Dubstepforum.com

hhhaaa.....Dildoheads.

this would be a good simple

who is howard stern? sounds like rush limbaugh on music

"hey asshole that's not how you spell mouse"

Howard Stern is a career dickhead.

blinkesko wrote:

Sonika wrote:I wonder what I'll be ranting about when I'm 20....post-Bulgarian halfstep?

South-African dubjazz

Would listen to dubjazz so hard

dsprainman wrote:Howard Stern is a career dickhead.

he is, but he still has some funny shit to say.

leyenda303 wrote:I've just realised...brostep to bass music is essentially like a cumshot compilation compared to actual sex. You need to stop watching cumshot compilations Climax and sort your life out.

Qft, hello signature

johney wrote:

leyenda303 wrote:I've just realised...brostep to bass music is essentially like a cumshot compilation compared to actual sex. You need to stop watching cumshot compilations Climax and sort your life out.

Qft, hello signature

yeah, great quote

Howard Stern is great, deadmau5 is a huge dick too guys lets not forgot all his bullshit antics

xbubbax wrote:

dsprainman wrote:Howard Stern is a career dickhead.

he is, but he still has some funny shit to say.

not really

hes just a tnuc

people actually pay attention to Howard Stern?

lol 'play records', sure

Best thing Howard Stern did was Private Parts. He's a fuckin' creeper though.

Warfare Dubstep wrote:

wub wrote:So your issue is that commercial Dubstep now doesn't sound like underground Dubstep did back then?

not that, like I mentioned before, conservative evolution. Skream's old dubs formed Vex'd and Distance's styles, which are just awesome. Most people who hate dubstep have had a bad first impression of it through the commercialized sub genre.

If I heard dubstep for the first time and it was from Borgore, I'd carry a personal bias towards the genre every time I heard the word "dubstep."

Dubstep nowadays is too over-saturated, you'll see this when you go on soundcloud and listen to the skrillex-style stuff people make on soundcloud. And let's be honest, dubstep was commercialized when Skrillex and Borgore came into town.

I've heard some of Skream's newer stuff on his soundcloud, it just isn't him.

No one here cares mate. Post up some filth will you.

The Tornado wrote:"I'm Sexy And I Know It" is a future classic - YMCA, Staying Alive type steez. Gonna be rinsed at Bar/Bat Mitzvahs and weddings for years to come. I can't hate on dudes cuz they KNOW they are terrible, but just don't care. They make the stupidest music alive, know it, and get paid for it. It's so bad it's camp. I saw their 'performance' on the Billboard Music Awards and they had two dudes in a zebra costume, and a robot with a cardboard box for a head.

I have love for LMFAO.

guess you cant knock man for getting money, but you can knock man for making absolutely shite music... which is something LMFAO do very well

Aw man, I just slept through a hilarious argument. Fucking time zones.

I especially liked the bit where he said that because LMFAO is shit, all mainstream music is shit. That's some infallible logic if I ever saw it. *goes back to listening to Justin Timberlake*

Warfare Dubstep, you're really missing the point entirely. No one's censoring you or telling you you can't bitch about Skrillex, but do you need to make a new thread each time? If the mods just let those threads be then the forum would be cluttered with threads presenting the same old tired spiel you just gave us. WE KNOW. We're all on the same page. Repeating it over and over again isn't gonna help anyone.

As for Skream selling out and forgetting his roots, have you not heard his latest Deep Medi release?

Not all mainstream = bad.
Carly Rae Jepsen <3

dubfordessert wrote:"hey asshole that's not how you spell mouse"

lolol

Can someone explain to me why it is that people say American producers brought about brostep, and that brostep is American producers?

Literally I see all over this site people referring to British dubstep as the real, and american as the bro. Yeah, I know, a lot of bro comes from the U.S., but JUST AS MUCH comes out of the UK.

Someone will say "Yeah American producers ruining the genre with their stupid bro"

Lets' start..

Circus Records; entirely british, and IMO more repsonsible for the change of style than Skrillex. Doctor P and Flux were coming up in the game long before Skrillex. And Circus is still cranking it out, they've got a whole slew of "bro" producers now; Doctor P, Roksonix, Funt Case, Cookie Monsta, Brown & Gammon, ALL from outide of the U.S.

Never Say Die; I'm pretty sure this is a UK label.. Skism, Dodge & Fuski, 501, Delta Heavy, Habstrakt, Skeptiks, Zomboy, and Eptic (putting out the MOST midrangey screechy stuff I've EVER heard).

Oh and who started it all according to all you haughty true dub heads? Rusko and Caspa, and the rest of Dub Police I can't imagine you would consider anything else but bro; Trolley Snatcha, Subscape, The Others, and plenty of Emalkay's newer stuff HAS to fall under your category of bro.

Hell even Feed Me is from the UK.

And let's not get started on Bro N' Bass producers...

All off the top of my head I named like 20 of the most influential bro producers right now, ALL from the UK. So why do people insist on associating bro with purely the U.S? Yeah there is a lot of it here, but it's not like it started here, and I don't understand why a good amount of the crowd I named off still gets respect in the dubstep community when it's really just as aggressive and loud as "American" dubstep. Is it simply people from the UK looking for someone to blame?

I love it all personally, I'm just dumbfounded as to why people classify dubstep as to where it came from when it seems to not make any difference.

Skrill = Dubstep = America gets blamed.
Dumb ik