Brostep - Part Deux!

foxtrot · Post by **foxtrot** » Wed May 23, 2012 3:57 am

he rips more on dj's haha

Sexual_Chocolate · Post by **Sexual_Chocolate** » Wed May 23, 2012 4:00 am

sn0wday wrote: Oh and who started it all according to all you haughty true dub heads? Rusko and Caspa, and the rest of Dub Police I can't imagine you would consider anything else but bro; Trolley Snatcha, Subscape, D1, The Others, and plenty of Emalkay's newer stuff HAS to fall under your category of bro.

wtf are you on?

BonerJams04 · Post by **BonerJams04** » Wed May 23, 2012 4:05 am

D1 aint bro.
And i <3 some emalkay

Shum · Post by **Shum** » Wed May 23, 2012 4:06 am

lawl dum american calls D1 bro. god bless that nation.

sn0wday · Post by **sn0wday** » Wed May 23, 2012 4:09 am

How are any of these....

http://www.youtube.com/watch?v=UIwFwyoIXRo
http://www.youtube.com/watch?v=Xt-lV5vrFkE
http://www.youtube.com/watch?v=dvhpab9As4Y
http://www.youtube.com/watch?v=AI_5H6NoXc8 (YOIS AND ALL, sounds just like Burst by skrill and 12th planey and KTN)
http://www.youtube.com/watch?v=An6zwVlOmKU
http://www.youtube.com/watch?v=_mwL6R-Z1e4 Sounds just like Shining by Hizzleguy, labeled as Bro.

Now, all those tunes, fucking huge. Love them all, dearly, but they are bro.
Dub police is probably my 2nd or 3rd favorite label.

Explain to me, how these differ from midrange american productions. Cause they don't.

Shum wrote:lawl dum american calls D1 bro. god bless that nation.

I take that back, I was just naming off dubpolice producers.

BonerJams04 · Post by **BonerJams04** » Wed May 23, 2012 4:09 am

Shum wrote:lawl dum american calls D1 bro. god bless that nation.

cmgoodman1226 · Post by **cmgoodman1226** » Wed May 23, 2012 4:38 am

sn0wday wrote:Can someone explain to me why it is that people say American producers brought about brostep, and that brostep is American producers?

Literally I see all over this site people referring to British dubstep as the real, and american as the bro. Yeah, I know, a lot of bro comes from the U.S., but JUST AS MUCH comes out of the UK.

Someone will say "Yeah American producers ruining the genre with their stupid bro"

Lets' start..

Circus Records; entirely british, and IMO more repsonsible for the change of style than Skrillex. Doctor P and Flux were coming up in the game long before Skrillex. And Circus is still cranking it out, they've got a whole slew of "bro" producers now; Doctor P, Roksonix, Funt Case, Cookie Monsta, Brown & Gammon, ALL from outide of the U.S.

Never Say Die; I'm pretty sure this is a UK label.. Skism, Dodge & Fuski, 501, Delta Heavy, Habstrakt, Skeptiks, Zomboy, and Eptic (putting out the MOST midrangey screechy stuff I've EVER heard).

Oh and who started it all according to all you haughty true dub heads? Rusko and Caspa, and the rest of Dub Police I can't imagine you would consider anything else but bro; Trolley Snatcha, Subscape, The Others, and plenty of Emalkay's newer stuff HAS to fall under your category of bro.

Hell even Feed Me is from the UK.

And let's not get started on Bro N' Bass producers...

All off the top of my head I named like 20 of the most influential bro producers right now, ALL from the UK. So why do people insist on associating bro with purely the U.S? Yeah there is a lot of it here, but it's not like it started here, and I don't understand why a good amount of the crowd I named off still gets respect in the dubstep community when it's really just as aggressive and loud as "American" dubstep. Is it simply people from the UK looking for someone to blame?

I love it all personally, I'm just dumbfounded as to why people classify dubstep as to where it came from when it seems to not make any difference.

Because the term brostep is arbitrary at best.

Maccaveli · Post by **Maccaveli** » Wed May 23, 2012 4:47 am

It's not that the producers are American, it's that the genre was popularised by an American market. Hear Rusko talk about the early days of brostep, it was all about satisfying American crowds who just wanted more filth.

Sonika · Post by **Sonika** » Wed May 23, 2012 5:06 am

I like a lot of the dub police records....Emalkay is great, caspa's got some great stuff, rusko's old shit, and every fucking single one of subscape's tunes

Dub Police is a cool label, they've also done deeper releases from artists like J:Kenzo

Shum · Post by **Shum** » Wed May 23, 2012 5:10 am

cmgoodman1226 wrote:Because the term brostep is arbitrary at best.

sn0wday · Post by **sn0wday** » Wed May 23, 2012 5:27 am

On the topic of Subscape.

This tune, pretty poppy, but so fucking heavy
http://www.youtube.com/watch?v=mGm1LLHEA60

Sexual_Chocolate · Post by **Sexual_Chocolate** » Wed May 23, 2012 5:33 am

micky mouse stuff.

time to get lean.

SKENG

Sonika · Post by **Sonika** » Wed May 23, 2012 5:51 am

Lol skeng is an amazing tune but I can't understand anything that the MC is saying....I love to mix it though because when it's coming in when I'm mixing it in, I cut the volume of the other track every 4 measures when the MC goes acapella for one line and then bringnit back in and I feel like a badass

Btw I didn't like that Subscape remix :/ too poppy

sn0wday · Post by **sn0wday** » Wed May 23, 2012 6:04 am

But just listen to the sub at ~1:25 on words, how he makes it pop out like that. Sort of vacuums in, then impacts.

Poppy indeed, but something about it feels real and emotional.

...Or it's just that the first time I heard it at a show I was on about 10 tons of mdma, and this girl I've been straight in love with forever, never said anything about it to her or anyone, straight confessed she felt that way to me just out of the blue.

Funny how tunes at shows changes your perspective of them.

If that's too poppy eh...

Screw Up VIP dropped the other week, pretty heavy.

Figment · Post by **Figment** » Wed May 23, 2012 6:25 am

this was funny, the pictures made it amazing.

some funny stuff haha, dildoheads made me laugh

Sonika · Post by **Sonika** » Wed May 23, 2012 6:27 am

Yeah that situation may have helped things a bit

the tune ain't too bad, just not up to standard with a lot of Subscape.
Didn't he give screw up VIP away for free?

hellbent · Post by **hellbent** » Wed May 23, 2012 7:34 am

what do you guys think of mimosa? his two sets were probably my favourite of shambhala last year. He covers a lot of different styles, but mainly more of a psychedelic west coast hip hop kind of thing. He has a lot of uk influences in his music too though, especially on his newer album, which has a lot of deeper stuff on it too.

heres one of his better mixes. Hearing that bassnectar/dr. dre & snoop doog-the next episode remix live was awesome

Soundcloud

ariosa · Post by **ariosa** » Wed May 23, 2012 7:53 am

i'm not a fan of a lot of subscape's tunes.. i enjoy apple candy, screw up, and all day, but some of his other tunes really get on my nerves, universal ep was mediocre, only really listened to it once..
also that mimiosa set was pretty good until the second half, didn't enjoy any of the tunes after the 10 minute mark. I always thought of mimosa as the west coast style trip hop/aquacrunk stuff, not really brostep..

hellbent · Post by **hellbent** » Wed May 23, 2012 8:34 am

screw up vip is massive

Lucifa · Post by **Lucifa** » Wed May 23, 2012 10:14 am

nurse

nurse

nurse

doctor can't fix ya send fi di hearse

Brostep - Part Deux!

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