Dubstepforum.com

skanky wrote:There is no-one to blame really, this was always going to happen. This whole 'brostep" thing is really starting to do my head in because it seems that most of the tracks are just a terribly produced regurgitation of what excision & datsik have going on, yet it somehow manages to become so popular that when you search dubstep on youtube mt eden comes up

WTF IS GOING ON!!!

Positive aspects to focus on:
1.for some people brostep will be their gateway to the more original dubstep.
2.the stage is set for some kind of dubstep messiah to appear, make the breakthrough to the charts & unite brosteppas and underground heads alike.
3.a song can only be so filthy before it's just noise, so it has to come to a dead-end & become stale at some point right?

Right, I like your thinking.
My first dubstep tune was brostep, but now I listen to the original musik.

Does anybody really care any more? Seriously... Don't like it then don't listen and don't go to the gigs.

do you care that i care..?

Not really. I just think that it's so stupid that people are getting so riled up about music that they don't even listen to.

personally I dont mind Cockney Thug, at least the drums are imaginative and synth isnt ear pierceingly high

pikeymobile wrote:

slanguage wrote:

pikeymobile wrote:Darqwan started brostep when he made Said The Spider in 2002.

mate...its not about who did it first...its about who made the track that people responded to the most...thats why i still say spongebob and cockney thug started it

WHOOOSH
But still



Vex'd had more of an impact. They brought fucking LOADS of breakcore fans in to dubstep.

One Lion is tooooo sick, havent heard that in timeeeee!!

I blame youngsta

cpt.pollution wrote:I blame youngsta

I think you just fucked with the wrong guy mate... prepare for at flame war

pikeymobile wrote:

slanguage wrote:

pikeymobile wrote:Darqwan started brostep when he made Said The Spider in 2002.

mate...its not about who did it first...its about who made the track that people responded to the most...thats why i still say spongebob and cockney thug started it

WHOOOSH
But still



Vex'd had more of an impact. They brought fucking LOADS of breakcore fans in to dubstep.

There Dubstep Warz mix is brilliant I LOVE VEXD

fuck yeah, aren't many how can get as dark as vex'd without being OTT

always fantastic percussion as well

fractal wrote:fuck yeah, aren't many how can get as dark as vex'd without being OTT

always fantastic percussion as well

So true mate!!

j.nitrous wrote:Does anybody really care any more? Seriously... Don't like it then don't listen and don't go to the gigs.

It's a forum. People talk about things.

j.nitrous wrote:Not really. I just think that it's so stupid that people are getting so riled up about music that they don't even listen to.

when i go to local dubstep gigs, usually there's no way of telling what style of dubstep they are going to play. 99.99% of the time it's some OTT screeching-synth brostep shit, hence i am forced to listen and dance to it & hence my feeling that dubstep is being commandeered by the pop scene

man i want a new vex'd release.
that album blew my lil mind.

pikeymobile wrote:

Nevalo wrote:

ashley wrote: I say spongebob personally...

this. was nothing before it anywhere near its insanity (atleast in terms of wobble based musics)

Haven't listened to this in fucking yeaaaaaaaaars! Total tune.

For me, brostep came from Spongebob but Spongebob still holds some integrity, unlike a lot of music made today which is nothing more than musical fodder.

I actually think that it's extremely hard to understand and enjoy the deeper, minimal sounds of the genre right away if you didn't come from a dub/minimal techno/trip hop background. I don't think that it's impossible to like them in that case, I just believe it takes a lot more time to get used to them. And a lot of newer followers of the genre crossed over from indie/alt. rock/hiphop/metal so they pick what's more familiar to them, and that is, of course, brostep. It also depends on the quality of the EDM scene in general. Of course you're gonna have more understanding for innovative sounds in London in which clubbing is a part of everyday life, than in, for example some larger city in the US, where they just started taking electronic music semi-seriously. So if you take something made in London and put it somewhere else, it will take a completely different form.

64hz wrote:man i want a new vex'd release.
that album blew my lil mind.

This. Apparently this year we're gracing our ear drums with new material again. Can't wait!

j.nitrous wrote:Not really. I just think that it's so stupid that people are getting so riled up about music that they don't even listen to.

Same here but some people are really pathetic!

I resent any sort of Current Value/Brostep comparison. Mr Eliot is a sound design genius.

GOOD DAY TO YOU.

epochalypso wrote:I resent any sort of Current Value/Brostep comparison. Mr Eliot is a sound design genius.

GOOD DAY TO YOU.

not comparing them just citing where influence came from in relation to the time when dubstep became popular

and let's not get carried away with calling current value genius.