I disagree. The producer still needs to be able to have individual integrity.thesynthesist wrote:Jah is of key importance to this scene, whether producers take heed or not.Red Shrapnel wrote:lol didnt think this would get any responses, but I'm in 4 philosophy courses right now so philosophical debate of god and religion is all i hear everyday, i guess a better question would have been something like does the word "jah" hold any relevance in dubstep to the majority of producers or does it just sound cool? maybe its just my over analytical philosophical issues with christianity
vibe
noun
a distinctive emotional aura experienced instinctively
Some of us, many of the producers among us im sure, have studied Reggae, Dub, Jamaican culture, the lives of notable Jamaican citizens and of course, Rastafarianism.
You dont have to agree with all of the tenants of any religion, to see and understand the importance of certain portions of it.
In the Rastafari religion, music is ESSENTIAL to attaining contact and conversation with a higher power. I dont care who you are, but if you are a musician, you understand the universal truth in this.
Also, the practice of smoking herb to bring you closer to the earth and a higher power is also of key importance. They despise alcohol, especially the rum, which they see as a true destroyer of the jamaican people. Clearly, they arent crazy.
Jamaica, the Jamaican people, and the Jamaican history are all vitally attached to Dubstep and this scene, its an indestructible fusion.
If the jah samples have some personal significance to that person then fair enough but but if they are being added just to make a track sound 'like dubstep' then they're being fake.
There are so many sounds in the world, why use samples with connotations to a religion that you don't subscribe to when you could use something else that does relate.
EDIT: Nice thread by the way red schrapnel. Thanks for the clarification. Vibe fronting had me wondering too...

