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garethom wrote:Think Menta was Artwork actually.

Yeah

garethom wrote:Always felt like the proto-dubstep/late garage sound was never explored to its fullest either.

Definitely agree with this.

A Danny Weed cd would be nice

Artwork was one half of Menta. He was also one half of DnD. He was also one of the people who produced Gotta Get Thru This. He also get's my vote for funniest twitter of the year. Big up Artwork! Everyone knows Red. Here's some of the other good dark garage stuff from him in Menta:

Maccaveli wrote:Fun, bright garage/house that the likes of Mosca and Disclosure are turning out (can someone explain to me the Disclosure hate in this thread? I'm honestly not seeing the problem)

Oh my god I thought I was the only one.

EliteLennon117 wrote:

Maccaveli wrote:Fun, bright garage/house that the likes of Mosca and Disclosure are turning out (can someone explain to me the Disclosure hate in this thread? I'm honestly not seeing the problem)

Oh my god I thought I was the only one.

The diclosihre faces are funny tho

garethom wrote:

Maccaveli wrote:More:
Mosca

Less:
Bandwagon-jumping and genre-pandering.

DOES
NOT
COMPUTEEEEEE!

*HEAD EXPLODES*

Alright, alright, fair call BUT to me it seems like releases like Done Me Wrong / Bax are made more out of a genuine love for that late 90s garage sound rather than an attempt to cash in on a trend. I was referring more to trap, moombahton, drumstep and of course brostep, ie. bandwagons that are considered the latest innovative thing rather than a throwback. You know, there aren't billions of YouTube tutorials out there teaching people how to achieve that UK garage sound. Of course, Done Me Wrong is pretty much my favourite tune in any genre at the moment, so maybe I'm wearing rose-tinted glasses here...

this tune is like everyone in this thread's worst nightmare lol

Soundcloud

Maccaveli wrote:

garethom wrote:

Maccaveli wrote:More:
Mosca

Less:
Bandwagon-jumping and genre-pandering.

DOES
NOT
COMPUTEEEEEE!

*HEAD EXPLODES*

Alright, alright, fair call BUT to me it seems like releases like Done Me Wrong / Bax are made more out of a genuine love for that late 90s garage sound rather than an attempt to cash in on a trend. I was referring more to trap, moombahton, drumstep and of course brostep, ie. bandwagons that are considered the latest innovative thing rather than a throwback. You know, there aren't billions of YouTube tutorials out there teaching people how to achieve that UK garage sound. Of course, Done Me Wrong is pretty much my favourite tune in any genre at the moment, so maybe I'm wearing rose-tinted glasses here...

So bandwagons that you like are ok?



I'm just winding you up bro.

I never want to hear bax again

wtf is wrong with you people

one time i walked by a cheesy club in leeds and they were blasting bax at like 160bpm

sounds like resident unvisor
turn the bpm up by 30; your track is now 30bpm better

heh yeah, whichever DJ was playing that would probably consider resident unvisor to have some good DJing tips

oh and horsepower always hit the spot

More nasty/dark/hard breaky stuff in the vein of Vex'd/Threnody etc..

2013 needs more people buying Loft Party Records releases

Bax just had waaay too much replay value. It's a cool ass tune (actually a top played track on my Last.FM... and it's not even my favorite Mosca tune) but right now I'd rather like it from a distance. Way too overplayed.

That version with Katy B is a travesty doe.

Edit: Uhh I never.. listened to Disclosure? Ever? Post the tune that sparked the h8

Genevieve wrote:Way too overplayed.

Yes. The same goes for acid jackson, just got boring hearing it in every single mix/set/radio show

Genevieve wrote: That version with Katy B is a travesty doe.

Aye

more bleepy bloopy dubstep and skweee and less bleepy bloopy techno house yawncore