Dubstepforum.com

ResetTheAtari wrote:Stop being fucking snobs.

Mate, fuck off.

How did you get into dubstep and how is anyone being snobbish? Where were you in '05, '06, and '07?

Just admit that you lack the basic understand of where this music came from that you need to distinguish between 'good' and 'bad' dubstep at this moment in time. Know your role!

Brilliant thread. I hope some of these shitstep producers manage to acquire some killer batch of meow-meow or ketamine and do themselves, and us a favour.

FWD>> - Let these wobblestep stnuc <<RWD

School yourselves, Doctor P, Funtcase and Borgore included.

just to be honest here.. i play some bits people classify as "brostep" i dont know what all the fuss is about its just another sub genre thing that will die out eventually... None of those producers are flexing out to different sides they all want to have the biggest tune out there.... and thats it... all the big producers are flexing different sides because they can.. these guys just cant...

I work at a record shop and 1 out of the 50 records that are "brostep" i whould classify as "cool" or "well done" most of it is just poorly designed music.. you can twist this a long way but its just poor at the end of the line... you wont listen to this when your old you wont even remember it then.. hek i bet that in 1 year people wont even listen to it...

course there are some exceptions.. 16bit being one (dunno if their classified as brostep tbh) but their making more then just big basslines PLUS they flex out to different sides wich i think are quite interesting...

some guy told me this once
"everything sounds wicked on a big PA.. even my farts" and thats what brostep is a collection of farts

yea fuck fartstep, seriously the worst.

beats that sounds like someone is mad they are farting is not something i want to play on the dancefloor.

hey rob sparx hasn't said anything recently - why don't we all forget about this bullshit debate which will happen a thousand more times and discuss more pressing matters like what the fuk is going on with jumpdown and how awesome the BEN H DUBSTEP REMIX OF I GOTTA FEELING IS

Dubstep is to Brostep

as

Hip Hop is to Grime ?

as

Drum and Bass is to Skullstep?

as

Rock is to Emo?

as

Metal is to Nu-Metal?

as

Electro is to Electro-House?


Kinda like madlibs... give it a go

"WTF IS THIS SHIT! This isn't (insert first genre here)! This (insert name for spin off of initial genre) is total fucking shit! (insert name for spin off of initial genre) has no talent! I mean there's a few OK artists but most of it is absolute fuck all terrible! Anyone who listens to (insert name for spin off of initial genre) is a fucking prick!

FackOff wrote:hey rob sparx hasn't said anything recently - why don't we all forget about this bullshit debate which will happen a thousand more times and discuss more pressing matters like what the fuk is going on with jumpdown and how awesome the BEN H DUBSTEP REMIX OF I GOTTA FEELING IS

hahahaahahahahahahaah you win at life, ben h is da bezt

Ben H puts the H in HELL YEAH!

noam wrote:Ben H puts the H in HELL YEAH!

He also puts the T in oil it.

haha im not going to read anything but a wobble thread that goes for 20+ pages again!

lalanana wrote:haha im not going to read anything but a wobble thread that goes for 20+ pages again!

Your lack of puncuation makes it seem like the only thread you will read is a 20+ thread on wobbles :p
hee hee


Big up nicon for dropping some sense on this thread

nicon wrote:just to be honest here.. i play some bits people classify as "brostep" i dont know what all the fuss is about its just another sub genre thing that will die out eventually... None of those producers are flexing out to different sides they all want to have the biggest tune out there.... and thats it... all the big producers are flexing different sides because they can.. these guys just cant...

I work at a record shop and 1 out of the 50 records that are "brostep" i whould classify as "cool" or "well done" most of it is just poorly designed music.. you can twist this a long way but its just poor at the end of the line... you wont listen to this when your old you wont even remember it then.. hek i bet that in 1 year people wont even listen to it...

course there are some exceptions.. 16bit being one (dunno if their classified as brostep tbh) but their making more then just big basslines PLUS they flex out to different sides wich i think are quite interesting...

some guy told me this once
"everything sounds wicked on a big PA.. even my farts" and thats what brostep is a collection of farts

Amen to that! I couldn't have put it better myself! It does my head in how I try to produce music that acctually has musical content using scales and harmonies, and I don't get a look in edge ways, purely coz some ADHD mug has drowned me out with their harping noize! Grrrrr!

FackOff wrote:hey rob sparx hasn't said anything recently

I've said my piece!

I'll let this new slice of gormet filth do the talking:

Soundcloud

Life support, Bannoffee pie and Dope Fiend will form a new super spazzy Sour Grapes EP

rob sparx wrote:

FackOff wrote:hey rob sparx hasn't said anything recently

I've said my piece!

I'll let this new slice of gormet filth do the talking:

Soundcloud

Life support, Bannoffee pie and Dope Fiend will form a new super spazzy Sour Grapes EP

230?!

elementalism wrote:

ResetTheAtari wrote:Stop being fucking snobs.

Mate, fuck off.

How did you get into dubstep and how is anyone being snobbish? Where were you in '05, '06, and '07?

Just admit that you lack the basic understand of where this music came from that you need to distinguish between 'good' and 'bad' dubstep at this moment in time. Know your role!.

Whatever the fuck man, been into the hardcore from 92, started DJing in 93. Followed every genre that has sprung up off that sound ever since. Dubstep is Hardcore Continuum, end of.

My point was I have heard the same arguments going right back to then. Hardcore v's IDM/Techno heads - "your music isn't proper music", Mixmag refusing to cover hardcore/jungle until it got trency, etc. Then it was Happy Hardcore v's Jungle, then it was Jungle v's Drum n Bass, then it was Jump Up v's Techstep (which imo fucking ruined dnb for YEARS, SO boring), etc, etc.

Same old fucking boring argument.

For the record, I've been into Dubstep since 07, but I have been listening to it's various progenitors since 00 as I used to be on a small tight community with Kode9, I know Grievous Angel, etc. I never liked until it got a bit more Ravey, Benga playing Volume! in 07 showed me the light. Previously I always considered it for Nathan's Barleys who couldn't handle Drum n Bass, however I really like the deeper tunes now, but when I'm at a club I want to hear mostly party tunes.

I know you trendies like to shit on the wobble, cause everyone is doing it at the moment, but it's exactly what happened with dnb. Scene gets huge, loads of folk hop on board and try to emulate the biggest sound at the time. Don't worry, folk will get bored with it and it shall expand and move on. It's just a bloody technique, yes it's a bit hammered at the moment, but don't get so defensive. Things will move on.

plz just no more! its slowly killing me inside to see this thread still alive

jolly wailer wrote:dismissing Circling as wank invalidates any statement you make hereafter

I never said Appleblim was shit but not on the same level as Skream and Benga thats all, dont get your tits in a twist

why can't we all just get along??????????

seriously though cant we just accept that whatever your opinion on the matter is....thats all it is, your PERSONAL OPINION. NOT FACT. BUT OPINION. everyone likes different shit, deal with it and move on. stupid ass mo-fuckaz!

But then what would we have to talk about?

truefiktion wrote:

jolly wailer wrote:dismissing Circling as wank invalidates any statement you make hereafter

I never said Appleblim was shit

no you just said his tracks were wank.