Dubstepforum.com

wub wrote:Well well well, just had CM 170 turn up...





Flicking through now, short review to follow

How have you got it now Wub ?
It says in the back of CM/169 that its out on 21 September...

I just got CM 170
Iv only scanned it through
but next month they are covering dubstep and the free software next month is CAKEWALK Z3TA+ 1

I got all excited when i saw that so i thought i would post it on here hahaha
Make sure u get next months CM

Just copped this month's issue with the feature guide on compression. Very helpful for all those asking about compression lately, I found it very useful.
Have yet to check out the contents of the DVD yet though

billybuxton wrote:I just got CM 170
Iv only scanned it through
but next month they are covering dubstep and the free software next month is CAKEWALK Z3TA+ 1

I got all excited when i saw that so i thought i would post it on here hahaha
Make sure u get next months CM

wow sick!

Sparxy wrote:

billybuxton wrote:I just got CM 170
Iv only scanned it through
but next month they are covering dubstep and the free software next month is CAKEWALK Z3TA+ 1

I got all excited when i saw that so i thought i would post it on here hahaha
Make sure u get next months CM

wow sick!

My thoughts exactly

On that one for sure

The last one they covered Dubstep in was shite.

free z3ta is where it`s at

legend4ry wrote:The last one they covered Dubstep in was shite.

The original Dubstep one wasn't that bad, though the samples were pretty pony. The DnB vs. Dubstep was hilarious, and probably responsible for the second coming of Massive with Reso's multi bass tutorial.


I've got a real worry that this forthcoming one will be electronic soulless crap orientated.

any chance someone is willing to upload the cumulus plugin?

wub wrote:

legend4ry wrote:The last one they covered Dubstep in was shite.

The original Dubstep one wasn't that bad, though the samples were pretty pony. The DnB vs. Dubstep was hilarious, and probably responsible for the second coming of Massive with Reso's multi bass tutorial.


I've got a real worry that this forthcoming one will be electronic soulless crap orientated.

Hmmm, I do sort of agree with this. We'll probably see a new wave of producers copyign the techniques. i never read the last issue about dubstep so can't comment really
Like Electric_Head, i'm more itnerested in free Z3T4 - a synth I don't have in my repertoire at the moment

I love CM magazine for its easy to read format and intro articles.

The news brief is okay too if you don't follow KVR.

But has anyone noticed how CM reviews all tend to be 9/10 these days???

Abslutly crap review standards imo.

For all you non UK based readers, I'd be willing to setup a few subscriptions/raid my local smiths store to send you guys a copy.

I'd ask for the your address + cover price + postage + beer money

Hit me up via pm if you're interested - I guess payment could be handled via paypal.

Wouldn't be hard to rape my local smiths once a month for a stack of CM magazines to send to you guys hehe

Patrick

Sucks Z3TA is only PC

futures_untold wrote:I love CM magazine for its easy to read format and intro articles.

The news brief is okay too if you don't follow KVR.

But has anyone noticed how CM reviews all tend to be 9/10 these days???

Abslutly crap review standards imo.

Yeah iv noticed that their reviews mostly give either 8/9 or 10

Though i do like how they give you alternatives to the things they are reviewing

Anybody mind sharing any good tidbits from the compression guide?

AllNightDayDream wrote:Anybody mind sharing any good tidbits from the compression guide?

Have you read the wiki on compression??

It's an excellent read.

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Also, I've lifted the following notes from Alex Case's book called Sound FX which I recommend everyone purchase.

Uses of a compressor:

To preventing signal overload
• Stops physical damage to equipment
• Keeps signals within the usable range of the audio equipment
• Use peak limiting to stop momentary spikes in the signal from overloading the safe operating tolerances of the equipment
• High threshold
• Fast attack
• Fast release
• High ratio

To overcome a loud noise floor
• Makes the quietest parts of the mix louder than the noise floor, e.g. hum or rumble
• Reduces the overall dynamic range of the signal before amplifying the entire signal with make-up gain increasing perceived loudness
• Low threshold
• Medium slow attack
• Slow release
• Any ratio (depending on how much you want to squeeze the mix and raise the overall average level with the make-up gain)

Improving vocal intelligibility
• Low threshold (but above the average signal level)
• Fast attack
• Medium to fast release
• Up to 10:1 ratio

Improving instrument articulation
• Low threshold ( but above the average signal level)
• Fast attack
• Medium to fast release
• Up to 10:1 ratio

Smoothing a live performance
• Reduces the overall dynamic range of the signal before amplifying the entire signal with make-up gain
• Use peak limiting to stop momentary spikes in the signal from overloading the safe operating tolerances of the equipment
• High threshold
• Fast attack
• Fast release
• High ratio

Envelope shaping: Sharpening the attack
• Make the attack envelope sound louder to change the dynamic of the sound
• Low threshold
• High ratio
• Medium attack
• Long release

Envelope shaping: Smoothing the attack
• Make the sustain portion of a sound louder
• Low threshold
• Medium to high ratio
• Fast attack
• Fast to medium release

Envelope shaping: Bringing out the sustain
• Make the sustain portion of a sound louder
• Low threshold
• High ratio
• Medium attack
• Fast release

Pumping
• Make a sound 'throb' as the volume is turned up and down unnuturally (but often creatively).
• Used in lots of electro house productions.
• Medium threshold
• Fast attack
• Medium release
• High ratio

De-essing
• Takes the sibilance out of a vocal take
• Feed a copy of the signal to be de-essed into a side chain, boosting the problem frequencies with an EQ. This enables the compressor to trigger only when the problem frequencies are present leaving the remainder of the siganl intact.

Saturation Distortion
• To change the sonic character of the waveform being compressed
• Low threshold
• Fast attack
• Fast release
• High ratio

Gating:
No notes yet, sorry. Look up some tutorials on Google if you're interested.

Expansion:
No notes yet, sorry. Look up some tutorials on Google if you're interested.

Compansion:
No notes yet, sorry. Look up some tutorials on Google if you're interested.

------------------------------------------

Maybe there's a little more to learn here? ---> http://www.dubstepforum.com/compression ... 51890.html

Has anyone had issues with the included CM discs? It takes a full 5-7 minutes some times for it to even open up a folder on the disc so I can look at the contents. For some reason about 70 percent of the time, it tells me the sample files are locked too, so i can't put any on my computer. hmm....

Manic Harmonic wrote:Has anyone had issues with the included CM discs? It takes a full 5-7 minutes some times for it to even open up a folder on the disc so I can look at the contents. For some reason about 70 percent of the time, it tells me the sample files are locked too, so i can't put any on my computer. hmm....

Never had a problem with the disks

Only issue I've ever had with a CM disc is the El-B interview never loaded past 5mins. Doesn't matter too much as it's on Vimeo.