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Imhotep wrote:I've been having trouble trying to make that siney sounding organ that you can hear in these tracks:

http://oomk.tumblr.com/post/2749426862/ ... -container
http://www.youtube.com/watch?v=djtl-Miv6Fw
http://www.youtube.com/watch?v=BsYdCVWJ4LY (at about 2:01)

and also, it would be great if anyone could guide me on how to achieve those cool sounding chords

Twiglett wrote:

halifaxer12 wrote:http://www.youtube.com/watch?v=IPVD_2AI-uQ <-Bass Cannon-Flux Pavillion

This song hasn't been released yet by Flux, but the bass he drops is friggen massive (somehow it sounds filthier on a live video)...I think it consists of formants and square saws but does anyone know how to achieve a similair type of sound? And have that much fatness to it? I hear the high pitched osc but how does he gets such thickness to the sound? (besides detuning, voicing, and lpf)

its simple mate- massive, ocs 1 square-saw 1, o.oo pitch. wt 12 oclock, intensity full, amp 9 oclock, spectrum
ocs 2 sine triangle, -12.00 pitch, wt full, intensity full, amp 10 oclock, spectrum
ocs 3 square saw 2, 36.00 pitch, wt full, intensity 10 oclock, amp 11 oclock, formant

modulation: ring mod ocs1, RM full
phase, ocs 1, pahse full

insert `1: p shaper full on both
fx: b-tube full on both

thanks a bunch bro

pop a dimention expander on there n boost the highs in the eq n u got flux, also put another eq on it n lift up the highs, where as makin it sound fat, as far as i can tell, add bass n sub bass to it

Sub South wrote:Please help me produce this falling reece sweep, i've heard it before in a few emalkay tracks

its around at 0:57 http://www.youtube.com/watch?v=wWC_WZ7gd6g

thanks

halifaxer12 wrote:http://www.youtube.com/watch?v=PEbJ4qLiMu0

I really need to make this type of bass sound for the start of a bassline i'm working on (preferebly in Massive)...So far I have 3 OSC (2 Saw Formant Waves, 1 Sin-Tri with EQing and Effects but I haven't gotten it just yet...any ideas? It's at :26

filthy_ wrote:

halifaxer12 wrote:http://www.youtube.com/watch?v=PEbJ4qLiMu0

I really need to make this type of bass sound for the start of a bassline i'm working on (preferebly in Massive)...So far I have 3 OSC (2 Saw Formant Waves, 1 Sin-Tri with EQing and Effects but I haven't gotten it just yet...any ideas? It's at :26

you were on the right track. heres how i figured it out and it seems pretty close with just fucking around with massive. your best bet is to take this and put it on your DAW; EQ it, some distortion and a whole mess of other plugins until you get it where you want it but here it is:


OSC1 - GUITAR PULSE -FORMANT - ALL KNOBS 100% - BETWEEN FILTER 1&2
OSC2 - SQUARE SAW 1 - FORMANT - WT POSITION 50% INTENSITY & AMP 100% - BETWEEN FILTER 1&2

FILTER 1 - COMB - CUTOFF 0 (ZERO) - DAMPENING AND FEEDBACK 100%
FILTER 2 - SCREAM - CUTOFF 100& - SCREAM ≈75% (you have to mess with it, there is a sweet spot around there) - RES 100%

NOISE - WHITE - COLOR 52% - AMP ≈40%
FREQUENCY SHIFTER - DRY/WET 100% - PITCH ≈48% (again, there is a sweet spot around there, mess with it.)

CLASSIC TUBE - DRY/WET 50% - DRIVE 75%
DIMENSION EXPANDER - DRY/WET 100% - DRIVE 75%
EQ - LOW SHELF 80% - BOOST 70% - FREQUENCY 40% - HI SHELF 70%


now go have fun.

filthy_ wrote:

halifaxer12 wrote:http://www.youtube.com/watch?v=PEbJ4qLiMu0

I really need to make this type of bass sound for the start of a bassline i'm working on (preferebly in Massive)...So far I have 3 OSC (2 Saw Formant Waves, 1 Sin-Tri with EQing and Effects but I haven't gotten it just yet...any ideas? It's at :26

you were on the right track. heres how i figured it out and it seems pretty close with just fucking around with massive. your best bet is to take this and put it on your DAW; EQ it, some distortion and a whole mess of other plugins until you get it where you want it but here it is:


OSC1 - GUITAR PULSE -FORMANT - ALL KNOBS 100% - BETWEEN FILTER 1&2
OSC2 - SQUARE SAW 1 - FORMANT - WT POSITION 50% INTENSITY & AMP 100% - BETWEEN FILTER 1&2

FILTER 1 - COMB - CUTOFF 0 (ZERO) - DAMPENING AND FEEDBACK 100%
FILTER 2 - SCREAM - CUTOFF 100& - SCREAM ≈75% (you have to mess with it, there is a sweet spot around there) - RES 100%

NOISE - WHITE - COLOR 52% - AMP ≈40%
FREQUENCY SHIFTER - DRY/WET 100% - PITCH ≈48% (again, there is a sweet spot around there, mess with it.)

CLASSIC TUBE - DRY/WET 50% - DRIVE 75%
DIMENSION EXPANDER - DRY/WET 100% - DRIVE 75%
EQ - LOW SHELF 80% - BOOST 70% - FREQUENCY 40% - HI SHELF 70%


now go have fun.

thefrim wrote:

2 main basses are IMO 2 of the best basses in any dubstep tune

obviously i don't expect to get a response about the bark but at least the first bass of the drop thats made by cookie?
I assume it was made with Subtractor/Maelstrom + Scream 4 but I know next to nothing about making decent sounds in reason and am trying to learn how to do so

Falconthefirst wrote:

thefrim wrote:

2 main basses are IMO 2 of the best basses in any dubstep tune

obviously i don't expect to get a response about the bark but at least the first bass of the drop thats made by cookie?
I assume it was made with Subtractor/Maelstrom + Scream 4 but I know next to nothing about making decent sounds in reason and am trying to learn how to do so

Bump. I'd like to know how to make this sound too, I know it's pretty generic but It's SO DIFFICULT

filthy_ wrote:not necessarily the sound, but what the sound is doing.

http://www.youtube.com/watch?v=r_HKLPEY_4I

at :34-:35

how would i make a sound do that