Re: Speaker stands
Posted: Sun Sep 22, 2013 9:27 pm
No need to get silly....
I am not recommending dustbins fullstop. I am saying sometimes, for oddly sized speakers/monitors... odd solutions need to be applied. Also - if one has good enough ears, sometimes alternate solutions can be applied. I remember playing some tracks for the same Grammy-winning engineer... and he asked what I monitored on and I showed him my (at the time) $20 headphones. He threw a fit, cos he admitted he couldn't have done a better job with his $30,000 electrostatics. Technology & science is great - but they will NEVER replace a good ear.
Sure, stands don't cost that much - but that doesn't mean they are always a necessary cost - nor was I recommending using dustbins. I simply said that it was what I use because I hadn't found anything that could handle the size of my speakers that would be worth the cost. Second of all - I never said that I was running a recording studio for hire (ie - one where clients are coming in and judging image). The professional work I do is hired purely on the sonic results - which have never been in question.Simulant wrote:Lastly, stands don't cost that much, using and recommending dustbins gives the impression that you work at a rubbish dump. But if that's the professional image you want to project, who am I to argue.
You could potentially be right - but I don't use hollow metal can, nor hollow can of any sort. They are mesh which doesn't allow for resonation in the way you are trying to imply. And yes, they are on a desk and close to a wall - you don't need to try to act informed in front of me, I know all about bass doubling ratios... but what you don't know, is the shape, dimensions, reflectiveness or any other aspect of my room. You are trying to act smart by making a snap judgement by reading a couple articles on Sound on Sound and seeing a single sliver picture. You could see a panorama of my studio and you still wouldn't know what I know.Simulant wrote:And a hollow metal can, such as a dustbin, probably has an audible resonance and could add a hollow sound of its own. And you can't adjust dustbins either, you can adjust the angles of the base on most stands. Lastly, they're on a desk and close to a wall which is far from ideal!
Well, yes and no. First of all... if you think that all of these "pro" audio pieces of kit are as scientifically proven as they claim, well... I have a bridge to sell you. Second of all, I am not just some random naive musician... I went to one of the best sound recording schools in North America. I have studied Acoustics, Psychoacoustics, Physics, Psychophysics, Electronics, Digital Audio, etc etc at an extremely high level. You may or may not want to believe that - but I can tell you that at the very least, we learned enough to distance ourselves from so-called "Hi-Res Charlatanism". IE- all these fools who think they need to have (and are willing to outrageously pay for) gold-plated everything. Gold-plating does NOTHING to help improve the sound or retain fidelity or anything else. I can also say - we didn't have any 'store-bought' monitor stands either.Simulant wrote:Yeah, I guess these scientists and engineers who design stands know less about room acoustics than us musicians eh?Mad EP wrote:Sure - Auralex pads are great, but they aren't stands... and in fact, if anything - many specific stands prohibit the use of absorbent pads, which is much more important in my opinion.
Again - you can diss my setup if you like... but you can't diss my ears, because whether you like it or not, I am not some random kid thinking I can beat the system by being punk. My ears ARE better than most people's ears... including many established engineers & producers. You don't have to believe it - it has already been proven time & time again. I was the youngest producer of the Chicago Symphony in their entire history... I was telling some of the best musicians that have ever lived and a Grammy-winning engineer what to do to make the recording better... and they followed because at age 21 I already had that type of credibility. I don't ignore science and I too know people who would laugh at the photo... the difference is... those same people would shut up once they heard the final mixes.Simulant wrote:Ah, another person who thinks their ears can beat science. Like it or not, you have a shitty setup. I know people who would laugh their ass off at that photo. Please stop recommending dustbins to people.Mad EP wrote:My current setup definitely has some DIY-grit to it.. but at the end of the day, it works beautifully. I have no rattle or resonance, because of the type of bin I chose and the absorbent pads I used. The most important gear a producer/engineer can have is their ears... and mine are very critical. If there had been anything sonically wrong with the way I mounted my speakers, I would have changed it ages ago.
I am not recommending dustbins fullstop. I am saying sometimes, for oddly sized speakers/monitors... odd solutions need to be applied. Also - if one has good enough ears, sometimes alternate solutions can be applied. I remember playing some tracks for the same Grammy-winning engineer... and he asked what I monitored on and I showed him my (at the time) $20 headphones. He threw a fit, cos he admitted he couldn't have done a better job with his $30,000 electrostatics. Technology & science is great - but they will NEVER replace a good ear.