Dubstepforum.com

sn0wday wrote: Oh and who started it all according to all you haughty true dub heads? Rusko and Caspa, and the rest of Dub Police I can't imagine you would consider anything else but bro; Trolley Snatcha, Subscape, D1, The Others, and plenty of Emalkay's newer stuff HAS to fall under your category of bro.

Shum wrote:lawl dum american calls D1 bro. god bless that nation.

Shum wrote:lawl dum american calls D1 bro. god bless that nation.

sn0wday wrote:Can someone explain to me why it is that people say American producers brought about brostep, and that brostep is American producers?

Literally I see all over this site people referring to British dubstep as the real, and american as the bro. Yeah, I know, a lot of bro comes from the U.S., but JUST AS MUCH comes out of the UK.

Someone will say "Yeah American producers ruining the genre with their stupid bro"

Lets' start..

Circus Records; entirely british, and IMO more repsonsible for the change of style than Skrillex. Doctor P and Flux were coming up in the game long before Skrillex. And Circus is still cranking it out, they've got a whole slew of "bro" producers now; Doctor P, Roksonix, Funt Case, Cookie Monsta, Brown & Gammon, ALL from outide of the U.S.

Never Say Die; I'm pretty sure this is a UK label.. Skism, Dodge & Fuski, 501, Delta Heavy, Habstrakt, Skeptiks, Zomboy, and Eptic (putting out the MOST midrangey screechy stuff I've EVER heard).

Oh and who started it all according to all you haughty true dub heads? Rusko and Caspa, and the rest of Dub Police I can't imagine you would consider anything else but bro; Trolley Snatcha, Subscape, The Others, and plenty of Emalkay's newer stuff HAS to fall under your category of bro.

Hell even Feed Me is from the UK.

And let's not get started on Bro N' Bass producers...

All off the top of my head I named like 20 of the most influential bro producers right now, ALL from the UK. So why do people insist on associating bro with purely the U.S? Yeah there is a lot of it here, but it's not like it started here, and I don't understand why a good amount of the crowd I named off still gets respect in the dubstep community when it's really just as aggressive and loud as "American" dubstep. Is it simply people from the UK looking for someone to blame?

I love it all personally, I'm just dumbfounded as to why people classify dubstep as to where it came from when it seems to not make any difference.

cmgoodman1226 wrote:Because the term brostep is arbitrary at best.