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Im sure you have all herd the yoys yas yeahs that you can stand (me to) but i cant seem to get the clean "yeah" in massive its all yoys , also iv found tutorials on how to do it with reason , which i have but dont like using it can be found here http://soundcloud.com/knockedupnoise/ho ... e-download at 1:23 i found this song on the dubstep forum < i sapose i coulda asked him myself but im new to THIS forum and couldn't figure it out how to PM people, much help would be appreciated

Surely its exactly the same just slightly different modulation parameters and a longer note/slower lfo.

Make a yoy and work from there as they're pretty much identical.

yea i sapose i can get pretty close with using modern talking waveform stretching the lfo out in the right position but its still sounding to digital any tips on how to smoothin it out and not haveing so much distortion iv tried eqing but doesnt seem to work much im guessing it could be a totaly differant synth doing differant things but thanx for he reply

2 envelopes at once on the filter, one w/ a llong atack but lower depth and the shorter attack envelope with a higher depth

plus fine tuning decay and sustain settings on each, it can make a "yeah"

in reason messing around with the p1 and p2 parameters on the scream 4 change the tone of the Yoy/yeah. iv achieved a yeah just by making a yoy and toying with all the parameters from frequency to envelopes...just play...

that yuh sounds so muddy and i guess to get that "yeuh" sound just get some muddy sounding bassline stick a bitcrusher on then on the lfo just use a sawtooth wave.

legend4ry wrote:Surely its exactly the same just slightly different modulation parameters and a longer note/slower lfo.

That's what I was thinking. Haven't used a "yeah" in a long time though, am gonna go play around with that...

iv tried but its all still yoys with massive and bit crusher isnt doing it at all

It's all about getting the balance between Res and Sample and Hold.

If you're using NI Massive I'll make you a preset when I get home from college.

Also, use a waveform that moves the cut off from 0-100 and doesn't wobble..
Meh, you'll see what I mean.

interesting

Ldizzy wrote:interesting

Isn't it just?

Btw, if u wanna check out my tune 'morphine' [page2 of my sc].. is that similar to what you're after?

thats pretty much the sound i get but if you listen to the clip i put up it sounds really clean im ganna try using somthing other than massive

So I tried it last night, and I couldn't seem to get it nice and clean. I had a good sounding patch for thor and scream back in reason. Will look at that and see what I did there.

djdeadb3ats wrote:thats pretty much the sound i get but if you listen to the clip i put up it sounds really clean im ganna try using somthing other than massive

seriously its ur life and shit... but i dis recommend doing that... stick to a program and learn it...

i used to be all about the thousand cracked vsts... i sucked.. now i buy my stuff and learn it inside out... im way better...

I only use alchemy massive and albino 3 some sounds are just easier to make in different synths and there not craked I paid for um that's why I only have three

Personally, massive's bitcrusher isn't the best thing to use. Just use a regular saw, with an LFO, then add the crush, normally works for me. And then I change rates using midi slicing

yeah? yeah! YEAH! yeah... yeah.

yeah!

Change rates by midi slicing? Do you just mean draw automation for the midi notes?

I have a NI massive preset for you if you want it. say the word and il post it

Sure let's see what ya got! Iv come closer to it using operator still not what I'm looking for