dubstep made by drum & bass producers...
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Ive been making a bit of dub/breaks/electronica and I love it ... drum and bass is far too restrictive these days and alot of people are up their own arse and their tracks are shit anyway...
like to have a few views on this bit im working on www.myspace.com/tempo78 still work in progress but feedback would be nice.
Made a dNb thing the other day with my partner in crime 1st bit in 6 years.. its 174 but broken half tempo www.myspace.com/dramageddon called Port Future .. the amen thing on there is from 2000.
like to have a few views on this bit im working on www.myspace.com/tempo78 still work in progress but feedback would be nice.
Made a dNb thing the other day with my partner in crime 1st bit in 6 years.. its 174 but broken half tempo www.myspace.com/dramageddon called Port Future .. the amen thing on there is from 2000.
- dylan nocturnal
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- scaramanga
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i'm also a dnb producer whgo has started making dubstep
interested to hear ur reaction to my things
2 of which are here >>> www.myspace.com/titansoundz
check the tunes "Butchers Block" and "Nik Nak"
cheers
interested to hear ur reaction to my things
2 of which are here >>> www.myspace.com/titansoundz
check the tunes "Butchers Block" and "Nik Nak"
cheers

www.myspace.com/tsabeatz
www.virb.com/tsabeatz
AIM: TSABEATZ
HALO BEATS | DUB WAR NYC | SLUGS IN THE MUD | THE AGRICULTURE RECORDS
- gravious
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^^at Cloak and Dagger:
Tunes are pretty good man.
I agree with some of the posts above though - the drums are quite rigid sounding, loses a bit of the pace.
Quite busy sounding, but heavy drum sounds!
Dunno about the reese bassline tho...
Tunes are pretty good man.
I agree with some of the posts above though - the drums are quite rigid sounding, loses a bit of the pace.
Quite busy sounding, but heavy drum sounds!
Dunno about the reese bassline tho...

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are u turning ure hands 2 dubstep lately, Dylan?dylan nocturnal wrote:i wouldnt let go of any of your influences mate, just keep banging, i dont know anything about grubstep, but i do know that all music come from influence...Lohan wrote:Ok......
I think you need to 'let go' of the D+B in your head when approaching a Dubstep track
if you listen to early horsepower or even the latest mystikz stuff, the common thread is sub and simplicity. too much dnb these days is way too over edited and full of too many elements. people like calibre or matrix for example could probably come up with some heavy dubstep because their dnb is not so bashed up with reeces, buildups and drops coming at you every 16 bars.
Don't take that out of context. When I say 'Let go of the DnB', I mean your approach to building a track. I dont mean forget your roots, draw from whatever you can, like I said to you mate, it's all good, just keep cracking on with the tracks. Do your thing, your take on the sound. what else is there? you get me?
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Have you checked out C&D's Guerilla Warfare tune on Intasound? Heavy track, got a real halfstep vibe to it.seckle wrote:if you listen to early horsepower or even the latest mystikz stuff, the common thread is sub and simplicity. too much dnb these days is way too over edited and full of too many elements. people like calibre or matrix for example could probably come up with some heavy dubstep because their dnb is not so bashed up with reeces, buildups and drops coming at you every 16 bars.
As I said on subvert central, think Haze is heavy, Marked not so much.
And as someone else said, if this had been made by a big name, the reaction on here would've been totally different...I wrote:The beats and atmospheric sounds in Haze are really good. The trumpet at the end is genius - really, really cool.
Two criticisms - the reese sound and the reese melody are so drum and bass it's impossible not to think of it. Even if I didn't know it was by you, I'd be pretty certain it was by a drum and bass producer. Also, I don't think the reggae-style stabs work.. I reckon the "dub" part of dubstep misleads people a bit.
Basically, a wicked tune. Would love to see it released.
Not into Marked though.. it's quite fast and a bit cluttered, and doesn't really have the vibe of the best dubstep stuff in my opinion. I don't like it for the same reasons I dislike Kryptic Minds/Leon Switch/Limewax and all the rest. I know what people are saying with the Vex'd comparison, but the Vex'd sound is very different to this. Even though its hard stuff, it's still got space and is very funky...

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- Permanent Vacation
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I tend to agree with the stuff about Calibre. I do like very agressive music though. Love hardcore, love a lot of really nasty amen stuff... but I also love downtempo, jazz, etc...seckle wrote:if you listen to early horsepower or even the latest mystikz stuff, the common thread is sub and simplicity. too much dnb these days is way too over edited and full of too many elements. people like calibre or matrix for example could probably come up with some heavy dubstep because their dnb is not so bashed up with reeces, buildups and drops coming at you every 16 bars.
the point is, I really love to have my music handed to me on occassion. Not very often, but sometimes I want some music that I don't have to think about or feel. Just something to move my ass fast to. On those rare occassions when < 140 won't do, I will kick on some schranz techno or some really nasty drum n bass.
I would think that people who make the darker stuff would be better at working with the gritty, wobbling basslines. and those who make the smoother stuff would be able to make some more chill business... but only someone who can really appreciate all of the various places dubstep comes from and can handle breaking a few bad habits will be able to make anything that has the apprpriate space to be considered "dubstep"
- sek [espionage]
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did'nt get a chance to download this.
but the dubstep attempts by dnb producers I've heard thus far haven't really been all that imo.
too much going on, too many ghost snares, hats.. I think many on them think in "layering" mode. While layering does great things for dnb, I would imagine that dubstep is more about strategic placement than clutter.
...wouldn't mind hearing some techno producers take a stab at dubstep.
after all, when they went from techno to dnb kemal and rob data was the result <3
but the dubstep attempts by dnb producers I've heard thus far haven't really been all that imo.
too much going on, too many ghost snares, hats.. I think many on them think in "layering" mode. While layering does great things for dnb, I would imagine that dubstep is more about strategic placement than clutter.
...wouldn't mind hearing some techno producers take a stab at dubstep.
after all, when they went from techno to dnb kemal and rob data was the result <3
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