Dubstepforum.com

I used to give a shit ton of advice on here and get paid to do video series for ADSR or whatever it's called https://www.youtube.com/results?search_ ... ssive+adsr have fun with those videos.
All you guys looking for exact patches or answers... fuck off. Experiment and tear apart the presets in your vsts or hardware synths.
This board is not meant to be how do i replicate current sound producers shit.

This board is meant to make you guys understand synthesis, what diff effect processing does and the diff chains to start.
Maybe you'll learn mics and how to record or PA rigs.

My life is going well i have a room just for audio and I'm just making trap on an mpc4000 i saved for, just dont be assholes and write out your goals and dont clutter this board for basic shit like a reese or hoover

More production workthroughs on how you've made certain songs!

More discussion of weird old computers used in your production process!

More cat pictures!


W/b m8 xx

Hey deadly! What brings u back to this black hole of production talk?

Post beats or get merked deadly.

deadly habit wrote:I used to give a shit ton of advice on here and get paid to do video series for ADSR or whatever it's called https://www.youtube.com/results?search_ ... ssive+adsr have fun with those videos.
All you guys looking for exact patches or answers... fuck off. Experiment and tear apart the presets in your vsts or hardware synths.
This board is not meant to be how do i replicate current sound producers shit.

This board is meant to make you guys understand synthesis, what diff effect processing does and the diff chains to start.
Maybe you'll learn mics and how to record or PA rigs.

My life is going well i have a room just for audio and I'm just making trap on an mpc4000 i saved for, just dont be assholes and write out your goals and dont clutter this board for basic shit like a reese or hoover

Your attitude stinks. I think you should go elsewhere if you don't like people asking questions or "cluttering the board up".

Paddy McMurphy wrote:

deadly habit wrote:I used to give a shit ton of advice on here and get paid to do video series for ADSR or whatever it's called https://www.youtube.com/results?search_ ... ssive+adsr have fun with those videos.
All you guys looking for exact patches or answers... fuck off. Experiment and tear apart the presets in your vsts or hardware synths.
This board is not meant to be how do i replicate current sound producers shit.

This board is meant to make you guys understand synthesis, what diff effect processing does and the diff chains to start.
Maybe you'll learn mics and how to record or PA rigs.

My life is going well i have a room just for audio and I'm just making trap on an mpc4000 i saved for, just dont be assholes and write out your goals and dont clutter this board for basic shit like a reese or hoover

Your attitude stinks. I think you should go elsewhere if you don't like people asking questions or "cluttering the board up".

I mean just look at this board:

How do you know when a tune is finished?

How do you start each track off?

^those two, like u wot m7

FL Studio Mods ( like videogame !)

Skrillex, Zomboy, Filthzilla etc. Snares

Skrillex Ragga Bomb

Skrillex - Fire Away drums?

Skrillex - Recess (Milo & Otis remix) sound

very common High Pitched lead

That's just the first page. What we are supposed to see here are advanced USEFUL production techniques, not trying to copy Skrillex' bass or snare all over again.
For example:
1. To increase the snappiness of your snare without actually increasing its level, use a multiband transient shaper, add attack on the high band, and the most important step: set a hard clip on the same level as your unprocessed snare. You are left with a snare peaking on the same level, but much more snappier.
2. If you want to make your drums sound fuller, put a harmonic exciter on them, use tape saturation, drive the excitement on the highs all the way up, but use low dry/wet. It works. Very well.
etc.

I think that "how do you start a track" and "how do you know when it's finished" are two relevant production questions. I don't think they should be called assholes and told to fuck off by the self important OP.

And your tip isn't exactly advanced and only useful to someone who needs it. No more useful than the two questions above.

Re the sound design questions...that is what the sound design sub forum is there for

Paddy McMurphy wrote:I think that "how do you start a track" and "how do you know when it's finished" are two relevant production questions. I don't think they should be called assholes and told to fuck off by the self important OP.

And your tip isn't exactly advanced and only useful to someone who needs it. No more useful than the two questions above.

Only useful to someone who needs it?
>implying there is a song without snare or drums.
Not advanced? If you bring up the topic of harmonic excitement on dsf you get responses like "LOL U NOT A #TRUHEAD WE ONLY EQ KEK"
"How do you start a track?" being a more useful question than my tips? Please get on a level if you want to discuss.

wub wrote:Re the sound design questions...that is what the sound design sub forum is there for

You know, you're right.

ftwgmorm wrote:Only useful to someone who needs it?
>implying there is a song without snare or drums.
Not advanced? If you bring up the topic of harmonic excitement on dsf you get responses like "LOL U NOT A #TRUHEAD WE ONLY EQ KEK"
"How do you start a track?" being a more useful question than my tips? Please get on a level if you want to discuss.

OMG! Do you think that every single person needs your tip? OMG I have to add harmonics to that snare! And that one! And that one! MOAR HARMONICZ BITCH!

Sorry, but you're tip is only useful to someone that needs it, and I don't, so it's rubbish.

Paddy McMurphy wrote:OMG! Do you think that every single person needs your tip?

Yes.

Paddy McMurphy wrote:OMG I have to add harmonics to that snare! And that one! And that one! MOAR HARMONICZ BITCH!

It was actually about transient shaping, but whatever.

Paddy McMurphy wrote:Sorry, but you're tip is only useful to someone that needs it.

*your

Paddy McMurphy wrote:and I don't, so it's rubbish.

k

Overall 4/10

ftwgworm wrote:It was actually about transient shaping, but whatever.

ftwgworm wrote:2. If you want to make your drums sound fuller, put a harmonic exciter on them

Looool! Whatever, fool. Thanks for the "protip", but you can keep it.

Paddy McMurphy wrote:OMG I have to add harmonics to that snare! And that one! And that one! MOAR HARMONICZ BITCH!

mromgwtf wrote:1. To increase the snappiness of your snare without actually increasing its level, use a multiband transient shaper, add attack on the high band, and the most important step: set a hard clip on the same level as your unprocessed snare. You are left with a snare peaking on the same level, but much more snappier.

snare
snare
snare
snare
snare

multiband transient shaper
multiband transient shaper
multiband transient shaper
multiband transient shaper


do u even lift u cheeky tnuc face m7?

Loooool! Somebody got their knickers in a twist? I guess you didn't say what I quoted you saying then? Lolol! Hmm, what's more likely - that you didn't say it? Or that your brain doesn't work properly. Lol! Lol!

I think the answer to that question is clear ladies and gentlemen - this person is mentally ill.

ftwgworm wrote: do u even lift u cheeky tnuc face m7?

I have no idea what you're trying to say.

Anyhow, you've been here a few days. What makes you think you're qualified to give tips? Please, keep your shoddy advice to yourself.

Paddy McMurphy wrote:Loooool! Somebody got their knickers in a twist? I guess you didn't say what I quoted you saying then? Lolol! Hmm, what's more likely - that you didn't say it? Or that your brain doesn't work properly. Lol! Lol!

I think the answer to that question is clear ladies and gentlemen - this person is mentally ill.

wot the fok did ye just say 2 me m7? i dropped out of newcastle primary skool im the sickest bloke ull ever meet & ive nicked ova 300 chocolate globbernaughts frum tha corner shop. im trained in street fitin' & im the strongest foker in tha entire newcastle gym. yer nothin to me but a cheeky lil bellend w/ a fit mum & fakebling. ill waste u and smash a fokin bottle oer yer head bruv, i swer 2 christ. ya think u can fokin run ya gabber at me whilst sittin on yer arse behind a lil screen? think again wanka. im callin me homeboys rite now preparin for a proper scrap. A roomble thatll make ur nan sore jus hearin about it. yer a waste bruv. me crew be all over tha place & ill beat ya to a proper fokin pulp with me fists wanka. if i aint satisfied w/ that ill borrow me m8s cricket paddle & see if that gets u the fok out o' newcastle ya daft tnuc. if ye had seen this bloody fokin mess commin ye might a' kept ya gabber from runnin. but it seems yea stupid lil twat, innit? ima shite fury & ull drown in it m8. ur ina proper mess knob.

Paddy McMurphy wrote: Anyhow, you've been here a few days. What makes you think you're qualified to give tips? Please, keep your shoddy advice to yourself.

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I'm here longer than you, you cheeky tnuc face newfag m7.

Paddy McMurphy wrote:Loooool!

Paddy McMurphy wrote:Lolol!

Paddy McMurphy wrote:Lol! Lol!

u havin a giggle m8?

☐ Not REKT
☑ REKT

ftwgworm wrote:Incoherent rant

Lool! Shoddy advice is shoddy advice, nonetheless.

Paddy McMurphy wrote:

ftwgworm wrote:Incoherent rant

Lool! Shoddy advice is shoddy advice, nonetheless.

me homeboy made a video for u


btw
>incoherent

this thread is literally the perfect example of exactly why I never visit production any more

ps "how do I start a tune" OPEN YOUR DAW AND START A FUCKING TUNE.

i've said it before but production nowadays is so pedantic. people spend so much time worrying about HOW to make music that they never end up making any. just jam the fuck out