Back To The Underground

debate, appreciation, interviews, reviews (events or releases), videos, radio shows
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prior
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Post by prior » Thu Oct 20, 2005 2:23 pm

It doesn't say UK anywhere on the cd. We called it Back to the Undergroung because this is the beggining of a new sound, like when jungle started or any other form of music, it all starts of underground.

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dq
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Post by dq » Thu Oct 20, 2005 2:39 pm

This looks quality. I'm assuming it's gonna be focused on the more breaksteppy side of things?

What label's releasing it?

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prior
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Post by prior » Thu Oct 20, 2005 3:04 pm

Yeah, its Destructive Vs Storming

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prior
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Post by prior » Tue Nov 01, 2005 11:36 am

all details at beggining of post out on the 8th of November

here's the dj mag review, IDJ gave it a heavy review and 4 outa 5 but haven't got that one yet.

DJ Mag

Whether you call it breakbeat, dubstep or simply grime, search & destroy and Quiet Storm have gathered together and mixed an underground brew here that defines those terms but also blurs the boundaries. If you’re into search and destroys always inventive sound, then this extends that vision to encompass a slew of producers from mark1 + darqwan to slaughter mob and narrows. Dubchilds twisted “psychopath vip” brings new meaning to the term “dark”. Whilst narrows kik daan ya door” is fresh mordern techno with a garage twist. And these are just examples of the variety of inventive sounds + cutting edge productions featured here. Mc’s Crasy d, Vicious + Mc dangerous provide the vibes, though the music talks for itself. A delight.

4 and a 1/2 out of 5

Phillipa Read

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boomnoise
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Post by boomnoise » Tue Nov 01, 2005 11:49 am

i'll be reviewing it for speakerspushtheair.com shortly. hype words no doubt.

bruno belluomini
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Post by bruno belluomini » Tue Nov 01, 2005 1:58 pm

Grime, Dubstep, Breakstep, Sublow... All came from UK Garage scene... Beyond this... Only history will knows... This record - besides being very cool with tons of high quality productions - is very important to document what we are listening now... And what the scene is like...

Best,

Bruno Belluomini.

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