Gamma Audio is back with a Various Artists Releases featuring artist from Italy , Australia, Usa, Sardinia , Russia . This is something u dont wanna miss ... out 30th september on all best digital shop.
TRACKLIST
1 De Niro (Italy) _ Jennifer
2 Maurs (Sardinia) _Corel
3 Lost (Russia) _ Demonstration of Sound
4 B1t Crucnh3r (USA)_ Coronal Mass Ejection (Zeno RMX)
5 Mother Inc (Italy) _ Moving Forward
6 Phonetc System feat BNMC (Australia) _ Stuck in Mind
7 Arp XP vs Maurs (Sardinia) _ Merciless
8 Mother inc (Itay) _ The End
9 Dubbwune (Italy) _ Ital-Wub (B1t Crunch3r Rmx)
yo peopz!
can i introduce my new ep....if you like jumpy beats and mad samples with crazy basslines then look me up. Prizes for anyone who guesses the film on the title track.
Re: in the digital shops now
Posted: Tue Oct 06, 2009 11:26 am
by conspira
RELOCATE "Hard Boogie For Dub Swingers 2"
A - Dot Dot Dash (Buraka Som Sistema remix)
B - Origins Iberian Records (IBR003)
Rude tackle from the Iberian imprint dropping an original track from Relocate backed with a an immense Buraka Som Sistema track. It's this remix from the Kuduro stars that should get this 12" noticed, as they switch styles to fit the title 'Hard Boogie For Dub Swingers' with a blend of Funky syncopations and powerful dubstep bass to kill it in the club. Imagine Bok Bok dub-jacking with Skream and you're in the right club. On the flip Relocate keeps up the pressure with 'Origins' setting a tuff pattern of crafty steppers rhythms and dub-tech vibes with a gleaming finish to wipe the club clean. Heavyweight!
by Boomkat
Yo, you know we’re all about dubstep, and sometimes we gotta shine the light outside of holland and recognize the rest of the world. So, let’s check out what we got in the mail recently worthy of your ears…
This week we got some cool stuff from the sunny side of Europe. Based out of Lisbon & Barcelona, Iberian Records is run by Conspira & Corsario Riddim (both are producer duos from Lisbon & Barcelona respectively). They claim to be the first from Spain/Portugal to release dubstep vinyl and they definitly rep their climate, releasing tunes from local Spanish and Portugese producers.
Coming out in September, IBR003 features tuneage from Barcelona beatmaker Relocate. The A-side is actually a remix of his tune Dot Dot Dash by Portuguese Kudoro pushers Buraka Som Sistema (if you don’t know about them, do so now!). The original tune (found on IBR002) is a slower, brooding tune, rather minimal in its sounds. The remix gives it some “umph”, starting off chill, then building a bit, some voices & clapping, and then womp – things kick into a solid, dancy beat and bass sound that reminds me of a fire siren going off in slow motion underwater. The upbeat tempo keeps things lively – this is definitly one to get chicks movin’ them hips.
On the B-side you will find a heavy thumper of a tune. The bass sounds like the heartbeat heard in the head of Tyranosaurus as he wanders through a prehistoric jungle, every now and then getting interested in something, interest peaks, and then whatever it was disappears, and he goes on his midnight journey. I dig this tune a lot.
All in all, a solid release from an interesting label. Keep your eyes open for anything from Iberian – and get to know about sun influenced dubstep.
by Brrrap! Magazine
The third plate from Lisbon and Barcelona-based Iberian Records (so an appropriate label name then) is part two of Relocate’s cheekily named ‘Hard Boogie For Dub Swingers’ EP. The first part emerged earlier in the year, at around the same time as he released a gorgeous house-infused dubstep remix of Kontext’s ‘Plumes’ on Immerse.
Continuing where the first plate left off, lead track ‘Origins’ is dusky and understated, a nocturnal excursion thorough that well-tread middle ground between dubstep and techno with its metronomic kicks and delicately bristling snare patterns. There’s a certain Bristolian element buried in its monochrome synth stabs and echo-drenched voices – this brittle, metallic quality is occasionally reminiscent of Appleblim’s early material for Skull Disco, and wouldn’t sound out of place on Tectonic. Still, its very subtlety marks it out: less a disco-wrecker than a slow-building, hypnotic roller, the ever-present rumble of sub bass pressure is as warm and cocooning as it is propulsive.
By way of contrast, then, the Buraka Som Sistema remix of ‘Dot Dot Dash’ on the flip is a beast: the Lisbon collective take the original’s four-to-the-floor pulse and rebuild the groove over the top entirely, subverting the techno elements with muscular, gritty aggression. Its repeated melodic motif and sudden bursts of feedback are all that remain, but are dragged along by a sinewy, elastic bassline that stretches almost to breaking point before snapping back for the drop. It’s minimalist in structure but deadly in its execution, limb-twitching kuduro percussion married to a grinding low-end that through a big system is liable to cause the gut equivalent of tinnitus.
Despite the wildly different nature of the two tracks here, it is to Buraka’s credit that they preserve Relocate’s tonal palette even as they up the energy levels. It exposes a successful shared goal – to bring a little European twilight to the dance.
by Sonic Router
Barcelona’s favourite ex-pats, Roo and Howie swap hats from their excellent 23Hz & Numaestro to the technoid obsessed Relocate moniker on this absolute gem. The Relocate sound was perfectly realised by the skulking beast of Dot Dot Dash, a record heavily supported by Scuba, and which formed one part of the Hard Boogie For Dub Swingers 12” out late last year. This, the second coming, sees Portugal’s Kudoru kings, Buraka Som Sistema, turn out a remix with more dancefloor magnetism than a group of short skirted WAGs from Ilford. In its shadow is the skulking Origins, a pulsing, galloping hulk obese with dubwise signatures and low-end spasm. Let’s hope people turn the record over to actually hear it!
by ATM Magazine
The Iberian crew are upping the ante with this rather tasty-looking EP
that calls in Lisbon kuduro uber-producers Buraka Som Sistema on remix
duties. Darkside warper ‘Dot Dot Dash’ gets a pumped-up shot in the arm
from BSS as they turn Relocate’s house-influenced sound inside out. Bass
samples drop in and out between midrange ripples and hardcore
Afro-inflected drums, telltale vocal snippets and insistent synth motifs
adding further degrees of hype. Eyes down for ‘Origins’ on the flip,
dubsided skanks delaying across arid tech-scapes and solid bass
foundation.
8/10
by iDJ
This EP is almost a dictionary example of "how one should run a record label". You just need to take your best tune so far, let it be remixed by someone who is already famous and put a second killer track on the B side. That's how this small label from the outskirts of the musical world can gain global recognition with its 3rd release. The best tune so far in this case is Relocate's "Dot Dot Dash" and the famous artists who remixed it are Buraka Som Sistema. It appears to be very much like a top class banger hitting your face with the midrange madness just like many other London produced dancefloor killers. But what is best on this 12" is the B side. "Origins" is Relocate at its best. Bass'n'groove in its purest form. The lowest bass on Earth, precise, steady beats and echoes of the swinging thirties.
D-Program: Tales From The City out now @ addictech.com!
Posted: Wed Oct 07, 2009 9:45 pm
by d-program
Tales From The City is D-Program's debut album, documenting his life growing up in the bay. 12 instrumental tracks bounce from new school dubstep, to melodic glitch hop. From funky trip hop to down tempo and experimental soundscapes. Dance floor rollers such as These Sounds and Peaking please the heavy bass crowd, while Blood Sweat and Tears, and Horizon appeal to the more tech sophisticated listener. The Sh*t, and the drama, both a little more fusion oriented with a hip hop slash rock crossover feel. Any way come check it out for your self. The first complete album by artist D-Program and the debut release for Tech Support Recordings. Stay tuned for our 1st release in December!
deeprogram@gmail.com
myspace.com/deeprogram
virb.com/dprogram
drifterbeats : AIM/iChat
check the new album exclusive at addictech.com for the next month!
for all booking inquires no matter how big or small contact
Tech Support Recordings : Mobile 1-415-699-4517.Office 1-650-226-3078
email deeprogram@gmail.com ichat/AIM drifterbeats
Re: in the digital shops now
Posted: Thu Oct 08, 2009 12:27 am
by matta
Forthcoming digital release this Friday:
Will be available on Juno, Digitaltunes, Beatsdigital, Chemical Records and DJshop - Will post links when i get them.
Thanks to Barish Records, TKR for the artwork and all people who have supported it so far.
Look out for our Skunk Anansie remix of "Squander" coming out on One Little Indian on 26th October.
Also "Inquisition pt2" will be on Heavy Artillery's "Fully Loaded 2 coming out October time (we think)
Re: in the digital shops now
Posted: Thu Oct 08, 2009 7:30 am
by ans
Dizetai is presenting epic soundtrack for deep space exploration voyages.
12 minutes of glitches, noises and Burial meets Vex'd sound.
Owntempo Recordings is a Czech Republic based dubstep/grime label focused on releasing interesting material from
Czech and Slovak producers. We believe that dubstep should still keep its experimental side therefore we try to
fuse it with techno, hip hop and experimental electronic music.
We are happy to announce this new DJ Absurd release ! These two tracks come from Absurd's forthcoming album : Back to the (no)Future .
Even though the album showcases different moods & styles , this first single release from it is quiet on a evil techy & dancefloor-devastating tip .
"How we roll" starts with a combination of ravey arpeggios that would perfectly fit a vampire bloodbath party in a Blade movie to drop into a furious wobble that wont leave no dancer alive .
The crispy & powerfull beat & the mad hyped up bass gimmick gives make this tune what it needs to quickly become DJ's favorite .
"Contrast" sounds at the crossroads of some of rootsey dub influenced sounds and angry & fat wobbley basslines .
Don't get fooled by the dubbed out guitar skanks & the greasy dub bass going on at the begining of the track , the drop is just pure mayhem !!!
A good tune to use in a mix to go from reggae dub influenced tunes into some more techy stuff .