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it's a signal from jahovia telling you to keep that section of shakershudson wrote:lol today I was working on a track and Reaper crashed when I went to delete a section of shakers, been doing it everytime I tryI just use volume automation to take them out
BYTEME wrote:If you didn't read my previous posts I mentioned having over 8 years experience with electric guitar, accoustic guitar, keyboard, and other instruments. So don't go calling me rookie, Count. Fagula.ill mindset wrote: At the risk of sounding insensitive, boo hoo. 10 months? 10 months and your read to quit. Try playing the guitar or another instrument at a professional level. It takes YEARS to get to that cliber. The best producers usually have AT LEAST 5 years under their belt.
People like you do this music a disservice by assuming that owning the software instantly grants you the ability to create monster tunes. Get back to the batting cages rookie.
And I didn't say I was thinking of quiting. Shits just getting difficult with writers block, and the fact that I'm still a little new to producing Electronic music other than Chiptune.
Plenty of people make money from music; engineers, teachers etc. Making money making your own music is the challengeDrSpliff wrote:Only those who've mastered their craft, or gotten lucky, make money from music.
At least after you get to have makeup sex...ephyks wrote:I hate being a duo. This is how producing sessions go...
"I made this absolutely really catchy breakdown, really flows well", "The fuck are you on? This is absolute shit"
Then we fight.
THE HARDSHIPS OF BEING A DUO. FFUUUU
Slow PC or premature ejaculation?3za wrote:At least after you get to have makeup sex...ephyks wrote:I hate being a duo. This is how producing sessions go...
"I made this absolutely really catchy breakdown, really flows well", "The fuck are you on? This is absolute shit"
Then we fight.
THE HARDSHIPS OF BEING A DUO. FFUUUU
All I have to look forward to in the studio is a quick wank, when the track is rendering
It renders too quick manBrothulhu wrote:Slow PC or premature ejaculation?3za wrote:At least after you get to have makeup sex...ephyks wrote:I hate being a duo. This is how producing sessions go...
"I made this absolutely really catchy breakdown, really flows well", "The fuck are you on? This is absolute shit"
Then we fight.
THE HARDSHIPS OF BEING A DUO. FFUUUU
All I have to look forward to in the studio is a quick wank, when the track is rendering
Do something different!!! hell, add two different high hats if you wanne go really mad!BYTEME wrote:My order of producing a track goes like this:
Kick: 6db.
Snare/clap: 5.8db.
Hat: 10-8db.
Simple 4x4 drum pattern with the added kicks every 2nd and 4th whole bar.
Get a synth I made.
Make a melody.
Alter it with effects or pitch automation to make it more fun sounding.
Set the volume between 16-8 db.
That's the intro usually.
Add rising white noise sweeps at the end bar of every other measure.
Stop the drums for 2-4 measures.
Make it JUST the melody synth or a different synth.
Make the drums progess faster and daster leading to a 'drop' or breakdown.
Then lay the 4x4 patterns again, different synth, and a bass with a sub bass under it. (Usually a simple sine with a lowpass rolling off around 90-130hz)
See where it goes from there, changig certain sounds on the synths.
Then I get stuck. Lazy. And add random shit that doesn't sound good.
Then I usually give up and repeat everything again for a new track.
I depress myself. :/
insanity is doing the same thing over and over and expecting different results.BYTEME wrote:My order of producing a track goes like this:
Kick: 6db.
Snare/clap: 5.8db.
Hat: 10-8db.
Simple 4x4 drum pattern with the added kicks every 2nd and 4th whole bar.
Get a synth I made.
Make a melody.
Alter it with effects or pitch automation to make it more fun sounding.
Set the volume between 16-8 db.
That's the intro usually.
Add rising white noise sweeps at the end bar of every other measure.
Stop the drums for 2-4 measures.
Make it JUST the melody synth or a different synth.
Make the drums progess faster and daster leading to a 'drop' or breakdown.
Then lay the 4x4 patterns again, different synth, and a bass with a sub bass under it. (Usually a simple sine with a lowpass rolling off around 90-130hz)
See where it goes from there, changig certain sounds on the synths.
Then I get stuck. Lazy. And add random shit that doesn't sound good.
Then I usually give up and repeat everything again for a new track.
I depress myself. :/
I find it amusing how much of a generalization that is...hasezwei wrote:i find it amusing how everyone here seems to believe they can make a living off music after just a year of doing it
Oh man, You have a long way to go my friend. Be patientBYTEME wrote:Soundcloud
