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Becuase of this thread, I'm now booking spoken word sets in the middle of club nights where I lecture the crowd about the art of the reload.

Oct 1 Taurus: You've a tendency to agonize about the next step. If you get stuck, mention it to the people around you. They'll give you all sorts of ideas that you won't agree with and suddenly you'll realize the direction you do want to go.


Sure enough.

cyrusfx wrote: Plus, overplaying tunes is a bad thing anyway, its better to tease the audience with them. You never heard anybody say "Oh oh, rewind that Kanye West remix dawg!!!"

lol

yeah since I've never been to a dubstep night, I have no clue what the "rewind experience" is like. But I do know that hearing a song for a very short period of time is fuckin SICK.

jus sayin, publicity is publicity and all, but id have much rather an article like this get written

http://www.latimes.com/theguide/music/l ... full.story

I think it's good that a huge paper like the NYT is covering dubstep. It's just a shame they couldn't find a more talented or better informed writer to do it.

I reckon he got too caned to leave the house and then used his imagination.

starkey wrote:Becuase of this thread, I'm now booking spoken word sets in the middle of club nights where I lecture the crowd about the art of the reload.

no Q&A?

tacospheros wrote:jus sayin, publicity is publicity and all, but id have much rather an article like this get written

http://www.latimes.com/theguide/music/l ... full.story

great article!

The writer seemed really confused by the rewinds. Like it was a mistake or something.

Sharmaji wrote:

starkey wrote:Becuase of this thread, I'm now booking spoken word sets in the middle of club nights where I lecture the crowd about the art of the reload.

no Q&A?

haha.

jokes aside....... that Low End Theory article is really nice as well.

So egoless right now...

it would make great interstitial music for the next “Twilight” movie.

Please god no

The LA times article on LET, much like MAH's dubstep warz, both catch onto something that's missing from the NYT article: that there's a flashpoint of creativity happening. It's definitely going down in NYC right now, and has been for a few years. maybe that's it? Dubstep @ a rave like T&B might be new sounds for the writer, but it definitely seems established. there's nothing fledgling, on-the-edge about Skream & Benga throwing down for a room full of fans, more like ... holy shit, there's this fully-established scene going on completely outside of my life. Let's check out the ecology of it. ie, rewinds, wobblez, etc.

Sharmaji wrote:The LA times article on LET, much like MAH's dubstep warz, both catch onto something that's missing from the NYT article: that there's a flashpoint of creativity happening. It's definitely going down in NYC right now, and has been for a few years. maybe that's it? Dubstep @ a rave like T&B might be new sounds for the writer, but it definitely seems established. there's nothing fledgling, on-the-edge about Skream & Benga throwing down for a room full of fans, more like ... holy shit, there's this fully-established scene going on completely outside of my life. Let's check out the ecology of it. ie, rewinds, wobblez, etc.

truth. only one thing left to do...

make them recognize it's happening here too

My friend and I are going to do an over-the-top theatrical audio recording of this piece. Then someone should make a tune out of it.

lmao that writers a fuckin idiot he bassically gave a real shitty example of the whole form of music n acted like it was played , then just gives a buncha credit. lol like wtf twighlight is to corny to have dubstep in its grace