CAN FILTH BE A NEW GENRE NOW?
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atomic dogg
- Posts: 77
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- Location: H-town Aus
The most intelligent and worth while thing thats has been written in this stupid threadseckle wrote:the problem isn't what music is called. the problem is that 75% of the producers out there would rather follow people than take roads on their own. this music got worldwide recognition from being experimental, not being cookie cutter..connect the dots...copycat...bass music. if producer A,B,C and D are all making basslines one way, why the hell would you take the same road as them? because its safe? because you want attention?
if you want attention, let your music demand attention. this is a global sound. the production and skill level for those at the top get's higher everyday. make sure that the music you're letting out to the world is as skillful and different than everything you hear being released right now. otherwise, what's the point? when there's global attention on one sound, its bound to be hard to get heard. those thinking its an easy road need to rethink what they're doing and why they're doing it. as silkie said a while back, "there isn't some noah's ark thats going to leave the dock, and leav you behind." this music is here to stay and open to everyone, just be very smart about where you want to go, how you get there and how much work you're willing to put in.
sludgestep
- cosmic revenge
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- Joined: Tue Sep 23, 2008 2:11 am
- Location: Bay Area
- Contact:
agreed, seckle speaks the truthatomic dogg wrote:The most intelligent and worth while thing thats has been written in this stupid threadseckle wrote:the problem isn't what music is called. the problem is that 75% of the producers out there would rather follow people than take roads on their own. this music got worldwide recognition from being experimental, not being cookie cutter..connect the dots...copycat...bass music. if producer A,B,C and D are all making basslines one way, why the hell would you take the same road as them? because its safe? because you want attention?
if you want attention, let your music demand attention. this is a global sound. the production and skill level for those at the top get's higher everyday. make sure that the music you're letting out to the world is as skillful and different than everything you hear being released right now. otherwise, what's the point? when there's global attention on one sound, its bound to be hard to get heard. those thinking its an easy road need to rethink what they're doing and why they're doing it. as silkie said a while back, "there isn't some noah's ark thats going to leave the dock, and leav you behind." this music is here to stay and open to everyone, just be very smart about where you want to go, how you get there and how much work you're willing to put in.
can everyone in this thread with a negative fucking comment just fucking piss the fuck off already....clearly fucking yong is the fucking man defining this sound...so get the fuck out if you arent fucking down......fucking stupid newbie tnuc fucks....its all about the fucking anti-chainsaw-heroinstep-whale music-kiss my ass because im more artsy than you downtempo......and if you fucking twats cant see this, then you dont fucking deserve to listen to the mans like yong and fucking such.
~~BroTown : Subhuman : Rottun : Ultragore : Basshead : PlayMe : DemonDub~~
Bookings - Hulkstep@Gmail.com

http://www.soundcloud.com/hulk
http://www.hulkstep.com
Bookings - Hulkstep@Gmail.com

http://www.soundcloud.com/hulk
http://www.hulkstep.com
Only thing is this is club music. It was good that you could go to a main room at a big dubstep night and see a big crowd going off to decent music (with variety).
Nowadays a lot of the time the good stuff is room 2 stuff and the main room = bollocks.
I suppose most of the time the exciting stuffs going on in small clubs anyway. see: Why Not? vs. FWD.
Nowadays a lot of the time the good stuff is room 2 stuff and the main room = bollocks.
I suppose most of the time the exciting stuffs going on in small clubs anyway. see: Why Not? vs. FWD.
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bobsabarker
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godflesh fiend
- Posts: 1404
- Joined: Wed Dec 17, 2008 1:50 pm
- Location: Edinburgh, Scotland
Slothrop wrote:I think I might just write a bot that writes the same response every ten posts or so, to save people actually reading the thead...blazey wrote:Like it - Listen
Dont like it - Dont listen
Soundcloudfinji wrote:Hey hackman your a fucking nutter
i havent been to a big night for ages because of this and dont plan toCorpsey wrote:Only thing is this is club music. It was good that you could go to a main room at a big dubstep night and see a big crowd going off to decent music (with variety).
Nowadays a lot of the time the good stuff is room 2 stuff and the main room = bollocks.
I suppose most of the time the exciting stuffs going on in small clubs anyway. see: Why Not? vs. FWD.
fwd ftw
Soundcloudfinji wrote:Hey hackman your a fucking nutter
It's tempting to say that the point at which a lot of people started finding the stuff in room two of a big club more fun and interesting than the stuff being played in the main room was not long after dubstep actually started getting played in the main room of big clubs. It's not like in 2003 awesome innovative dubstep was getting played in the main room at fabric or anything.Corpsey wrote:I suppose most of the time the exciting stuffs going on in small clubs anyway. see: Why Not? vs. FWD.
And it seems increasingly like the small clubs and the DJs and labels and producers doing the stuff that I enjoy are carving out a space that's somewhere seperate from the 'mainstream' of dubstep...
like it, listen
dont like it, listen and judge
dont like it, listen and judge
Soundcloudfinji wrote:Hey hackman your a fucking nutter

houston, tx
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"No matter whos phatter, who's mack, or who's legit. I'm 'bout to blow the fuck up, cuz I refuse to quit!" - naptron & PEACE
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AIM: djtedbeezy
"No matter whos phatter, who's mack, or who's legit. I'm 'bout to blow the fuck up, cuz I refuse to quit!" - naptron & PEACE
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