Page 3 of 3
Posted: Wed Aug 12, 2009 3:51 am
by rekall
more resources...
very thorough article from soundonsound (expect no less from these gents) --
http://www.soundonsound.com/sos/1997_ar ... hool3.html
more of the same from SoS --
http://www.soundonsound.com/sos/apr00/a ... ecrets.htm
a whole dang forum dedicated to fm synthesis --
http://www.soundshock.se/phpBB2/
Posted: Wed Aug 12, 2009 3:53 am
by Sharmaji
the preset card on a dx7 or the tx81z is probably the best way to understand the breadth of what FM can do for you. modules on modules on modules, affecting (and effecting) each other.
i use FM for the really gnarly, non-wobbly sounds--- in that case, i do generally mult out to sub/bass/mids/etc.
also works great for midrange material in general, glassy tones, pads, and choppy percussive stuff. those of you who have my tune 'skank ethics' on the 2nd low motion release-- the edge of the sub is a layered FMsynth in logic.
but seriously if you can get yr hands on a dx7, check it out!
Posted: Wed Aug 12, 2009 4:14 am
by deadly_habit
tx7 desk mod of dx7 run bout 80$ max on ebay

Posted: Wed Aug 12, 2009 4:16 am
by rekall
just whip open operator in ableton and have fun.
it's the same principles and a whole shit ton easier to use.
edit: make that a fuck ton.
Posted: Wed Aug 12, 2009 4:21 am
by hurlingdervish
rekall wrote:just whip open operator in ableton and have fun.
it's the same principles and a whole shit ton easier to use.
edit: make that a fuck ton.
true that, thats what i use for everything from drum sounds to bass to leads to keys
mainly because you can change the routing to a standard subtractive deal or in serial ABCD or AB, CD etc etc
also i believe Rob Papens Blue has FM routing,
Posted: Wed Aug 12, 2009 6:41 am
by future one
TeReKeTe wrote:but seriously if you can get yr hands on a dx7, check it out!
I had a DX7 but the thing was impossible to programme.