Harkat wrote:Here's something I've been thinking about for a while.
So, apparently back in the 90's, the sort of "urban" UK styles - jungle and garage basically - didn't have too much credibility with mixmag and other such magazines. To them, the good, credible shit was old school detroit techno, chicago house, IDM electronica and paul okenfoald. (Older ninjas, correct me if I'm wrong). Nowadays though, hipster mags are all over grime, certainly were all over dubstep, and fact talks lovingly about jungle all the time.
Does that mean the whole UK scene is a bit bloated and beard-scratchy (like IDM was/is), and that something "realer" is being disregarded by dance music nerds right now? TBF a lot of those magazines also like to big up chiraq rap, and I can't imagine anything less pretentious.
Does anyone know what I'm saying?
Spot on. But back then because they were actual physical copies, it was basicly only some people that would read about music or buy into what they were saying, whereas today everyone will read about say Zomby on a site while browsing for something else. Was all about fanzines tbh. But tbf there has always been a few dnb acts like ltj bukem or Goldie that got a lot of press in the uk. Dnb was top forty for a short period around the time massive attack, bjørk and the last few prodigy albums came about.
I would say the whole microwave (obscure wonky hiphop) thing from like two-three years ago was kind of too much under the radar considering how good some of it is. People like pj wzrd, proff logik, kan kick etc but most notably clams casino.
African electro/dance. There's a whole continent of regional dance styles, like the Shangaan electro stuff.
All those regional electro hip hop dance styles in the states, apart from juke, footwork and hyphy - haven't got a lot of press. People will confuse some of it with concepts like ghetto tech or bootybass which only exists in the mind of fratbros.
There must be something brewing in russia near a closed facility of some sort imo.
