Dubstepforum.com

Posted: **Tue Jul 27, 2010 6:24 am**

the stabbish things at the start

Posted: **Wed Jul 28, 2010 1:55 pm**

the bass comes in at 1:30...ive tried program it myself square and sine lfo on the square to kinda open it up a lil at the end and then as it progress theres automation on the freq of the filter opening the square a lil each time. thats what i hav used to try replicate it but any other tips wud be awesome cause i aint getting as close to it as i wud like (i dont hav monitors yet either

). any thots on whats going on?

Posted: **Wed Jul 28, 2010 3:52 pm**

Many of excisions, borgores, shekels, datsiks, doc. p, flux, neros etc... basslines are described in this video...

http://www.youtube.com/watch?v=3zLIb7C6 ... re=related

Thorough explanation on how to create them, I MEAN THOROUGH.

You can thank me later...

Posted: **Thu Jul 29, 2010 2:08 am**

hey im sure this is easy to do but i'm new to this and could use some help

how do you make a heavy bass drop like this in ac slater's calm down

it comes in around 45 seconds

http://www.youtube.com/watch?v=7LFCj6Y-h4s

Posted: **Thu Jul 29, 2010 7:02 am**

Genevieve wrote:
Genevieve wrote:

Pad that comes in at 1:19 and on, comes back a lot more clearly at 1:54.

Help? -.-

Posted: **Fri Jul 30, 2010 10:00 am**

(Sorry, audio from youtube is not too clear)

Sub bass is so in your face. Pure sine or not? Doesn't sound like it was mixed with any rough waveform. Any thoughts?

Posted: **Fri Jul 30, 2010 10:16 am**

Mushroom Buttons wrote:

(Sorry, audio from youtube is not too clear)

Sub bass is so in your face. Pure sine or not? Doesn't sound like it was mixed with any rough waveform. Any thoughts?

Sine + tri wave. Lowpassed and compressed. I think.

Sounds a lot like the 'bassDNB' sample in Renoise, a program that I know she uses.

Posted: **Fri Jul 30, 2010 11:33 am**

AL4228 wrote:Many of excisions, borgores, shekels, datsiks, doc. p, flux, neros etc... basslines are described in this video...

http://www.youtube.com/watch?v=3zLIb7C6 ... re=related

Thorough explanation on how to create them, I MEAN THOROUGH.

You can thank me later...

i lol'd

Posted: **Fri Jul 30, 2010 10:37 pm**

silkpantsman wrote:

the bass comes in at 1:30...ive tried program it myself square and sine lfo on the square to kinda open it up a lil at the end and then as it progress theres automation on the freq of the filter opening the square a lil each time. thats what i hav used to try replicate it but any other tips wud be awesome cause i aint getting as close to it as i wud like (i dont hav monitors yet either ). any thots on whats going on?

Posted: **Sat Jul 31, 2010 7:24 am**

Genevieve wrote:
Mushroom Buttons wrote:

(Sorry, audio from youtube is not too clear)

Sub bass is so in your face. Pure sine or not? Doesn't sound like it was mixed with any rough waveform. Any thoughts?
Sine + tri wave. Lowpassed and compressed. I think.

Sounds a lot like the 'bassDNB' sample in Renoise, a program that I know she uses.

Sine and tri combo lowpassed is probably it. But the sub on that track feels kinda floating instead of on the ground though, if that make any sense.

Posted: **Sat Jul 31, 2010 7:26 am**

silkpantsman wrote:
silkpantsman wrote:

the bass comes in at 1:30...ive tried program it myself square and sine lfo on the square to kinda open it up a lil at the end and then as it progress theres automation on the freq of the filter opening the square a lil each time. thats what i hav used to try replicate it but any other tips wud be awesome cause i aint getting as close to it as i wud like (i dont hav monitors yet either ). any thots on whats going on?

Sorry man I can't help here. Sorry for replying over your post bump, haha.

Posted: **Sat Jul 31, 2010 1:48 pm**

Mushroom Buttons wrote:
Genevieve wrote:
Mushroom Buttons wrote:

(Sorry, audio from youtube is not too clear)

Sub bass is so in your face. Pure sine or not? Doesn't sound like it was mixed with any rough waveform. Any thoughts?
Sine + tri wave. Lowpassed and compressed. I think.

Sounds a lot like the 'bassDNB' sample in Renoise, a program that I know she uses.
Sine and tri combo lowpassed is probably it. But the sub on that track feels kinda floating instead of on the ground though, if that make any sense.

I think because it isn't that low, just loud.

Posted: **Mon Aug 02, 2010 4:43 pm**

AL4228 wrote:Many of excisions, borgores, shekels, datsiks, doc. p, flux, neros etc... basslines are described in this video...

http://www.youtube.com/watch?v=3zLIb7C6 ... re=related

Thorough explanation on how to create them, I MEAN THOROUGH.

You can thank me later...

Posted: **Tue Aug 03, 2010 3:04 am**

Looking for some advice on how to create "purple" sounds. Been tinkering with this a bit lately and haven't quite got it, but I recognize that there is usually some sort of amp envelope attached to the LFO gain so that an lfo wobble comes in later in the note. However, what I'm more interested in is the actual wave form usually used. I'm guessing a slightly detuned saw wave with a little bit of reverb? I'm getting close but not quite there, any advice to help out is appreciated

Posted: **Thu Aug 05, 2010 8:03 am**

How do you construct the opening synth line for I Might Be Wrong

thanks.

Posted: **Thu Aug 05, 2010 5:24 pm**

narrator wrote:
Jak The lad wrote:
Jak The lad wrote:Bit of a bait one, but been trying to make this sound in Reason. The high lead from the drop. Im guessing its alot of screams involved to distort like that? Bit of guidance if anyone knows how would be appreciated.

FreeStylers - Cracks (Flux Pavillion Remix)
http://www.youtube.com/watch?v=K1VLaXoRRdk

If this is easier to make with a seperate VST, I use Logic too.

Anyone help with this
i too would love to know this too.. it's kind on hip hop sounding, dr dre style..

Same reason i'm here, i think i've come close, so i'll post what i'm doing and maybe some one can work on it from there
Thor -
osc 1
Analog - the ramp wave, oct 0
analog - another ramp wave, oct 1
analog - square, PW 64, oct 2
Low pass filter Freq 8.84 khz Res around 37

thor into an M Class Equalizer with
Low shelf - Freq 134.2
Gain - -12.00
Q -0.62

Param 2 - Freq 1.9
gain - 5.1
Q - 5.7

Hi shelf
Freq - 7.7
Gain 5.7
Q - 0.62

into Vocoder
swtich to equalizer
tune the shift to full

into reverb
only a time amount of dry/wet ( 2 - 6 )

Scream
Damage control 38
Overdrive
P1 1:94
P2 2:38
boost the mid and high on the cut
Reso - 115
scale 0
auto 40
type D

into a second scream
Damage control 56
Warp
P1 1:40
P2 2:28

turn cut off

body
reso 83
scale 76
auto 0
type A

and that's what i have, hopefully you can understand it!
if any one makes any improvments, please post them back:)
you'll probably find that after the sound there's a horrible ring out metally sound
if you automate the frequncy on the thor filter to 0 everytime the note stops, you wont hear it:)

Posted: **Thu Aug 05, 2010 6:20 pm**

also, to stop it sounding so thin copy it twice and then have one playing one octave on the piano roll, and copy the notes onto the second one and make it the octave below:)

Posted: **Thu Aug 05, 2010 10:51 pm**

id really like to get a gnarly bass sound with that fat higher register glitching, its kinda hard to describe, but if you listen to the track, youll get what i mean. I dont really want to copy this sound, i just wanna know how to get that kind of high end grit into my bass sounds, which are currently reall low mid and sub range.

thanks guys

Posted: **Sat Aug 07, 2010 4:00 am**

Trying to figure out how to make this crushed, breath-of-shattering-ice sound found in many songs but the only one I can think of offhand is DZ - Just Rolling. I'm not sure exactly what it is, my guess is some type of bit crusher effect amongst other things. I hear it all over the place, slightly different every time. How do they do it??

Found precisely at 2:51:

http://www.youtube.com/watch?v=hSgDTGjkGok

Thanks!

Posted: **Sat Aug 07, 2010 1:10 pm**

24 seconds

Guitar + ?

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