Posted: Wed Apr 11, 2007 4:35 pm
ra
chill out
chill out
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Posted: Wed Apr 11, 2007 5:01 pm
i would personally like to complain about the speedyness of current releases as it is getting increasingly difficult to stay on top of them all and afford all the records i want.
Posted: Wed Apr 11, 2007 5:19 pm
lol. init.CFour wrote:i would personally like to complain about the speedyness of current releases as it is getting increasingly difficult to stay on top of them all and afford all the records i want.
Posted: Wed Apr 11, 2007 5:28 pm
the "DIY release on whitelabel" route is not a walk in the park. cutting and pressing is one thing, but who's going to get your whitelabel into the stores quickly? no one's going to do you any favors.
it's all about relationships. distro companies like working with business minded people that have a general goal in mind. sure they want to move units, but they also want to build brands. the distro and label system works best because they help each other in the long term. they build and grow together.
producer x, that walks in the door with 1000 white labels that he's cut and pressed himself is not going to be on anyone's distro priority list. they've got no idea if you'll continue the relationship with their company, so you'll be treated exactly like someone that's just walked in the door. obviously, if you've got some massive hit tune on your hands it's going to make a big difference, but that's a very rare case these days.
the dubplate system works because it supports relationships and family minded business structure. you help them, they help you.
it's all about relationships. distro companies like working with business minded people that have a general goal in mind. sure they want to move units, but they also want to build brands. the distro and label system works best because they help each other in the long term. they build and grow together.
producer x, that walks in the door with 1000 white labels that he's cut and pressed himself is not going to be on anyone's distro priority list. they've got no idea if you'll continue the relationship with their company, so you'll be treated exactly like someone that's just walked in the door. obviously, if you've got some massive hit tune on your hands it's going to make a big difference, but that's a very rare case these days.
the dubplate system works because it supports relationships and family minded business structure. you help them, they help you.
Posted: Wed Apr 11, 2007 5:29 pm
+1CFour wrote:i would personally like to complain about the speedyness of current releases as it is getting increasingly difficult to stay on top of them all and afford all the records i want.
if they came out any faster i would have to sell my car to afford them all. keep holdin' those tunes back, dubstep makers...
Posted: Wed Apr 11, 2007 5:35 pm
elementalism, i read your post before and i still think my post applies. I think it's you who didnt read mine or you just dont understand it.
big up UFO more elequently stating things.
big up UFO more elequently stating things.
Posted: Wed Apr 11, 2007 7:33 pm
what about just keepin some tracks exlusive? makes sense to me...Bob Crunkhouse wrote:DeepThought wrote: start with a double a-sided magnetic man 12 (A: is everything cool, AA: that mental untitled one) - ahh yeah now that IS what im talkin about!
why aint this already happened? surely the guys got contacts to sort this out and they know it'll sell well.
nothin like having a couple of killers you know (next to) no-ones got...
Posted: Wed Apr 11, 2007 10:05 pm
+1 seckle!seckle wrote: the dubplate system works because it supports relationships and family minded business structure. you help them, they help you.