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Conspira wrote:

J_J wrote:i think the term nu rave was intended as a joke from the start tho.
i hope so anyway

is just a name. the name grime was also given by people that disliked the sound... not a big deal.

i really prefer marmite tho.tho marmalade is ok without the bits in.

J_J wrote:

Conspira wrote:

J_J wrote:i think the term nu rave was intended as a joke from the start tho.
i hope so anyway

is just a name. the name grime was also given by people that disliked the sound... not a big deal.

i really prefer marmite tho.tho marmalade is ok without the bits in.

and cheese do u like?

lol nu rave term was 'invented' when a journo was interviewing james (klaxons) and he said its a 'new wave of uk music'.the journo said 'new rave'? and james said yeah if u like...


grime kinda was grime before ppl called it grime..'dilemma' and a lot of tunes were grimy,like ud hear it and go 'rahh thats grimy'.
any style of music can be grimy.

^ sure it was a NME interview too.

Isn't nu rave just really shitly played indie with a few stupid sirens, horns and really shit loud discordant synth/s over the top? With a few twats standing around wearing flurescent trucker hats with shit multi-coloured writing all over them, drainpipe jeans and power cables for belts, going "It was so cool the other day I was buying drugs in Bethnal green when a gang of rude boys, like jacked me, I just went to the cashpoint again but I felt so street maaan" Nu rave and the Klaxons is the closest thing to Nathan Barley that has ever happened in relaity, apart from Vice magazine.

see ;"Trendy cnuts"

not feeling it, sounds like a forced attempt of bringing more nme/indie hype to the scene too me...
really loving the new skream beatz but i'm not rating this remix that much. that synth and that cheesy vocals almost make my ears bleed... and i like my cheese...

obIwan wrote:Isn't nu rave just really shitly played indie with a few stupid sirens, horns and really shit loud discordant synth/s over the top? With a few twats standing around wearing flurescent trucker hats with shit multi-coloured writing all over them, drainpipe jeans and power cables for belts, going "It was so cool the other day I was buying drugs in Bethnal green when a gang of rude boys, like jacked me, I just went to the cashpoint again but I felt so street maaan" Nu rave and the Klaxons is the closest thing to Nathan Barley that has ever happened in relaity, apart from Vice magazine.

see ;"Trendy cnuts"

shit man,,bad day ?

Skream's remix is sick ... I didn't even know that it was a cover of a 90's tune...
Hopefully we'll get a release soon (yeah, right )

I'm all right things went well at the Job centre, but that rants been brewing for a long time, your right tho, it's not like they take themselves seriously.

It reminds me of those kids on Skins that are like "Yah, tht'd be like totally safe"

I thought the Klaxons were shit when i first heard their cover of Kicks like a Mule but having since seen them live twice I think they are really fuckin good. They don't deserve a lot of the stick they get.

I got mates who still rubbish them. I know fully that they ain't even bothered listening to any more than one track of theirs...

Not sure about the skreamix though...maybe its a grower...?

klaxons are class

klaxon version
skreamix
original

mushug wrote:not feeling it, sounds like a forced attempt of bringing more nme/indie hype to the scene too me...
really loving the new skream beatz but i'm not rating this remix that much. that synth and that cheesy vocals almost make my ears bleed... and i like my cheese...

yeh i agree, do u reckon the label approached him to do it? or was it just something he felt to do off his own back?
i think the tunes ok still, i think the best tune on that essential mix is the soulful tune which has been remixed, cant remember where itis in the mix though...

Harlesden wrote:klaxons are class

You know that

It sounded lush on the radio, and it must be absolutley mad in a club.

Good stuff: new sounds, new directions innit.

The Klaxons and Skream share tha same agency Coda (http://www.codaagency.com), so I assume its an organised remix.

I'm not feeling it as I know the original, so it feels like a remix of the original rather than of the Klaxons version (remix of a remix, etc). But out there for trying new things and all that. Skream has so much of his own material that needs hearing so this should get his name out there, but as long as he's not just know as "the bloke who did that Klaxons remix", its all good.

Didn't he do that 'Phone Line' track or whatever it was called too...

re nu rave - at least it's better than when 'the cool kids' used to dress like geography teachers and listen to Coldplay.

i'm reserving judgement until i hear it on a proper system to be honest. but as i've said to skream - just not my cup of tea. that's the nature of remixes especially innit.

He did that remix for Hot Chip as well so he is definitely taking some new directions and printing his trademark on it and thats great, we are about to expect some new versions coming through skream's hands.

obIwan wrote:Isn't nu rave just really shitly played indie with a few stupid sirens, horns and really shit loud discordant synth/s over the top? With a few twats standing around wearing flurescent trucker hats with shit multi-coloured writing all over them, drainpipe jeans and power cables for belts, going "It was so cool the other day I was buying drugs in Bethnal green when a gang of rude boys, like jacked me, I just went to the cashpoint again but I felt so street maaan" Nu rave and the Klaxons is the closest thing to Nathan Barley that has ever happened in relaity, apart from Vice magazine.

see ;"Trendy cnuts"

the man speaks truth!