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For People who can't automate NI Massive LFO
Posted: Tue Jan 20, 2009 9:28 pm
by aftee
Yeah, I know it's pretty simple and obvious, yet for some reason i've overlooked it..and I know a lost of people dont' know how to automate it and have to open multiple instances of the vst, which then ends up fucking with the sound and things of that matter...
Quite simple, when you record just use the rate knob instead of switching the rate in the sync because it won't pick that up...sure it won't be perfect, but you've got some more variety to your track
Posted: Wed Jan 21, 2009 12:36 am
by boyd
Depone wrote:i have had no probs with it. i just put one of those small yellow macro knobs controlling the rate, and automate the macro knob instead.
Could you or someone explain how to do this? Never touched the macro controls, not sure how to go about using them.
I find it OK automating the unsynced rate knob, but find it hard to get it sounding exactly how I want. Plus for some reason as midi it sounds on time then when i bounce it to audio it goes out..
Thanks in advance, big up the massive lfo automation problem solving massive.
Posted: Wed Jan 21, 2009 12:42 am
by humancond1tion
boyd wrote:Depone wrote:i have had no probs with it. i just put one of those small yellow macro knobs controlling the rate, and automate the macro knob instead.
Could you or someone explain how to do this? Never touched the macro controls, not sure how to go about using them.
I find it OK automating the unsynced rate knob, but find it hard to get it sounding exactly how I want. Plus for some reason as midi it sounds on time then when i bounce it to audio it goes out..
Thanks in advance, big up the massive lfo automation problem solving massive.
I'm pretty sure you just right click the black box on the knob you want to affect and click Macro > Then whatever number.
Posted: Wed Jan 21, 2009 1:16 am
by aftee
Depone wrote:Actually. im wrong. You cant do it. Just duplicate the massive patch and have one with one rate, and the other as the other.
that's what this thread solves...
Posted: Wed Jan 21, 2009 1:21 am
by thetaco
Depone wrote:Actually. im wrong. You cant do it. Just duplicate the massive patch and have one with one rate, and the other as the other.
doesn't really work if you've got any kind of portamento on your bassline.
Posted: Wed Jan 21, 2009 7:09 am
by misk
massive is poop
Posted: Wed Jan 21, 2009 7:18 am
by yeager
for those who don't know-now yaa know. sylenth.
Posted: Wed Jan 21, 2009 7:19 am
by dj vision
just learn z3ta or any other synth that has automatable synth capabilities
Posted: Wed Jan 21, 2009 9:22 am
by dub adiktion
IM RALLY SORRY FOR THIS QUESTION BUT I WANT TO START PRODUCING MY OWN DUBSTEP AND YOU GUYS KEEP GIVING SO MANY SYNTH OPTIONS, IS THERE AN EASY ONE TO START WITH AND GET THE HANG OF SO I CAN WORK MY WAY UP???
Posted: Wed Jan 21, 2009 10:00 am
by deadly_habit
Posted: Wed Jan 21, 2009 10:17 am
by deadly_habit
oh and
http://www.youtube.com/watch?v=epyjrwSRA9E
personally pick one with features you like
read the manual and read more and more and tinker around
Posted: Wed Jan 21, 2009 6:20 pm
by gh02
DUB ADIKTION wrote:IM RALLY SORRY FOR THIS QUESTION BUT I WANT TO START PRODUCING MY OWN DUBSTEP AND YOU GUYS KEEP GIVING SO MANY SYNTH OPTIONS, IS THERE AN EASY ONE TO START WITH AND GET THE HANG OF SO I CAN WORK MY WAY UP???
sssssssshhhh!
I'd have to say there isn't one easier to learn than any other.... they mostly work in pretty much the same way. One piece of advise tho...dont try learning 5 at once! .. it'll save you alot of time in the long run. Also theres really no point in askin a Q like that on here seeing as everyone will just recommend wot they use!
havin said that...get either Massive or Albino
lol
.
Posted: Wed Jan 21, 2009 6:29 pm
by caeraphym
Posted: Wed Jan 21, 2009 8:40 pm
by Brisance
LFO is inferior to ADSR anyway. use ADSR and link attack (and decay) to velocity.