your post, and I can use quotes just fine, I just dont like the looks of haivng more then one box per post.
Tree trunk is all sine lfo's, that might be your first problem.
I meant misquoting my words, rather than not using the actual quote function.
And really?
At 2:00;
Thats definitely a ramp lfo, surely?? Otherwise I'm a complete dunce and would appreciate if you could expand on how it's done, since it's that sort of rung-ladder/engine starting up sound I'm after.
I'm not sure I know which sound your after, but if it's a slow drop in pitch try turning up the portamento and playing a quick note( i'm talking 1/16 or even 1/32 of a bar) followed by a longer note lower on the keyboard. Adjust the time of portamento to the length you need.
