Re: Harsh kicks?
Posted: Thu Aug 18, 2011 10:16 am
In this tune in particular, I could see a bit of light ratio, snappy attack/decy bus compression between the kick and the sub doing wonders. nothing severe, and dont take the process as a rule, but in this tune, def.
The kick in this sounds like the volumes alright, however, I agree with the notion above about it needing more high-end... the kick as you have it now would be something I layered under a mid-rangey kick, saturated together and then eq'd... Also, the attack on it feels a bit long, like, its very 'thud' vs 'thump' or 'punch' lol, if Im making any sense here? If your compressing the kick, try increasing the attack to allow more of the signal to come through before becoming compressed, itll give the sample thats hear more of a snap at the beginning, or if your not compressing it, consider layering it with something with a tighter attack on it.
If you straighten the attack out and get the high end up by whatever means, you'll probably be able to squeeze a few db of headroom out of them because they'll be more prominent psychoacoustically and on the fletcher-munson curve...
Lower meter volume + more acoustic prominence = better mixdowns.
Also, nice melodic stuff chad, this is the first ive given your stuff a listen, I was apprehensive but your coming along well if this is what your making early in. Definately need to up your incidents and work on your progressions though, right now, everythings pretty minimal, good musically, but not staying exciting, even coing from someone who likes things stripped down.
The kick in this sounds like the volumes alright, however, I agree with the notion above about it needing more high-end... the kick as you have it now would be something I layered under a mid-rangey kick, saturated together and then eq'd... Also, the attack on it feels a bit long, like, its very 'thud' vs 'thump' or 'punch' lol, if Im making any sense here? If your compressing the kick, try increasing the attack to allow more of the signal to come through before becoming compressed, itll give the sample thats hear more of a snap at the beginning, or if your not compressing it, consider layering it with something with a tighter attack on it.
If you straighten the attack out and get the high end up by whatever means, you'll probably be able to squeeze a few db of headroom out of them because they'll be more prominent psychoacoustically and on the fletcher-munson curve...
Lower meter volume + more acoustic prominence = better mixdowns.
Also, nice melodic stuff chad, this is the first ive given your stuff a listen, I was apprehensive but your coming along well if this is what your making early in. Definately need to up your incidents and work on your progressions though, right now, everythings pretty minimal, good musically, but not staying exciting, even coing from someone who likes things stripped down.