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Eptic is a BOSS
Posted: Fri May 03, 2013 8:22 am
by BassQemistry
http://www.youtube.com/watch?v=D3xOK-h-d_g#t=1m10s
Time tagged for your convenience. I'm working on recreating that sound. Anyone know what they would call it even. I'm using Massive as my weapon of choice as well as ohmicide, camel phat and ableton's saturator, overdrive, and amp. I got the amp envelope to max sustain with a slight attack on it. That part sounds right. Also I know there's an envelope modulating the screem filter cutoff + scream amount. I know that envelope has a short-ish attack and full sustain. Still working on finding the right wavetables, wondering if I should use formant. Any input guys?
Re: Eptic is a BOSS
Posted: Sun May 05, 2013 2:29 am
by BassQemistry
Bump.
Experimenting with m-talk, bend +/-, modulation on intensity, and formant-saw.
Re: Eptic is a BOSS
Posted: Mon May 06, 2013 5:43 am
by BassQemistry
Any input guys? This type of bass/lead is an important element in dubstep nowadays.
Re: Eptic is a BOSS
Posted: Tue May 21, 2013 3:23 pm
by Jack Little
Sounds a whole lot like the scream filter to me
On massive:
OSC1: Saw wave, formant mode (select up the top right of the osc1 tab). Pitch -36
OSC2: Square wave, pitch -24
Filter 1: Scream
Set an envelope on the cutoff freq with attack at about 10-11 o clock, from all the way shut to all the way open
Set the 'Scream' Parameter at 1 o clock
Set the Res at about 3 o clock
Insert 1: Parabolic Shaper, full dry/wet, full drive
FX1: Classic tube, full dry/wet, full drive
EQ: Boost the high to about 2 o clock
For finesse I'd play around with the OSC2 waveform, but this is pretty close
Re: Eptic is a BOSS
Posted: Wed Jul 24, 2013 4:03 am
by GangstaFish
Jack Little wrote:Sounds a whole lot like the scream filter to me
On massive:
OSC1: Saw wave, formant mode (select up the top right of the osc1 tab). Pitch -36
OSC2: Square wave, pitch -24
Filter 1: Scream
Set an envelope on the cutoff freq with attack at about 10-11 o clock, from all the way shut to all the way open
Set the 'Scream' Parameter at 1 o clock
Set the Res at about 3 o clock
Insert 1: Parabolic Shaper, full dry/wet, full drive
FX1: Classic tube, full dry/wet, full drive
EQ: Boost the high to about 2 o clock
For finesse I'd play around with the OSC2 waveform, but this is pretty close
Good text tut. I also added and envelope to the formant intensity on the -36 saw. Starting the envelope at 12 o'clock going all the way to the right. ADSR for that envelope has an attack time pointing at 12 o'clock as well.
