Dubstepforum.com

Plastician wrote: That is if somebody over in the States don't beat me to it!!!

Sounds like a wager to me.
:digs into west coast crates:

DanRev wrote:snoop dogg ruined dubstep.



nah even if this is swag, its still going to be good. representin for the steppas all across the world, still, hitting those frequencies in the low lows, girl.

Its exciting times for dubstep..... you're only hearing the tip of the iceberg tomorrow

Chimpo's rework of "Sexual Seduction" was a precursor to this moment surely? It's the first track on the free "Totally Unauthorized" compilation from the end of last year. Looks like it got Snoops' attention anyway.

"Cuz it's 187 on a muthaf**kin drop"

Ed Teach wrote:Chimpo's rework of "Sexual Seduction" was a precursor to this moment surely? It's the first track on the free "Totally Unauthorized" compilation from the end of last year. Looks like it got Snoops' attention anyway.

"Cuz it's 187 on a muthaf**kin drop"

was gonna say that too

snooop dubbby dubb o uuuuubbbb

Snoop Dogg is an awesome MC, he just needs the right beats to work with.

I would LOVE to here Snoop over Joker or someone, although I reckon Plastician can surely do it justice!

Joker is Bristol's G-Funk solider, though!

Oh, and 117 + 020 > 213

Edit: Ok, so 117 + 020 clearly equals 197, which is less than 213.. but you're as big a cock as me if you point that out.

Ed Teach wrote:Chimpo's rework of "Sexual Seduction" was a precursor to this moment surely? It's the first track on the free "Totally Unauthorized" compilation from the end of last year. Looks like it got Snoops' attention anyway.

"Cuz it's 187 on a muthaf**kin drop"

Nah, it was down to a guy based in Los Angeles who attended the Smog shows amongst some other things, he hooked up with me and we got the ball rolling.

He works closely with Snoop's management and played him some dubstep tunes.

Oh god. I can live with Snoop, but as soon as all those Ciaras and Rhiannas turn up, i'm out.

Plastician wrote:

Ed Teach wrote:Chimpo's rework of "Sexual Seduction" was a precursor to this moment surely? It's the first track on the free "Totally Unauthorized" compilation from the end of last year. Looks like it got Snoops' attention anyway.

"Cuz it's 187 on a muthaf**kin drop"

Nah, it was down to a guy based in Los Angeles who attended the Smog shows amongst some other things, he hooked up with me and we got the ball rolling.

He works closely with Snoop's management and played him some dubstep tunes.

mate, now you'll either get adored or get killed, i doubt there's a middle way for you

I dont see how this can be a bad thing. Snoop over Joker sounds sick in my head.

All I wan't to see is Snoop walkin thru the club steppin to it with his Now & Later Gators on....now that would be some shit to see

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curioussssss

alien pimp wrote:

Plastician wrote:

Ed Teach wrote:Chimpo's rework of "Sexual Seduction" was a precursor to this moment surely? It's the first track on the free "Totally Unauthorized" compilation from the end of last year. Looks like it got Snoops' attention anyway.

"Cuz it's 187 on a muthaf**kin drop"

Nah, it was down to a guy based in Los Angeles who attended the Smog shows amongst some other things, he hooked up with me and we got the ball rolling.

He works closely with Snoop's management and played him some dubstep tunes.

mate, now you'll either get adored or get killed, i doubt there's a middle way for you

I know this I've been on web forums long enough to know that there's always been a large group of people who are totally against dubstep gaining popularity and allowing artists to play to large crowds, earning a respectable living for their hard work and efforts and gaining the opportunity to work with artists they grew up listening to but personally I don't understand it.

If I didn't help make this happen, somebody else would have anyway. Dubstep's gone global, its the freshest most innovative and almost borderless sound we've seen come through in decades so it was only a matter of time we saw some collaborations of this magnitude. It couldn't be stopped and to be honest I'm proud to have been a part of helping it come through from the beginning.

Dubstep has so many styles anyway. When night hit the charts we didn't see a wave of established producers in the scene trying to copycat it. Everyone was just pleased for it and continued to work at whatever it was they were doing at the time. The way I see it, if people are that passionate and have enough belief in whatever it is they are doing, they won't be effected by factors around them - this is something which I feel is pretty true of dubstep and the general community feel of the whole genre means everyone is pretty much left to get on with whatever their take on the sound may be.

Thats why we got Burial, Kode 9, Shackleton, Skream, Benga, Martyn, Joker, Mala, Coki and Pinch all working under the same umbrella at peace with eachother.

I'm sure some people will disapprove but I don't understand it personally. For me its another exciting chapter for dubstep, another interesting take on the sound that don't stop giving!

mattron wrote:Lil' Jon, and Snoop Dogg on dubstep. hmm..

well Method Man, Redman, RZA, etc. all love dn'b.

some of the hip-hop remixes i think were arranged between artists managements without their consultation
i was an extra for "Seed of Chuckie" that was shot in Romania, with Redman, and eventually he got convinced to drop by the club where i was resident back then. I dropped some DEIBC remix of his shit on Breakbeat Kaos and Redman was quite confused. He left pretty soon, our dnb seemed to be quite annoying, i've never seen him since

Plastician wrote:

alien pimp wrote:

Plastician wrote:

Ed Teach wrote:Chimpo's rework of "Sexual Seduction" was a precursor to this moment surely? It's the first track on the free "Totally Unauthorized" compilation from the end of last year. Looks like it got Snoops' attention anyway.

"Cuz it's 187 on a muthaf**kin drop"

Nah, it was down to a guy based in Los Angeles who attended the Smog shows amongst some other things, he hooked up with me and we got the ball rolling.

He works closely with Snoop's management and played him some dubstep tunes.

mate, now you'll either get adored or get killed, i doubt there's a middle way for you

I know this I've been on web forums long enough to know that there's always been a large group of people who are totally against dubstep gaining popularity and allowing artists to play to large crowds, earning a respectable living for their hard work and efforts and gaining the opportunity to work with artists they grew up listening to but personally I don't understand it.

If I didn't help make this happen, somebody else would have anyway. Dubstep's gone global, its the freshest most innovative and almost borderless sound we've seen come through in decades so it was only a matter of time we saw some collaborations of this magnitude. It couldn't be stopped and to be honest I'm proud to have been a part of helping it come through from the beginning.

Dubstep has so many styles anyway. When night hit the charts we didn't see a wave of established producers in the scene trying to copycat it. Everyone was just pleased for it and continued to work at whatever it was they were doing at the time. The way I see it, if people are that passionate and have enough belief in whatever it is they are doing, they won't be effected by factors around them - this is something which I feel is pretty true of dubstep and the general community feel of the whole genre means everyone is pretty much left to get on with whatever their take on the sound may be.

Thats why we got Burial, Kode 9, Shackleton, Skream, Benga, Martyn, Joker, Mala, Coki and Pinch all working under the same umbrella at peace with eachother.

I'm sure some people will disapprove but I don't understand it personally. For me its another exciting chapter for dubstep, another interesting take on the sound that don't stop giving!

i fully agree man, just one detail has to be well considered: when massive amounts of popularity and cash come into a scene, the transformations are pretty radical. many are not prepared for these, their problem. but sometimes these transformation can conflict with the original spirit of that scene.
if it's all done carefully and marketed the proper way, this won't happen and i will carry your luggage whenever you come to my city!

Plastician wrote:
I know this I've been on web forums long enough to know that there's always been a large group of people who are totally against dubstep gaining popularity and allowing artists to play to large crowds, earning a respectable living for their hard work and efforts and gaining the opportunity to work with artists they grew up listening to but personally I don't understand it.

If I didn't help make this happen, somebody else would have anyway. Dubstep's gone global, its the freshest most innovative and almost borderless sound we've seen come through in decades so it was only a matter of time we saw some collaborations of this magnitude. It couldn't be stopped and to be honest I'm proud to have been a part of helping it come through from the beginning.

Dubstep has so many styles anyway. When night hit the charts we didn't see a wave of established producers in the scene trying to copycat it. Everyone was just pleased for it and continued to work at whatever it was they were doing at the time. The way I see it, if people are that passionate and have enough belief in whatever it is they are doing, they won't be effected by factors around them - this is something which I feel is pretty true of dubstep and the general community feel of the whole genre means everyone is pretty much left to get on with whatever their take on the sound may be.

Thats why we got Burial, Kode 9, Shackleton, Skream, Benga, Martyn, Joker, Mala, Coki and Pinch all working under the same umbrella at peace with eachother.

I'm sure some people will disapprove but I don't understand it personally. For me its another exciting chapter for dubstep, another interesting take on the sound that don't stop giving!

here man Snoop's a legend. Anyone in their right mind would cut a leg off for a chance to work with him.

Big the fuck up.

alien pimp wrote:

mattron wrote:Lil' Jon, and Snoop Dogg on dubstep. hmm..

well Method Man, Redman, RZA, etc. all love dn'b.

some of the hip-hop remixes i think were arranged between artists managements without their consultation
i was an extra for "Seed of Chuckie" that was shot in Romania, with Redman, and eventually he got convinced to drop by the club where i was resident back then. I dropped some DEIBC remix of his shit on Breakbeat Kaos and Redman was quite confused. He left pretty soon, our dnb seemed to be quite annoying, i've never seen him since

well maybe I was wrong about Redman , but I know Method and RZA like it

I hear that.

Anyhow.... there's a good chance this track will be played elsewhere before I get the chance to air it on Rinse tomorrow as the track's being mailed out digitally at about 8am, just hearing now.

Good chance if you listen to 1Xtra you might hear it on Ace & Vis or Mista Jam as they're likely to be on the mailout list.

If not, Rinse is you!!