I'd like to first preface that I'm posting feedback without reading the thread and seeing what everyone else has posted regarding anyone of the tracks I'm about to give feedback to. If I happen to repeat something that's already been said, be glad I'm not influenced by a prior post

Duh right?! lol..
@Burgeamon: The remix is dope, and I'm liking this track a lot. Part of the reason is b/c I LOVE levels and I won't lie, it's novelty is wearing off. However, to be legit about your remix, I'd say well done. I myself don't have much experience doing remixes so I can sincerely appreciate what you have done here. My overall general critique is that the drumstep feel is very consistent even in the intro and breakdown. My suggestion is to play out the melody like we're used to. Instead of sampling the melody, perhaps midi that shit out/play it if you can?...The contrast of the sustained vocals/melody of the levels vs the drumstep feel would go well when the drop hits. Also, I think you have too much novelty (regarding bass sounds) before we get to the chords again at the end of the phrase. Perhaps doing modulation of only two of the bass tones for novelty instead of 4 unique tones?
@society: I like the panning effect in the intro.silence before the drop is dope too. Goes well with the present vibe of the track. The space of the vocal sample is well done. I'm not a minimalist producer so to critique your work to the fullest is beyond me. I usually require MUCH more harmonics in my tracks. However, I certainly can respect what you've done here.
For your second track...Hmm..Not so much my thing for a 4/4 rhythm. Love when you get that triplet feel though with the kick..NICE

. The snare cuts through nicely. There's just not that much dynamics in the track as a whole on a level that I'm used to. So again, sorry that I can't relate that well. Oh and that second drop is DOOOOOPE. Good control shown with the sub bass in this track. Your rhythm changes are respected and the sparseness of the high freq synth is appreciated. Space is well controlled also. Good job here. ( I think anyways

)
@Noisestorm: Your sounds fill out the the freq spectrum so well. The groove is fucking sick. You're def a bit more advanced than myself. I'm not too much a fan of high pitched wobbles except for their use of contrast to all the low shit. Actually LOVEING your skill for subtle novelty in the main idea. Great job noise! I've been hearing a lot of your recent stuff from the production board and I'm diggin what you're doing. Trying to get a feel for that arrangement style myself. Lastly, it might be a bit too much high pitched freq content now that I have given it a few listens.I feel like at some point I want to get slammed down...Like at the drop...bring it down an octave? Just for the first beat of the 8 bar section?
@Cheeky: The higher freq content in the intro is nicely appropriated with space (reverb/delay) so that when the drop hits, it breathes out nicely and comes back in. I LOVE that! Not only can you hear, but see in the waveform that the sub gets wild around :40s...mixdown, ya? To me, that main wobble is worn out after the first section. change the key? Change the timbre/tone? Something...The drums aren't enough to keep me interested, however if you take a sec and see the shit I produce, I'm sure you'd take that last bit with a grain of salt

The rhythm change in the second section is appreciable, but again..that wobble tone is worn out

And the fact you do it again for a 3rd section...You're killing me...xoxoxo lol
@Squee: You need to provide feedback to earn it. Sorry. PS....CHILL OUT ON THAT SUB...FFS! lol
@ETF: Can't give too critical feedback to dungeon esque stuff but that midrange bass is nice and warm feeling. It sits well in the mix relative to other sounds, but I'd like to see that bad boy finished. Really feeling that one. I would ditch the vocal shot at the first beat of the drop. It clashes with the attack of the growl. Let that shit breathe cause it's nice and mean. Your control over atmosphere and the groove sounds pleasant and I think you have a knack for the dungeon thing.
I'd be inclined to give nearly the exact same feedback to your second track, except that the vocal might occur a bit to frequently to keep it's novelty just by nature of the chop in the sample.
@Crowsteppa: Your drop is sick except one HUGE thing; it happens too quickly. Start your riser a bit later and when that snare finishes, the riser is still going for...i dunno, what?...a half bar more?...let that space breathe and when that synth comes in, it'll light people's tits up b/c I seriously think that contrast of that 1800s saloon style piano and the digital synths is really cool to hear. and of course the sub bass and kick always help

Liking this track bro.
Ok, my next Work In Progress. Seriously, it's just a basic idea mainly, and groove. But I'm willing to go with suggestions. It might be a bit short to get a good idea of where I'm headed, but I was thinking of a rhythm change for the next section, with light changes to the melody. Again, NO MIXDOWN whatsoever, so watch your speakers, it clips a bit atm
WARNING, Watch the volume, NO mixdown:
Soundcloud
Thanks everyone for your time in listening and providing feedback
