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wub wrote: DJ Krust did something similar for the bassline on Warhead, recording the reverb from his speakers back into itself.

Brothulhu wrote:

wub wrote: DJ Krust did something similar for the bassline on Warhead, recording the reverb from his speakers back into itself.

I didn't think I would learn anything cool from this thread, I'm off to look this up

RmoniK wrote:i've found mild harmonic excitement does wonders, as well as multiband compression.

sluggy wrote: Soundcloud

jrisreal wrote:TERN UP THU LOWDNISS KNAB

Using a combination of peak limiting and low-level compression with automatic makeup, Louder effectively makes tracks louder, increasing RMS by up to 24 dB.

wub wrote:You could create three duplicates of the track, one centered, one hard panned left and one hard panned right. Mix all three together and you'll create a wall of sound.

Also, try duplicating the track and low passing the duplicate before mixing both together. The bottom end frequencies will be 'louder'.

RmoniK wrote:Yeah when it's a different recording, doh. When you pan the exact same signal left and right, all it will do is raise the volume. You'd think you would know something about stereo image if you're a moderator on a huge production board...

RmoniK wrote:You told him to duplicate the track (thus creating 3 exact same copies) where you pan one left, one right and one centered. All that will do is double the volume on the original track.

RmoniK wrote:Why not just raise the meter by 6 dB then? ...