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not feeling any of these new tunes; the oh91 collab is wack and bullets is repetitive as hell

still rate alpha tho

just sounds like a Kahn rip off

Kahn's grime, as much as I like it, can hardly be held up as a paragon of originality though, can it?

thats whats makes this even worse

garethom wrote:Kahn's grime, as much as I like it, can hardly be held up as a paragon of originality though, can it?

Suppose that's true

Grime tracks like that Rorschach riddim and the superisk rmix are original enough tho

goin back to the point about rewinds, yesh stop dat shit lol

1 rewind per tune for only the set bangers/classics is necesary, rewinding a tune more than twice is just fucking silly, i just wanna hear the next big tune lol

Compa live on BBC introducing in an hour
http://www.bbc.co.uk/radiolancashire

chanooxd wrote:Compa live on BBC introducing in an hour
http://www.bbc.co.uk/radiolancashire

Gwan Will!

Interview with compa by man like Benjy Cummings;

http://dusk.fm/compa-showcase-mix-and-interview/

But I don’t always care about the creating a pumped-up energy in a club. Depends where I am, how many people I’m playing to, and what mood I’m in.
I played ‘Kalindi’ live in Lisbon, Portugal last weekend. The whole crowd froze dead. Just stared me out. I was like ‘You’ve never fucking heard a soundscape in a club before have you’. I did it because I wanted people to realise I was trying something new. I was daring to go against it all. Playing honest music that wasn’t made at all for a club. Afterwards some girls came up to me to ask what the ‘Kalindi’ tune was. And I was saying to myself in my head ‘sick, it worked’.





this paragraph made me lol

Yeah mate me too.

http://www.youtube.com/watch?v=1PHi-Eihzhk

What club in Lisboa, if you don't mind me asking?

Assuming the 'label he's releasing on that he'd love to mention but can't' is Medi?

started following him on facebook. "overly humble" nails it. a bit cringeworthy from time to time, especially some of his brownnosers.
still a superb producer imho.

I give my crowd the Fall Of Phaeton treatment every now and then, people dig it.
Kalandi is more of a transition tune though, to get from point A to B.

Fair play if he's got Cut End VIP tho massive tune

Johoosh wrote:Assuming the 'label he's releasing on that he'd love to mention but can't' is Medi?

pretty sure he's already said it is a couple times now, duno why he's still saying he can't mention it

chekov wrote:

Johoosh wrote:Assuming the 'label he's releasing on that he'd love to mention but can't' is Medi?

pretty sure he's already said it is a couple times now, duno why he's still saying he can't mention it

Yeah, this has been going around for nearly a year.

chekov wrote:

Johoosh wrote:Assuming the 'label he's releasing on that he'd love to mention but can't' is Medi?

pretty sure he's already said it is a couple times now, duno why he's still saying he can't mention it

Specially when he spectacularly noshes them off in a later paragraph.

Ah well

Johoosh wrote:

chekov wrote:

Johoosh wrote:Assuming the 'label he's releasing on that he'd love to mention but can't' is Medi?

pretty sure he's already said it is a couple times now, duno why he's still saying he can't mention it

Specially when he spectacularly noshes them off in a later paragraph.

Ah well

Jeeezzz

Compa: If I could release my music on any label in the world, it would be Deep Medi. Deep Medi was the first label that inspired me and taught me about this music. And Mala was the first ‘Dubstep’ producer I ever learned of thru the DMZ records (That I found at my mates house whilst looking thru his Drum n Bass records back in 2008). Deep Medi didn’t only inspire me though- I’ve always felt like my music sits well with the label sound. That being deep, meditative, honest music

Looked up KOKESHI, surely everyone stopped and stared him out because its just sound? half way through a set you just cut all the bass for 4mins would have any DJ in the world being stared out?

Maybe its the way he goes on about deep medi but it reminded me of how Mala sometimes opens with Mark pritchard-?

Except that bit of music is great.

Johnlenham wrote:

Johoosh wrote:

chekov wrote:

Johoosh wrote:Assuming the 'label he's releasing on that he'd love to mention but can't' is Medi?

pretty sure he's already said it is a couple times now, duno why he's still saying he can't mention it

Specially when he spectacularly noshes them off in a later paragraph.

Ah well

Jeeezzz

Compa: If I could release my music on any label in the world, it would be Deep Medi. Deep Medi was the first label that inspired me and taught me about this music. And Mala was the first ‘Dubstep’ producer I ever learned of thru the DMZ records (That I found at my mates house whilst looking thru his Drum n Bass records back in 2008). Deep Medi didn’t only inspire me though- I’ve always felt like my music sits well with the label sound. That being deep, meditative, honest music

Looked up KOKESHI, surely everyone stopped and stared him out because its just sound? half way through a set you just cut all the bass for 4mins would have any DJ in the world being stared out?

Maybe its the way he goes on about deep medi but it reminded me of how Mala sometimes opens with Mark pritchard-? Except good.

Yeah my thoughts exactly.

I'm all for adventurous selection but slinging in a bit of ambient for the sake of it (deading the crowd/momentum of your set in the process) isn't worth it.

Mala did it well @ the Medi xmas skank, after 4am people were getting a bit bogged down in the relentless 140, so he played Question Mark, a few Andy Stott bits and some roots. Went down an absolute treat.