Production Confessions Confidential
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Re: Production Confessions Confidential
What the fuck is an envelope
- Electric_Head
- Posts: 16958
- Joined: Tue May 11, 2010 9:59 am
- Location: South of Africa
- Contact:
Re: Production Confessions Confidential
This is a good explanation of an envelope.
Envelopes are the key to the articulation of your sound. Without them your patch will immediately start off at full blast, and stay there, and then disappear all of a sudden when you let go of the key. Envelopes, although difficult to understand at first allow you to change that, so you can create expressive and dynamic sounds with your synthesizer.
The standard envelope is in 4 main stages, described below:
Attack – the sound rising up to its maximum level. If it’s set to nothing, the sound plays at full blast straight away, whereas if you set it quite high then the sound gradually fades (good for string sounds).
Decay – this is how long the sound stays at the level the attack brings it up to. If it’s set as high as it will go, it will stay at the maximum level forever (rendering the sustain stage useless).
Sustain – this is the level that the sound stays at after the decay stage has passed. Some synthesizers also have a dedicated ‘sustain time’ setting, which decays the sustain stage after an adjustable amount of time too.
Release – a bit like reverb at the end of your sound – it is how long the sustain level takes to die down to silence. Set the release to nothing and you won’t get that effect – it will be instant.
Envelopes are the key to the articulation of your sound. Without them your patch will immediately start off at full blast, and stay there, and then disappear all of a sudden when you let go of the key. Envelopes, although difficult to understand at first allow you to change that, so you can create expressive and dynamic sounds with your synthesizer.
The standard envelope is in 4 main stages, described below:
Attack – the sound rising up to its maximum level. If it’s set to nothing, the sound plays at full blast straight away, whereas if you set it quite high then the sound gradually fades (good for string sounds).
Decay – this is how long the sound stays at the level the attack brings it up to. If it’s set as high as it will go, it will stay at the maximum level forever (rendering the sustain stage useless).
Sustain – this is the level that the sound stays at after the decay stage has passed. Some synthesizers also have a dedicated ‘sustain time’ setting, which decays the sustain stage after an adjustable amount of time too.
Release – a bit like reverb at the end of your sound – it is how long the sustain level takes to die down to silence. Set the release to nothing and you won’t get that effect – it will be instant.





Re: Production Confessions Confidential
I smoke far too much cheese, go off on a tangent and never finish anything. 

- billybuxton
- Posts: 502
- Joined: Sun Nov 28, 2010 3:23 pm
- Location: Manchester, England
Re: Production Confessions Confidential
Iv spent the last 2 years making Massive patches and playing with vengeance samples
Iv finally seen the light and i don't use either anymore

Iv finally seen the light and i don't use either anymore


Re: Production Confessions Confidential
don't even know how to import vsts into ableton lolfragments wrote:i don't use massive
alex bk-bk wrote:some of you lot chat bare shit
Re: Production Confessions Confidential
I still don't have a proper and fixed workflow when creating, I just let myself go and sometimes lose complete days of work because of doing things in the wrong order.
Re: Production Confessions Confidential
All my non-free production software is pirated, which I'm not too proud of,
Also, I'm rubbish at mastering and mixing down tunes.
but mainly because of the bug james blake talks about in this thread.chekov wrote:fragments wrote:i don't use massive
Also, I'm rubbish at mastering and mixing down tunes.
- Aufnahmewindwuschel
- Posts: 2143
- Joined: Mon Jun 13, 2011 3:38 pm
- Location: Antarctica
Re: Production Confessions Confidential
i have no fucking clue why i produce in a genre i never really listened to
Re: Production Confessions Confidential
Fuck eqing,its for pussy's(or the fact i have never really been able to do it proper)
Re: Production Confessions Confidential
Howd you do that if they abandond you m8?hhans wrote:After being abandoned by my parents, I ended up killing my father and having sex with my mother.
OiOiii #BELTERTopManLurka wrote: thanks for confirming
Re: Production Confessions Confidential
After the mixdown i T-Bag by computer for extra saturation 

Re: Production Confessions Confidential
so much thisBudSpencertron wrote:i have no fucking clue why i produce in a genre i never really listened to
Re: Production Confessions Confidential
Been recording/producing in some form for like 20 years now and only really figured out bussing about 3 years ago. 

Jodorowsky wrote:Birds born in a cage think flying is an illness.
- kreutzbube
- Posts: 112
- Joined: Sun Apr 22, 2012 7:38 pm
Re: Production Confessions Confidential
i spend hours tweaking a sound just to decide that it's shit and dump it.
when i get to a loop that is really cool, i get very euphoric about making the tune. during the next three days, when i tweak and hear it over and over again i get increasingly sick of it until i hate it and think its a piece of shit.

when i get to a loop that is really cool, i get very euphoric about making the tune. during the next three days, when i tweak and hear it over and over again i get increasingly sick of it until i hate it and think its a piece of shit.

- Aufnahmewindwuschel
- Posts: 2143
- Joined: Mon Jun 13, 2011 3:38 pm
- Location: Antarctica
Re: Production Confessions Confidential
never give up sth you hate in the momentkreutzbube wrote:i spend hours tweaking a sound just to decide that it's shit and dump it.
when i get to a loop that is really cool, i get very euphoric about making the tune. during the next three days, when i tweak and hear it over and over again i get increasingly sick of it until i hate it and think its a piece of shit.
Re: Production Confessions Confidential
i dont give a shit about mixing or masterin L[]L
Re: Production Confessions Confidential
sometimes i tune my saws instead of detuning my saws.....
MasterBlinX - Durbin Master
Soundcloud
Soundcloud
Re: Production Confessions Confidential
i spend more time basking in the sound of previously made synths then i do actually making music
Re: Production Confessions Confidential
that post doesnt sound grammatically correct but i cant work out why
Re: Production Confessions Confidential
Despite having a huge record collection, I've never attempted to do any sampling, as I don't understand how to go about it 

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