Wobble bass automation or freehand?

hardware, software, tips and tricks
Forum rules
By using this "Production" sub-forum, you acknowledge that you have read, understood and agreed with our terms of use for this site. Click HERE to read them. If you do not agree to our terms of use, you must exit this site immediately. We do not accept any responsibility for the content, submissions, information or links contained herein. Users posting content here, do so completely at their own risk.

Quick Link to Feedback Forum
Locked
xthewiddler
Posts: 1195
Joined: Sun Mar 30, 2008 4:36 am
Location: Jersey
Contact:

Wobble bass automation or freehand?

Post by xthewiddler » Sun Apr 06, 2008 1:00 am

its much simpler to freehand the knob when you are synced to the beat

but whats the best way to achieve good wobble variety?

do you guys use only automation or freehand? or both?

User avatar
futures_untold
Posts: 4429
Joined: Thu Dec 13, 2007 9:25 pm
Location: London
Contact:

Post by futures_untold » Sun Apr 06, 2008 1:13 am

Depends on the desired effect...

Most of Caspa's basslines sound like they are LFO synced

But for more bouncy niche like basslines or basses that suck in, I tend to reach for a ADSR.

Also, if my bass patch has multiple controls, I automate varios contols inthe sequencer whilst others will generally be tied to at least on ADSR or LFO..!

Seperately... say one uses an eq or reverb to change the tone of the bass for one segment, I usually freehand automate the switches..

Hope that helps! :)

User avatar
lonecurrent
Posts: 22
Joined: Tue Apr 01, 2008 5:46 am

Post by lonecurrent » Sun Apr 06, 2008 1:30 am

diff for every track. music is play not work - don't approach it with technique and theory, approach it with innocence and a smile. think of it as finger painting rather than architecture in every situation you can. experiment and let your subconcious react to what you hear until you have a coherent idea from fiddling and playing.

that being said, a few areas to play with:

talking about the filter cutoff:
1. draw in the automation
2. record the automation.
- ie) link your modwheel to the filter cutoff, then rock out like you're a guitar hero. get several bars down and then take the best ideas. maybe grab the pencil and fine tune them a bit if they're not quit on the beat or a bit rough.
3. take an lfo and have it modulate filter cutoff.
- modulate the intensity of the lfo manually or with an lfo, so that the filter is moving up and down at one speed, but varying the distance travelled for added expression.
- modulate the speed of the lfo manually or with an lfo. fun fun fun! this is sort of like drawing in the automation, except your ideas will be different in the end. you hear this a lot in dubstep today.
- modulate the speed of the lfo

xthewiddler
Posts: 1195
Joined: Sun Mar 30, 2008 4:36 am
Location: Jersey
Contact:

Post by xthewiddler » Sun Apr 06, 2008 3:06 am

nice, thanks for all your tips

this is what i have come up with so far, let me know what you think

http://bikinieditorial.com/yoni/wid/dubfreetest.mp3

User avatar
futures_untold
Posts: 4429
Joined: Thu Dec 13, 2007 9:25 pm
Location: London
Contact:

Post by futures_untold » Sun Apr 06, 2008 3:32 am

I love the hard hitting beat and the filtered out bobbly bass that kicks in at 00:41 seconds!

Keep onit :)

User avatar
Sharmaji
Posts: 5179
Joined: Sun Jan 22, 2006 5:03 pm
Location: Brooklyn NYC
Contact:

Post by Sharmaji » Sun Apr 06, 2008 6:04 am

the fun-yet-responsible way: record the autiomation via a midi controller, and edit after the fact. more rockin' out with the speakers blazin; less fiddly-mousing shit.
twitter.com/sharmabeats
twitter.com/SubSwara
subswara.com
myspace.com/davesharma
Low Motion Records, Soul Motive, TKG, Daly City, Mercury UK

xthewiddler
Posts: 1195
Joined: Sun Mar 30, 2008 4:36 am
Location: Jersey
Contact:

Post by xthewiddler » Sun Apr 06, 2008 6:36 am

TeReKeTe wrote:the fun-yet-responsible way: record the autiomation via a midi controller, and edit after the fact. more rockin' out with the speakers blazin; less fiddly-mousing shit.
yes i find that is usually what happens, the only time i like to go straight to automation is when i have a set idea in my head, other wise, its knob turning

User avatar
silentk
Posts: 1234
Joined: Sun Oct 14, 2007 8:22 pm
Location: Lewisham

Post by silentk » Sun Apr 06, 2008 8:12 am

my personal favorite here is (FL Studio 7 btw):

getting a nice sounding crunchy wobble bass in v-station, assign an lfo to the filter cut-off at your desired speed, and whack in an automation clip to control this. then add a camel crusher to it, get the "tubewarmth" preset, then assign one of the knobs on my Oxygen 8 v2 to the filter cut-off, and one to the resonace. then hit record, start your track, and go nuts :D
Soundcloud

*****************************
Free Debut Release - http://www.vektarecords.com/releases/vr002/

Locked

Who is online

Users browsing this forum: No registered users and 0 guests