Dubstepforum.com

philly wrote:compelling... and rich

paistyboy wrote:each to their own

Sharmaji wrote:

abZ wrote:spin the bro

we played in New Orleans last nite-- was a really interesting scene. Promoter, his crew, and the opening DJ's worked their butts off to make the night happen, they're bringing loads of talent into what is pretty much a previously untapped market, and they're doin everything they can to make it work.

Now with that, both the scene and the audiences down in NO appear to be so young that the bro' is the only thing they know of the dubstep. Not necesarrily their fault, if you ask "where do i go to find some dubstep songs" and someone says beatport & juno... fair enough, that's what you're gonna find.

To my ears, the 150bpm, super-hard quantized, robot death squad sound is just kinda sexless-- it's the same vibe that I generally hate about tearout breaks. But to the kids, it's exciting and brand new... can't fault 'em on that.

Eitherway, the gig went off, smiles all around, the guys who were shocking out to the bro continued to shock out and it became less of a 'oh my god this tune is sick!" party and more of a full-on, good-vibes dance party.

(and girls dance to cumbia)

while i personally don't 'get' or enjoy it, I see where kids do. Best thing we can do as DJ's is use that as open door to broaden the sounds people dig-- which broaden the audience, which will

(say it with me now)

GET YOU REAL PAID

boot wrote:Everyone knows the best metal bands are the ones where you can't read what the fuck the name says on the logo

paistyboy wrote:each to their own

Tragic Gash wrote:

paistyboy wrote:each to their own

WINNER

kizza2435 wrote:In all seriousness though...

im predominantly a metal head, and i have to say that I really dont dig bands that put little to no thought into their band name. I hate all those names that try to out brutal each other like "Carcass Grinder", and "Anal tnuc" and all that shite. People that dont put thought into their acts name really make it hard to appreciate, because to me it cheapens the music.

This is the case i have found with producers like Fuctcase especially. That is a ridiculous name. Bare Noise also sounds very unoriginal. In fact most of the producers in that vein all have names that pretty much say exactly what you expect...trolly shatcha etc. their names just sound unoriginal and not very well thought out.

If you are a new producer, please give some serious thought to your name. Remember that this is something that is going to be associated with you for the your dubstep career , and all I know is that if I was about to start releasing tracks and I told my mates that i was considering calling myself Funtcase, I would get a fucking slap for coming up with something so fucking stupid and ridiculous.

paistyboy wrote:each to their own

Sharmaji wrote:
we played in New Orleans last nite-- was a really interesting scene. Promoter, his crew, and the opening DJ's worked their butts off to make the night happen, they're bringing loads of talent into what is pretty much a previously untapped market, and they're doin everything they can to make it work.

Now with that, both the scene and the audiences down in NO appear to be so young that the bro' is the only thing they know of the dubstep. Not necesarrily their fault, if you ask "where do i go to find some dubstep songs" and someone says beatport & juno... fair enough, that's what you're gonna find.

To my ears, the 150bpm, super-hard quantized, robot death squad sound is just kinda sexless-- it's the same vibe that I generally hate about tearout breaks. But to the kids, it's exciting and brand new... can't fault 'em on that.

Eitherway, the gig went off, smiles all around, the guys who were shocking out to the bro continued to shock out and it became less of a 'oh my god this tune is sick!" party and more of a full-on, good-vibes dance party.

(and girls dance to cumbia)

while i personally don't 'get' or enjoy it, I see where kids do. Best thing we can do as DJ's is use that as open door to broaden the sounds people dig-- which broaden the audience, which will

(say it with me now)

GET YOU REAL PAID

EBR wrote: The scene in New Orleans is a cracked out, junkie, drunken, backstabbing popularity contest of total shit. You're lucky you didnt get robbed. And i've DJed in New Orleans many, many, many times over the years, so I know exactly what i am talking about. For everyone else, go to New Orleans at your own risk.